Japan's Number One Otaku

This author has fallen into a weird circle. He doesn't even know what readers like to read. Ghosts like to read the rich second generation and the rich third generation. Your best book is about diaosi (ordinary people) to chaebols, not the third generation of ghosts. Can't you copy a model? Readers also like to read, reborn 15 years ago in 2010, doing the Internet in Japan, what is the Japanese version of WeChat, ins TikTok, and then deconstructing the chaebol, gray industry, entertainment industry, old America, and Hollywood

Every time the protagonist chats with others, he will start talking about the current situation of society within two or three sentences. He also has to talk about the current situation of society when chatting with men and women. Without this routine, will the protagonist not be able to communicate with others?

If you have money, you have money. If you don't have money, you don't have money. You don't have to be happy to pretend to be poor. It's too fake. Since it is better to set the male protagonist as a poor boy from the beginning, it also saves you from pretending to be poor. Nothing natural at all

The protagonist has always wanted to be poor, otherwise he wouldn't have been pretending to be poor. Wouldn't it be nice to give up his identity and become a real poor person? This fulfilled the protagonist's wish.

As usual, there is also a sister-in-law

1. The rhythm is sparse, the logic is full of flaws, the characters' actions have no motive, and the more you watch, the more awkward you become. 2. The writing is as dry as a running account, the plot is old-fashioned and has no new ideas, and the whole process relies on the number of words to make up the space. 3. The characters are seriously broken down, and the plot is forced to be witty, which makes people dig their toes into the ground and abandon the text.

That is to say, I don't like people who are older, I don't like people of the same age, and I don't like people who are younger.

Habitual eunuch😤

I remember one year when you published a new book, I gave you my opinions and discussed it. No matter what the characters in your book do in Japan, in the end they are tied up by the Americans. Many Japanese animations are empty or simply not American. In reality, it doesn't matter if the mold can't be driven away. Why don't you dare to write a novel to get rid of the mold? A country like Japan would be better off in every aspect without mold.

I can't stand it at all. There must be something wrong with this starting point. It keeps pushing junk books to me.