Tokyo: Earth Online Cartoonist

The other plots don't matter, but the ancient story about a beautiful girl getting a nosebleed when she changes her clothes... What does that mean?

I can't imagine getting rich as a cartoonist. Since it takes about a day to draw a comic, it can go faster if you have an assistant. With an assistant, I can probably produce one episode a week. It's not like a light novel where you can play alone. It can only be like a punch

With this subject matter, we are here to see you copy comics and see the protagonist draw those world-famous comics and conquer the readers. If you consider morality, just set up a parallel world. What original comics do you draw on this subject? Who wants to see what original comics the protagonist has drawn? And you copied the giant, and then started to create something original. It's a bit hard to understand

When will this water come out? Isn't the point of reading this kind of book just to move the works here and see the reaction there? It's almost 700,000 words. You, a giant, have written more than 200 chapters. As a result, the end of Giant is still far away, and the anime has not even been launched yet. Yes, there are several other comics, but they are all short comics that have not been serialized. If you write like this, are you planning to write other long-form serialized comics? You have over a million words, and the protagonist is drawing a long series. I am afraid that there is still only one giant. The name of your book might as well be changed to "I Painted Giants in Japan". The current title cannot be said to have nothing to do with the plot, I can only say that it has little to do with it.

At the beginning, it was reasonable to draw giants. Later, I drew Wu Song, the Five Elements of Mist Mountain, and the dragon clan... Gradually, it became inexplicable. Drawing the dragon clan in Japan... In reality, the dragon clan has been neglected in Japan. It was only this novel that suddenly became popular in Japan. There is no sense of immersion.

This is not called daily life. The same words can be said several times in countless ways. The same plot can go by for several days without making any progress. A large amount of space is devoted to describing things that feel like I have seen them several times. I can talk about it with arrogance. If I don't like it in daily life, I feel that it is only perfunctory and I can only say goodbye.

The first Japanese V anchor I followed, Kaon Mashiro, graduated 😭😭

I don't understand how debts and the like must be used to advance the plot of the entire comic book. Many novels do this. Can't drawing comics be a pure love? In time travel, it's much faster to make money and pay off debts than in comics, right?

No, why is there another person who likes to use knives? Animation copywriters are now one after another, almost all of them are people who use knives. I am confused. If you don't choose from various types of masterpieces that are both popular and popular, you have to take revenge on the world all the time. Is this sick?

In this type of article, the selection of the works to be transported and the evaluation of the actual works are quite important. The evaluation of "Demon Slayer: Kimetsu no Yaiba" in this article is that "the story is too good", which makes people question the taste of the protagonist.

Why is the author getting more and more popular? Every chapter has similar content over and over again. Can you advance the plot well? Always talk about giants and how popular they are now. To be honest, I have almost no desire to follow more.

It's quite interesting. Nowadays, many people who write this kind of literary comics don't draw popular comics, but instead draw niche comics for some reason. It's like a literary youth disease. This book is very beautiful, and the daily life interspersed with it is also very interesting.

Maybe it's because although the country developed twenty years ago, it has not yet become strong internationally. In addition, there are many toxic books and periodicals such as Yilin that smell of foreign air. Therefore, in addition to the literary youth, the content also has a strong petty bourgeois sentiment... So the first few Jiangnan parts have no Chinese content at all. Not only is the combat system weak and featureless, but the location of the first decisive battle also seems to be problematic now. It is best to change it to the academy and negotiate with China, otherwise it will be easy to be scolded!

After reading Chapter 53, I feel that the author wants the protagonist to take an original route. I actually don't recommend this very much. The audience comes here to see the bumpkin from another world. Why don't you write your own original comic and why don't the audience just look for the comic and pay to read the plot that you don't understand?

It's normal to intersperse daily life, but this author's skills are all about rambling a plot that can be solved in a few sentences and writing every detail to expand it into hundreds of words or even a whole chapter of nonsense, and not only the protagonist, but also the supporting characters. The daily routines of passers-by A, B, B, and D are not spared. First, we will tell you what they have done in the past few days, and then what they have done today. It is really full of water, and the plot of the comic is also repeated three or four times, which makes people more and more annoying as they read.

I'm not good at it. I can write three chapters on a trivial matter and update it every day. It's not enough.

Xiao Nanniang, right? Don't think I can't see it.

Single, hundred, married 😰

What he is actually talking about is that when Long Yi fights Norton, it is best to have orthodox people appear and accompany him, making it clear that the government will always keep an eye on this battle - and then there is a reason to let it go. After all, who would want their wonder to be built on top of a bomb?

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To be honest, I'm really afraid of the author. One day you will stop writing and run away. In fact, the subject matter and content are still okay, but they are too watery.

It would be nice if there was a scene in the future where Sun and Moon make the same mistakes, but unfortunately Sun and Moon are still a bit niche.

Author, where did you get the courage to write like this? Did Liang Jingru give it to you? Change the ending of the giant?

It looks good, come on Some people think that water is normal in daily writing. The author does not need to care too much about this. In the end, he will not be able to write. Finally, I wish the author a speedy recovery.

I feel like the content is less watery than before. But still acceptable

No, the first book is well written. Try to find the feeling of the first wave. Author

Alright