Chinese Showbiz 1998: A Director for the National Team!

I saw it on the shelves What can I say, the content and creativity are still attractive, but the author's writing style and rhythm control are so bad that dogs shake their heads after reading it. Not to mention the writing style, none of the characters, including the protagonist, can be described as vivid. To say the least, there are not even many characters with memorable points. It's like they are clones with names on their heads. They have the same makeup and the same face. There is nothing that would leave people with different memories. But this is not the biggest problem. The biggest problem is the author's control of the rhythm of the article. For some reason, he felt that he might delay writing in detail. I am talking about the time in the early stage of the plot when the protagonist wanted to go on a TV show to debate. What is that? It's fair to say that the scene in the plot where the male protagonist is allowed to show off his coolness is one of the few moments in the early stage when you can reasonably show off the protagonist's highlights when you can't stand on a mountain eagle and overwhelm Lao Mouzi. As a result, you actually skipped it. Then the selection process of the August 1st military drama before it is put on the shelves. In this scenario involving the social status quo at that time (reform), the complex international situation (Yugoslavia), and the cross-river military reform, there are many things you should know but do not need to write them down. You should consider these as comprehensively as possible, and then make choices in the plot, but don't use large-scale dialogue and plot to pull all of these out as you do now, deliberately dragging out the answers in an attempt to break them up bit by bit for the readers. The reason is very simple: ① There is a threshold for understanding. If you don't really understand some of the peculiarities of the times, it would be difficult to understand why the people of the country were so angry at that time, but they couldn't let go of military dramas - the market is obviously so hot that even mindless dramas about ripping off Japanese soldiers can still make their mouths water by feeding on their emotions. If the reader doesn't understand this, then your dialogues will seem to him to be a very disgusting hydrographic and dragging rhythm, making the Riddler; ② Even those who understand it will not like it. Why do people prefer to use swords? Because Liangjian doesn't talk about doctrine, sacrifice, and building a new China with you from the beginning. Instead, he directly fights the Japanese in the first episode, using a tough-headed and even bandit leader to tell everyone that he is a qmb little devil. Are the readers here to see you and a group of old fools arguing with each other to lay the groundwork for writing three thousand words without any ideas? ③Hide the plot that everyone likes, but make it big later. Let's take the plot of the Bayi film selection as an example. There are several chapters where a few people are involved in selecting the film, and by the end of the chapter, there is still a burden to be dealt with, not to mention what was selected. After showing off his wits, he proudly declared that he wanted to transform into a magic fusion, but was sprayed with disgrace. ... What are you planning? In online articles, content that may cause controversy is inadvertently written in unimportant places, preferably in the middle or late part of a chapter. Isn't this a trick that all normal writers should know? It won't affect the main plot, and it won't be troublesome to delete it if it's too controversial. Secondly, it will give everyone plenty of room for book review discussion, and commenting on irrelevant chapters will not affect subsequent book pursuits. Thirdly, people who do bad things every day know that when they do bad things, they should pretend to be careless mistakes, so that they can get away more easily when they are discovered. Fourth, at least it will not affect him from reading the previous text and will not affect his subscription. But you're not. You just looked at me in the audience and then blew yourself up. I can only say that this book is readable, but the author is like a newbie, and for those who care about smoothness, I recommend waiting until enough chapters are saved before reading. He too likes to use plot foreshadowing rather than the plot itself to express his views. The director uses his work to speak, and the author should also learn to use the real plot to speak. If you can't convince readers and make them like it in the main text, can you do it by relying on the author's words at the end of the text? I think of one director who does this, Chen Kaige after The Promise. Save up more and read it all at once, so that when the author is sick, you can adjust the memory mode of the cerebral cortex to skip the rest of the plot. Creativity: ★★★★ Writing: ★★☆ Plot: ★★★☆ Characters: ★☆ Thoughts: ★★★★☆ Overall evaluation: Sound thinking, good creativity, worth watching. But the characters are not vivid enough and the writing is rough, which are also shortcomings. The author likes to lay out a lot of debate and dialogue before pushing the main line, which leads to high subscription costs.

Hope you get better soon

I have set 20 chapters to reward you for your early work. Halfway through, I saw your comment saying that it was original. I felt half-hearted. I took a look at the table of contents and found that it was written about Zhengde. My heart felt half-hearted again. I opened the comment area and took a look at the atmosphere. When I saw Yu Qian and Tumubao, I basically understood. With a sense of luck, I skipped to read the content. When I saw your evaluation of Yang, the audience's reaction, and your evaluation of Ming history, I was completely heartbroken. Except for the scholar-bureaucrats who used their own values ​​to praise and criticize, the history of the Ming Dynasty generally portrays the emperor in a positive light. In fact, the history of great men has not been studied deeply, but that sentence is based on class matters. The Baozong was abolished and buried, and the Wuzong had a large-scale tax reduction and land return after Liu Liu and Liu Qi.    I've been meaning to ask you guys. Do you want central power to be centralized in the emperor or in the court? Do you gnash your teeth and denounce the darkness of the Qing Dynasty, or "I think the Qing Dynasty did a good job. The imperial power was greatly concentrated, freedom of thought was basically eliminated, all officials were obedient, and foreign wars were also taken seriously. If it were a Han emperor, it would be my ideal feudal dynasty." If you want to be righteous, you have to understand these two issues I mentioned, and then you can look back and review your righteousness story. Is it righteous? This leads to the second question. Let's first assume that the so-called "civilian group" exists. So, is it better to have this civil servant group, or not to have the emperor say the same thing? Need me to remind you? Is there anything that can not only constrain the mind but also make civil servants obedient? Facts have proven countless times that with the productivity of the feudal dynasty, the intermediate product of the "civilian group" (gentry) will definitely exist, and the gentry is already the mildest and most harmless intermediate product in the entire history of China. At this time, the emperor is complaining about his position, refusing to admit that cooperation between the two is greater than struggle, and even making remarks like "people's emperor". Is he bragging about the emperor of the Ming Dynasty or scolding him? Comparing Wanli and Chongzhen (if you are an extreme fan. If you don't admit that Chongzhen has power, then you are better than Tianqi). It is already obvious that the so-called civil official group is the pillar supporting the entire Ming Dynasty. The civil official group is the Ming Dynasty itself. If the "civilian official group" is corrupt, the Ming Dynasty will be corrupt. If the "civilian official group" fights within, the Ming Dynasty will fight within. If the "civilian official group" is persecuted, the Ming Dynasty will decline. Please note that what I am talking about here is the "civilian group" rather than the civil servants. After all, in the general context, this word refers to the collusion group of "officials, businessmen and landlords". (Every time I read plausibly, I feel ridiculous. This thing is equivalent to the capitalist middle class and the socialist proletariat. It is obviously the political cornerstone of feudal society, but it is called a moth) Unfortunately, if you are just an ordinary author, I will continue to read it, but if you want to write this book as "correct", then please don't use historical views and historical materials from unknown novels to show off your own correctness.

It doesn't matter. You go to a movie studio? Once you get in, you're just a prop mover! This is reality!

The introduction of the introduction is unqualified. This book is obviously written to take advantage of the macro-high-profile traffic and seize the narrative power of mainstream culture. However, the introduction shows more of the opposition of personal cognition. Your introduction should learn more from other similar works on the same site, and have the momentum to hit the target with one punch to avoid hundreds of punches.                                                         And you must have the patience to be hacked. Netizens suggest that you also have your own ideas. Some hackers will obviously report you, some will definitely pretend to be fans and lead you into a dead end, and some will be picky about the details of the logic. This is the most insidious. It will affect the probability of the people who are diverted to open the book. You think he is right, he must have his own way of sticking to the details. Logic, but often there is a problem here. Writing a book is about writing fantasy. To combine the logic of reality, you must also have an ideal breakthrough that transcends logic, so that it can be interesting. So whether you are praising or nitpicking, you must be prepared for the worst. There are several similar books on this site that have been reported quite frequently. Too many reports can affect the author's writing mentality.

It's difficult. The author's so-called anti-Qing palace drama is to forcibly wash and film the bad emperors of the Ming Dynasty. I don't know whether to praise the Ming Dynasty or to criticize the Ming Dynasty. People hate the Qing Dynasty because it was a foreign ruler and did bad things. It does not mean that the Ming Dynasty was good.

I found that many Chinese entertainment novels like to write that Chinese movies have high box office overseas, which is too fake. As of June 2026, among all the movies in the world, except for Hollywood movies, there are only 5 movies from all other countries that can exceed US$200 million in overseas box office. "The Intouchables" (box office outside France): $260 million "Your Name" (box office outside Japan): $240 million "Dangal!" "Dad" (box office outside India): US$206 million "Demon Slayer: Mugen Train" (box office outside Japan): US$210 million "Crouching Tiger, Hidden Dragon" (box office outside Chinese-speaking regions): US$206 million Strictly speaking, "Crouching Tiger, Hidden Dragon" is a Sino-US collaboration. The total number of American films with a box office of >$200 million outside the United States: 706! ! ! Why is this happening? Because the United States is still the cultural center of the world, most foreigners don't like to watch movies from other countries except for their own people. People in most countries around the world are willing to watch American movies. Although American movies have not done well at the box office in China in recent years, most other countries in the world still like to watch American movies. There are still many American movies outside the United States every year, with a box office of more than 200 million US dollars. The main reason is divided according to proportion. Cultural barriers account for 80%, Hollywood distribution capabilities account for 15%, and other reasons account for 5%.

The merit of mountain carving is better than 28! Blockbusters have indeed promoted film industry technology, but looking at the people he trained, such as Rutaro, Kanjiro, and Wu, who are now in the entertainment industry and Beijing, he actually has to bear most of the responsibility, otherwise he would not have failed to make progress.

It is indeed a very honest novel. Just keep it this way. Career is the main thing. It is best not to touch girls in the entertainment industry unless that person is Liu Yifei.

What I felt in the early stage was not that of a national team, but that of a Northeastern team. After I arrived, I felt that the heroine had too many scenes and it was very annoying for viewers.

Filming more than 20 chapters of a documentary? Stop floating in the sky and do something like ordinary people. It's too high-end!

This book is okay. It's really interesting to read from different perspectives. If conditions permit, the author will make more updates! Come on, come on

The idea is big, but the reality is small. From the 1990s to the beginning of the century, movies abandoned a large part of the audience, and this is not something that practitioners can change. The movie "Journey on the Road" is a qualified and even excellent commercial road movie, but its audience is very narrow. It is not for farmers, but for urban petty bourgeoisie and some students. It satisfies their condescending sense of superiority. This is the purpose of comedy. Actually, the only way to really make a movie for Everbright's migrant workers is to send movies to the countryside before the 1990s. So, sometimes, there is no need to be too noble.

After watching it for a long time, I realized that the main character was reborn for the entertainment industry, for the people, for the world, and for the world, and was not reborn in the harem. What a man wants is to have a woman around him, not to have something in his heart. Haha →_→ Then I might as well watch Rebirth Eunuch Fuzuo Kiyōna. The writing is good, but the hope is wrong. The main character is reborn and enters the entertainment industry. The morals are too hypocritical, especially when the original work was created, the outlook is too nihilistic.

I can't stand it anymore after watching the release of "Jiaotu". Author, are you too old? Are you trying too hard to preach? Why don't you write the climax well and have to mix it with preaching? We don't understand? We want to read novels, not take ideological education classes. We are so tired from reading them. Now all those bs are finished. Think about how to write the climax. It's quite tiring.

It feels very real, unlike some novels where a group of 18-year-old freshmen or sophomores write a script, ask a teacher to organize it, and then go to the three major award-winning fake groups. This kind of thing involves interests and is not your own son. How can others help you? College students naturally have crew members who will not accept you and do too much harm to you. This movie is good at least after graduating from college and joining a TV series to gain experience. The most successful young director is actually the path of Chen Sicheng. He first makes TV series to get to know the actors and then organizes people to work together to make TV series and movies.

Hey, in these novels, can't you not pick up contradictions? Pick out conflicts at the beginning, have a grudge against someone, or someone did something to you. What, do you have any bad luck, or do you have some special destiny? No one can get along with you, no one can get along with you, even the dogs on the roadside will bite you twice if they look at you.

Are there only comments about Hongmeng system?

But there are too many common sense errors. I have only read ten chapters so far, and found several unbearable flaws. 1. If the author is unclear about copyright issues, working hours, or job duties, you do not have copyright in the content produced. Same globally. 2. China Film is not the superior of Beiying at this time, they are on the same level. 3. Jilin TV station paid for the production, how can it be possible that the copyright is 40%. Please refer to Stephen Chow Kung Fu Movies. Columbia paid for it and Stephen Chow was responsible for the production. Stephen Chow didn't own any of the copyright, it was all Columbia's. This is still a Hong Kong private enterprise. You are a cooperation between state-owned enterprises, you actually still have the copyright, and you can still agree. This leader is 100% stupid and will be fired. 4. If Yingda steals your script, can you make a sound? His father and he are from the Beijing circle, what do you think of someone who has no works? Do you know Huayi and Guangguang? The script submitted by others was plagiarized directly without a signature. The defendant was sued and the author was given tens of thousands of dollars. The author was still a civil servant. 5. TV series are paid per episode. There are thirty episodes in total. If a character appears in 20 episodes, he will be paid for 20 episodes. It's not like giving money by the day. How many days are paid per movie and how much is the package price? Looking at what the author wrote, it seems that he has done a lot of homework, but there are still many common sense mistakes. My head hurts when I see it

I don't know if Nortel has such a thing, but what do Tang Wei, Wang Jiazhi, and Guo Pingru care about the country? Who cares about the nation? Although it is a central drama, I don't know what the country's education has taught it. What a beast! In another novel, it was said that if you make a movie, just make Chinese people beat foreigners, and it will become popular! For example, "Ip Man" Wolf Warrior 2

If you join a state-owned enterprise, you can only be a single female lead, and the income is not much. Simply write and shoot the main theme of movies and TV shows?

The bright sword has become a positive energy? Can't you see the slander and rumors against the entire real people's army, which has turned into bandits and warlords?

The right way is to go overseas. Domestic fame is of no use. At least you have to become a famous international director. It is really not useful for one person to make a few films. Especially when playing for the national team, status is very important.

If the purpose of movies is not to make money, what kind of movies do you make?

Is there anything left to clean up about Zhengde? I really hope that the author can travel back to the Ming Wuzong period and see what a charming ancestor your favorite Emperor Zhengde of the Ming Dynasty was.

Do this, do that! If you clear out the cancer that is Huayi Brothers (all kinds of yin and yang contracts after the listing, leakage and escape), it is no more harmful than a Lu Tailang, and keep Alibaba out (after it comes in, it will do all kinds of illegal stock market operations under the guise of a film and television company) Cutting leeks to cheat), Jingxi Culture (the harm of various rice washing operations in Wu Ershan's Three Billion trilogy and then using special effects for 50 cents to fool the audience), and killing Zhao Zhitian (not to mention the crooked butt, working with Alibaba Pictures to cut leeks). If you don't deal with these heinous people, you'll be competing with Rikutaro and Yingda, who would have been swept into the garbage heap of history without you! And the national team! Unworthy! ! ! ! ! !

In fact, South Korea's kpop and Korean dramas depict a new century urban life compared to our country's film and television dramas of the same period. Dynamic, gorgeous, beautiful, fast-paced kpop and various Korean love-hate dramas are very interesting to watch and listen to. The best way for the protagonist to fight back is to film this kind of subject in advance, not to be satirical.

Nowadays, many copied articles do not include the plot of the copied work, which is a bit more exciting. I think back on how addictive the novels of the Aunt Push Maniac and the plot of being slapped in the face with the work were. Now if I don't write these and it is a big narrative, I will feel that the protagonist's character is not very three-dimensional, exciting and a bit empty.

It is recommended to save Zhang Chunru in 2004 and not let her fight alone. Making movies related to the Nanjing Massacre, using Zhang Chunru's perspective, etc.

Seriously TV will be off the main stage soon! ! ! There are so many TV stations across the country, but only a few are left! ! !