The Sun and Moon Are at Odds: Did My Three True Selves Really Become Dragons?

Jiang Mingzi, bloodthirsty from a young age, slaughtered living beings to survive, even eating the flesh and bones of his benefactor. After establishing his sect, he slaughtered his master's remains, taking the life of his closest friend. Due to this, he severed his thousand-year-old lineage.

Those who dare to traverse the sun and moon together from the very beginning are truly courageous. Looking forward to it.

[Barrier of Knowledge and Perception]: Blocking Block others' perception of the real world. For example, you might see something right in front of you but not be able to, or suddenly forget a move you were once familiar with. Advanced level: Conceptual shielding. For example, blocking the concept of being alive and blocking the supernatural powers of others.

Would you dare cast Jiang Mingzi as the female lead? 🤓

The author writes really well, but the later combat power is hard to balance. The minor supernatural powers are already so insidious, with concepts like "obstacles to perception," "unity of all," and "time reversal." I can't imagine how insidious the protagonist's innate supernatural power will become, or what kind of heaven-defying abilities he'll draw later.

Don't embellish the original work; it must be faithfully reproduced word for word, but at the same time, it cannot be copied verbatim 🙂. What an amazing person!

The protagonist, Gu Chensha, gathers extensive experience and deduces the ultimate secret technique, which spontaneously evolves infinitely, autonomously collects all civilizations, and cultivates according to the mental method, which can turn a person into an anomaly or even surpass the variable. The Dragonless Heart Method can accommodate any system.

If someone really time-traveled, wouldn't they be frantically protecting Wanye and forging an infinite future? Would any time traveler really cut off their own escape route?

Well written. In my stereotype, the world of "Sun and Moon in Misfortune" is a very rigid framework, making it difficult to write something compelling. This book, however, has two strengths: one, it doesn't overemphasize power levels; and two, it uses the present as a starting point to advance the plot across three different time periods, rather than treating them as fixed background settings.

If you don't understand, just ask: Can I be the female lead?