Reborn: The Odd One Out in Showbiz

To be fair, it's fine for Ya Hua Zi to have multiple female leads, and it's also fine for a single female lead if written well. The problem is that too many people are writing about her now. Apart from a few well-written single-female-lead books from the past, the rest are all written in a way that's overly sycophantic, even more so than reading urban romance novels.

Zhou Mengdie's design was an absolute failure; without that "divine touch," it would have been a masterpiece much earlier.

Even if you don't write about Hong Kong variety shows and movies, you could write about Hong Kong variety show dramas. Writing about the entertainment industry isn't for you; I'm certain you'll end up in palace intrigue—you just can't write about that.

This author has a very bad habit: there are too many female leads and the main character is weak... It uses the female lead to belittle the male lead and easily defeat him more than once... You have to be able to accept that to read it...

Why does the author have to drag Zhou Mengdie out of the story to disgust everyone? Or does the author really think Zhou Mengdie is such a great character?

The thought of someone constantly spying on you is really unbearable.

Lao Liu

High

A person as serene as a chrysanthemum

There's a major flaw: the protagonist's father and the assistant director are all showing off. What's the protagonist showing off for? In reality, it's the protagonist who orchestrated everything. Now, in other people's eyes, the protagonist is just a rich second-generation heir who made the movie. Most of the credit goes to the assistant directors. If the protagonist doesn't show off, how are we supposed to make our fathers soar and ourselves become rich second-generation heirs?