The Struggle of 1978

If you want to show off and slap yourself in the face, you must study hard. Don't set the difficulty level too high. If someone plagiarizes you and reports it, just admit defeat if the referee turns out to be your opponent's uncle. If you set up such a plot, you are afraid that it will slap you in the face. It is not in line with the reality and you will have no chance of comeback. The author, comrade, writes that what he writes in the novel is not enjoyable, but he always wants to add some pretentious plot. Since it is not a cool article, should it be more rigorous? Write less about those surreal things, and how did you design the protagonist? You want to mess up the direction of everything.

There is no problem with the logic, but I still want to write a sentence. If you want to be promoted, learn Shuangwen and think more from the reader's perspective. The work itself is a product, and the reader is a person who buys the product. You are a product developer, and the problems that customers respond to are pain points. If you don't solve the customer's pain points, do you expect customers to give you money? Be realistic Customers will not pay if they are unhappy, don't talk about suffering literature, this is an Internet article, everyone is not in that realm, Escape from pain, logical happiness is human nature, think clearly, I still hope you can write well

If not, tell me and I won't read further. If you still can't breathe in chapter 22, then I might as well change the character to someone from the same village or city. If you want to be so damn frustrated in chapter 22, I might as well not read it.

Since the protagonist wants to go to college and engage in industry, there is no need to write about farming in the countryside. If you want to write about rural farming, don't set the protagonist to be some kind of mechanical expert. There are too many plots unrelated to the main plot. The heroic protagonist works hard to farm in the countryside and leads the village out of poverty and becomes rich. What's the point of crossing over?

Just look at the introduction and you'll know it's a dead turtle, so you don't need to click in to read it.

Except for myself, all of you are villains

It's almost 200 chapters and you don't even plan to write a monk novel with a female protagonist? It's not a historical fantasy genre, it's a entrepreneurship novel in the urban era. Without a female protagonist, it will lose a lot of popularity. There is also the purpose of this book. It seems that the author's idea is to change the domestic industrial structure and help the country's industry to a higher level. But if you don't go to university or join the ministries and commissions, you just set up a township enterprise. No matter how good you are, you can only make some money, but you can't change anything. First of all, you have to engage in industry. You must at least have talented people. There are not many junior high school graduates in a village. You are exhausted by yourself. What can you produce? The policies are incomparable with those of coastal development zones, an inland city. The resources are not comparable to those of state-owned enterprises. For example, for the greenhouse vegetable demonstration base, 90% of the resources will not be given to Xiaomiao Village, but will be given to state-owned farms. There may be a little reward in Xiaomiao Village, but definitely not this much

I like. I just finished reading the author's last book of the same type.

Chapter 93, almost 100 chapters, aren't you anxious about going to college? There is no description of Harbin Institute of Technology at all. Is this the rhythm of going to Peking University in the future?

From my own point of view, what I look at when reading chronology is the atmosphere of life in that era, the tenderness, the family and the shortcomings. Maybe it was because I was wearing a filter to see it. From the clips I recalled from my parents' occasional chats, all I heard was pure and simple. There will be a lot of difficulties and a lot of hardships. But the most disgusting part among the clips I heard was that there was once a family that originally settled in our village. They couldn't bear being squeezed out by another family and applied with the team to settle in another village. The biggest villain is my uncle who has not been out of the fifth server. He doesn't like to work, has a bad temper, and is a bit of a scoundrel. This is the worst person I have ever heard of in our town. There were fights over water. We had heard in our village that people were not allowed to leave after paying public rations. This was done by some of my cousins ​​who were much older than me. They were in their teens at the time. For my father's generation, these things are already very, very big evils in their simple understanding. It is worth mentioning them verbally after twenty or thirty years. This is a very deep thing in their memory. So it is difficult for me to understand that the author, including many other authors who have written this type of book, can be so vicious to such an extent. This is so different from what I heard about the social atmosphere, moral concepts, and folk customs of that era. It gives me the feeling that some people and things that seem very vicious now are forcibly placed on the people of that generation. I don't know if the author can understand it, using an analogy. One of my cousins ​​picked her up, and when she picked her up, her mother was hiding behind the pig pen and saw through the cracks that my aunt took her into the house. From time to time, people later said that her mother secretly went to the place next to her house and wanted to go in but didn't dare to go in. As an aside, my uncle's family was the richest in our entire brigade at that time. My uncle, who was in his early forties, stopped working and walked on the road every day until he died of cerebral congestion at the age of fifty-one.