My Fleet Can Be Upgraded

After reading it for so long, I actually always wanted to remind the author: The title of this book refers to a fleet, not a battleship... 😅 Let's make a transition to the protagonist's battleship, and replace it with a flagship and command expertise. There are also motherships, birth ships, the stone that produces fire warships with certain resources, and women with suitable expertise... Reincarnated ship girls! ! 😏 Isn't architecture popular? Functional building upgrades and so on... Functional ships can also be upgraded with characteristics, and they can also help girls grow... Various battleships, engineering ships, collection ships, colonial ships, scientific research ships, breeding ships, entertainment ships... The point is that the ship girl can manage her own ship while living on the flagship... 😜 The energy is the kind that the flagship borrows from another space without having to return it. Having a ship girl on the flagship can supply energy remotely... As for the flagship (Harem) How to arrange it, uh, count the number of people first? ! 😏

No, the name is so similar to the book of Stove. To be honest, that book was indeed one of the few staples of Stove. The setting was indeed excellent five or six years ago, but it became more and more watery in the later period, and the emotional line was too bloody (sending a girl and a male partner to open a harem). I was almost in the later stage when I was in high school. As a result, when I was about to graduate from college, it was still unfinished, and it turned into an ancient crappy novel with map upgrades. I can only say that I hope the author will make some choices and learn from the settings, but don't learn from the disgusting third-rate plot 😅

There are only a few books of this type. In my impression, some of them failed to grasp the key points and collapsed. Some of the data and logic are so wrong that they fall apart, and I didn't even know to ask AI before writing. This one is okay so far.

First, let's make the settings clear: Jiang Lan is a reborn person with the memory of the game in his previous life, and he awakens from the [Player Panel], which means that his cognitive dimension towards the Zerg threat, the alliance, and the Northland King's trump card is higher than the current timeline. The setting in the book is also clearly written - the social atmosphere of the Spark Human Alliance is martial, and the Iron Fist at the top of the alliance will equally kill every individual and force who engages in interstellar massacre. This is the first logical fault: A reborn person who knows that the Zerg will bring civilization-level disasters, in an alliance where "the top iron fist will kill the interstellar mass murderer", saw evidence that someone deliberately opened the door to the Zerg - he didn't report it? This is not just a small flaw of "not reporting it", but directly penetrates three personality anchor points: The information gap advantage of the reborn person is actively castrated - isn't the meaning of your rebirth to "know the future script and prepare defenses in advance"? The S-level intelligence about the Zerg opening the door is exactly what the Reborn should be able to get out of, but the protagonist just keeps it in his hands and plays with it. The fourth natural disaster positioning of the "Player Panel" has collapsed - the core benefit of panel holders is "information + operation rights". Failure to report it is equivalent to locking the information in a safe, and the strategic value of the panel is only to brush copies. The seriousness of the alliance setting is backfired by the protagonist's behavior - the book repeatedly emphasizes that the top level of the alliance is ruthless, so the protagonist's reasonable expectation should be that "reporting = the King of the North will be taken over", and the benefits far outweigh the risks. He did not report it, but instead suggested that the alliance could not be trusted - but this is contradictory to the previous setting. Why did the author write this (I guess, but it does not mean that it is correct) I guess the considerations that cannot bite the hairy belly are probably the following: Shuangwen rhythm kidnapping: After reporting it, the King of the North was taken away by the top management for investigation, and the protagonist was unable to personally reap the plot benefits (seizing C-class battleships, recruiting forces, and establishing prestige in the Beizawa Sector). The author is reluctant to part with this piece of meat. Desire for information control: Only by allowing the protagonist to "exclusively possess the evidence" can the protagonist maintain the sole right to speak. Once reported, the protagonist will be downgraded from "chess player" to "reporter". Create subsequent explosive points: keep the evidence as a trump card, and wait for the protagonist to be C-level or even B-level before doing another wave of "expose in public, return of the king". But these reasons are not reasonable on Qidian. Com's paid platform. If I need to read mindless books, wouldn't it be better for me to read Tomato books? No money required! In a true interstellar plot, the protagonist will report it, but the object, method, and timing of the report are all games - it can be reported to political opponents, to the Alliance Supervision Department, or to the judicial institution related to Jiang Shuying's "Judge of Good and Evil" abilities, and use the rules of the alliance to defeat the King of the North. This not only retains the protagonist's operating space, but also does not destroy the "rational person" setting. The author chose the laziest option: asking the protagonist to "temporarily tolerate and secretly plan", but this "temporary" lasted from the first investigation of the Zerg to the opening of the wormhole, which spanned nearly 50 chapters and has not yet been reported. This is not tolerance, but plot dementia. Is it because the alliance has been infiltrated by the King of the North, and reporting it will only alert the enemy? (There is no foreshadowing in the book) Is it because the protagonist is not powerful enough? If he reports it, will the King of the North bite him back and accuse him of "forging evidence"? (The Rhine family identity of the protagonist in the book is actually quite strong) Does the protagonist want to personally capture the King of the North to gain political capital? (This motivation book is not fully written) Without explaining anything, the protagonist is asked to "look at the evidence of the Zerg opening the door but stand still". What I see is not a strategic Jiang Lan, but a puppet held by the author's strings. This is the real reason why I said "being fed a piece of shit" - it's not that the plot itself is rubbish, but that the protagonist's behavioral logic is not worthy of his identity setting of "reborn person + panel holder". Qidian's book requires an online IQ and self-consistent logic! Then someone will read it! The current direction of this book has crossed the line. If the subsequent plot method is "the protagonist has reported it anonymously, the alliance has been secretly investigating, and the protagonist's current action is to cooperate with the alliance to close the network" → then the narrative perspective is not given, which is acceptable. If the follow-up plot pattern is "the protagonist has been holding back and failed to report it, and finally relies on his own C-class battleship to defeat the King of the North" → then the author sacrifices logic for the sake of fun, and this book can be abandoned! If the follow-up plot method is "Behind the King of the North is the high-level alliance, reporting it is useless" → That is another pitfall. It depends on whether the author can write the line of "corruption within the alliance" solidly. The current setting of "Alliance Iron Fist" in the book is in conflict with this plot direction, and it is a slap in the face. As a paying reader, my standards are not excessive at all. The vitality of interstellar literature is "setting is contract" - in the previous article, the author set up a flag that "the alliance attaches great importance to the Zerg threat", and the protagonist should design reasonable behavior under this flag; set up a flag that "the reborn know the future", and let the protagonist use this information gap to make decisions that are beyond ordinary people. These two flags were crushed by the protagonist's "not reporting" behavior at the same time, so my anger is completely reasonable. In summary, this book can be discarded!

A nobleman's selfishness triggers a Zerg invasion, and the protagonist's selfishness conceals information that leads to a recurrence of the disaster. It can basically be concluded that this book is not far away from entering the palace.

I don't understand what I'm writing about. I've eaten so much that the key settings are gone. Let me ask you where the trial battle for advancing to level C went. Where did the fusion of three talents that can be fused go? Even if you throw it to AI, you won't write like this

Ah, let me tell those who follow me, this author is an old eunuch. He opened several books written by Ma Jia and basically finished them in the middle stage. I would like to remind you to avoid being deceived. Just go and find what you like. The author Ma Jia Jiu Yu Yi You, seven songs are falling in love.

It feels good, the battleship is upgraded, but why is this protagonist still in the garrison, and not ready to join the kingdom? He is still in the garrison after dozens of chapters, and he is still an ordinary person. It is useless and a waste of time. Why doesn't he hurry up and start the battleship development and upgrade?

Rubbish! When I named it 'Fleet', I thought it was a group portrait, but after writing about it, it turned out to be a single figure. The plot is exaggerated and cannot stand up to scrutiny.

It can't be someone's little trumpet... The description of the power system, the writing style and the way of driving are too similar. Even the IP address is the same 🤫 It seems that this book is probably the history of the Alliance's first era.