Transmigrating into The Legend of the Condor Heroes: The Nine Yang Manual from the Start

Starting with the Longevity Formula, I become a nanny in the world of Condor Heroes.

Guo Jing was clearly having dinner with Huang Rong, but then another Huang Rong suddenly appeared having dinner with the protagonist. There are many other instances where the author made things up.

Blending martial arts, fantasy, and science fiction, this book transcends time and space to protect China, creating an eternal legend. A must-read! 👍👍👍

The launch of the dual fleets is a landmark national strategic action and a milestone event in the leap of civilization in "Transmigrating into the Legend of the Condor Heroes: Starting with the Longevity Manual." It first appears explicitly in Chapter 39, "Dual Fleets," and is a core practice in the Ming Dynasty's transformation from a land-based empire to a composite civilization encompassing sea, air, and interstellar power. This action is not an isolated military deployment, but a systematic project with the military strategies of Yue Fei's legacy as its strategic core, the Nine Yang Manual and the Nine Swords of Dugu as its technological foundation, and the Longevity Manual's cultivation system as its talent guarantee. It embodies Lin Yuan's governing philosophy of "using Tao to control weapons, using literature to carry out military affairs, and prioritizing the people." Its essence is to elevate the chivalrous spirit of the cold weapon era to a cross-dimensional civilizational cooperation paradigm. Through the materialization of the fleets, it carries four major functions: cultural output, resource allocation, technological radiation, and interstellar diplomacy, forming the narrative axis from "recapturing Yan and Yun" to "a new home in the stars." In Chapter 34, "A Prosperous Era on the Ocean," the first appearance of the two fleets is handled with a deconstructive approach: there are no bugle calls, no jubilant crowds, only "Lin Yuan standing on the dock, watching the ships gradually sail away, his expression calm." The camera focuses on details—eighty three-masted ships "with dragon heads carved on their prows and phoenix patterns engraved on their sterns," Guo Jing's "tanned face," and Huang Rong "gently holding his hand." This restrained writing dissolves the traditional heroic narrative, elevating the voyage to a conscious choice of normalcy, suggesting that the two fleets are essentially a project for the people's livelihood rather than a military display, providing a rational footnote for subsequent policies such as "abolishing agricultural taxes" and "compulsory education." The two climaxes mirror each other: in Chapter 144, "Space Leap," the spaceship's "blue light grew stronger and brighter. Then, the spaceship disappeared," showcasing a technological breakthrough through visual spectacle; in Chapter 155, "Earth's Messenger to the Stars," "eight golden beams slowly rose from the podium... To give the media time to film," reinforcing civilizational confidence through a sense of ritual. The former is a silent breakthrough in the laboratory, the latter a grand declaration to the world, together constituting the qualitative leap of the two fleets from technological entities to symbols of civilization. It is particularly noteworthy that no hostile forces appeared during either launch; the climax stemmed from the expansion of humanity's own capabilities, aligning with the original work's core value of "not making enemies, only building." In Chapter 166, "The New Earth II Immigration Application," a French university student "wanted to see the grasslands of New Earth II," a German engineer "wanted to fly," and an Italian agronomist "wanted to grow wheat ears there larger than the Earth." These simple aspirations resonated strongly. The media called it a "dimensional reduction attack," but Lin Yuan responded, "It's not for profit, but for the spark of civilization" (Chapter 166). When European youth overwhelmed the registration website's servers, the two fleets transcended national concepts, becoming a concrete embodiment of a community with a shared future for mankind. Their emotional power stemmed from respect for universal humanity—regardless of skin color or nationality, the right to gaze at the stars is equally precious. The promotional text for Xiaoxiang Academy is too long; only one-fifth of it is copied here.

This is an "alternative" time-travel epic that combines ambition and sincerity. It uses the "Eternal Life Manual" as a starting point, but it has no intention of piling up personal martial prowess. Instead, it delves into the depths of civilization's evolution and institutional construction. Lin Yuan's time travel is not for the purpose of dominating the martial arts world, but to start from the world of The Legend of the Condor Heroes, personally end the weakness of the Southern Song Dynasty, and establish a "scientific society" spanning the Earth and the stars. The most unique aspect of this book lies in its use of a "rational cultivation" framework to address profound questions about governance and civilization. From the proper resettlement of the unemployed in the era of super-automation to the institutional design in Martian colonization and galactic diplomacy; from the complete elimination of nuclear deterrence to equal technological exchange with extraterrestrial civilizations—the author's reflections on social science and the fate of humanity are evident throughout. It ensures that the "golden finger" serves the survival of civilization, rather than simply crushing it with force. The novel's attempt to redress historical grievances is also quite heartwarming. Li Qingzhao no longer needs to lament her "misery and desolation," Lin Daiyu is able to escape the fate of being listed in the Book of Ill-fated Women, and those talented women whose lives were filled with hardship in history and literature find another way of life here. This compassion that transcends time and space adds a layer of deep affection for cultural preservation to the story's exciting moments. In terms of character development, Lin Yuan's composure and decisiveness, Huang Rong's intelligence and insight, Lin Min's innocence and vitality, and the Weaver Girl's gentleness and resilience are all deeply impressive. The family narrative of six generations of the Lin family is not only a continuation of bloodline but also a transmission of the flame of civilization. The repeatedly revised and meticulously crafted dialogues have finally presented their vibrant charm. Spanning 500,000 words, this work spans a vast world, from martial arts to fantasy, from the Industrial Revolution to interstellar civilization, from a corner of Earth to the center of the Milky Way. Its grand scale and seamless integration are rare among works of its genre. When the semi-saint Lin Yuan sets down his teacup on Peach Blossom Island and gazes at the starry sky, the reader doesn't feel the end of the story, but rather the infinite possibilities of a civilization's path. It's not a wish-fulfillment novel, yet it's more moving than any wish-fulfillment novel—it allows readers to witness the profound projection of the Chinese civilization's ideals of "harmony in diversity" and "the world belongs to all" onto a cosmic scale. This is more than just a time-travel novel; it is an epic of thought written for Chinese civilization. Although the pacing is fast, its intellectual depth and humanistic warmth make it shine brightly among similar works.

The most valuable aspect of this novel lies in its sociological analysis and value judgments of human history, as well as its analysis of a future society characterized by super-intelligent technology. Some of its viewpoints are groundbreaking internationally to date.

The feeling of "haphazardly throwing together elements" stems from the extreme cross-disciplinary nature of the subject matter. From the world of Condor Heroes to the founding of the Ming Dynasty, from the cultivation world to interstellar diplomacy, from super-automation to a cultural superpower, from the Tang Dynasty's cultural heritage to galactic civilizations—each of these themes alone could support a full-length novel. The author's attempt to cram them all into one book inevitably makes it seem "disorganized." However, from another perspective, this "disorganization" is also a characteristic of the book—it attempts to construct a fantasy world where "anything is possible," fusing martial arts, fantasy, science fiction, history, social systems, and cultural heritage into a single fusion. This grand ambition is rare in online novels. This novel is not positioned as a "refined literary piece," but rather as an "ambitious epic of civilization." Its breadth far surpasses its depth. If you enjoy wandering in a grand fantasy world and reveling in the exhilarating feeling of "civilization's progress being accelerated infinitely," this book will be to your liking. However, if you're looking for nuanced character development, rigorous plot logic, or profound thematic exploration, you might be disappointed. My advice to fellow readers: Accept its positioning and don't judge it by the standards of traditional literature. It's not "Dream of the Red Chamber," it's a wildly imaginative work like "The Hitchhiker's Guide to the Galaxy"—just in a different direction. While others rave about extraterrestrial life, this one pays homage to history and civilization.

First, the writing is too rambling and disjointed. Combining martial arts fantasy with science fiction easily results in a hodgepodge of elements. The plot is completely disjointed and lacks any clear focus or objective. Second, the protagonist is like a robot, the dialogue is very simplistic, the character development is terrible, and the harem setup is poorly executed, consisting entirely of copied and pasted elements. What kind of garbage is this? It's not even as entertaining as some mindless fluff novels, and the character development is so poor it feels like the characters are made by bots. If I hadn't stumbled upon it and read a few chapters, I would never have imagined it was this bad. The protagonist is invincible but they can't even write a proper "show-off" or "face-slapping" story. All the characters are soulless, like they're all copied from a template. Add to that the ridiculous synopsis, and it's utterly awful. The author can't even write fanfiction.

Lin Yuan's greatest charm lies not in his martial arts prowess, but in the fact that he remains a "programmer navigating the world with the mindset of a systems engineer." He can employ overwhelming force, yet he chooses to "crush" the world through systems, ideologies, and governance models. From the political and economic reforms of the Ming Dynasty's founding to social security in the robot era, to the decision-making models of a scientific society, and finally to the cooperation framework of interstellar civilizations—Lin Yuan's "golden finger" doesn't leverage personal martial prowess, but rather the paradigm of entire civilizational evolution. This "rational cultivation" adds depth to the enjoyment.

Jin Yong's writing style is much better, and the vision and scope of this new Legend of the Condor Heroes far surpasses Jin Yong's martial arts novels.