Returning to Life in a Fishing Village in 1981

It's not enough to be cool. In the book about the small fishing village, at least they will give the protagonist a golden finger that will give him a good luck buff after he is reborn. There is nothing special about you, the protagonist, after his rebirth, it's almost boring to watch. The key point is that your book is not for commercial purposes, otherwise it would be the golden finger of the protagonist in bringing back memories for future generations. But you never wrote about the protagonist being prophetic from beginning to end, nor did you write about the protagonist being engaged in business. If you only write about the life of the fishing family and do not involve business, you have to arrange something special for the protagonist that is different from ordinary people. The gold finger does not need to be big, but it must be there.

I was idle in my last life and I will be idle in this life as well. Human nature will not change just because we have to do it over again.

A large collective means that no matter how many fish you catch or how big the fish is, it has nothing to do with the protagonist. Any achievement and glory can only stay on the boat, and the fruits are all led by the leader. There is nothing interesting about this book until you do it alone

It looks okay, but it's not detailed enough and the explanations are not clear. I feel like it's written here and there with a hammer and a stick, and a rope hook. A few friends make an average of more than 20 yuan a day. Without the two brothers (who treat the protagonist pretty well), I would be speechless! What I read in this type of novel is the realism and details of family life If you want to write about brothers and sisters who are respectful and good friends, you must explain it clearly. Writing like this is very uncomfortable for people. At first, it was said that it was because the brothers were going to sea and were afraid that the sisters-in-law would be in danger, so they did not tell them. This is understandable. But the sea weather was bad and I couldn't go out to sea. I am setting the hook myself. If my brother is out at sea and has nothing to do, he can go and set the hook. Then I just let him go without telling my brother. It seems very illogical. Go to town with friends to sell fish. I saw that the underground network was very profitable before, and I wanted to buy one. After selling the fish, I just bought steamed buns and went back, not going to the county to take a look. I write about being very poor and wanting to make money. And since we are so close to the county seat, why don't we buy the internet first?

This book is terrible. The author's conception and writing style are both terrible.

I feel so weird after reading the latest chapter. The women's team tried to divide the money from the dried fish several times, more and more each time. In the end, it was so poisonous that they could even share 40% of the profit from selling the dried fish.

The collective length of writing is too much, and it is too slow. 1.6 Million words are still in the collective era,

We worry about trivial things every day for the sake of the collective and go back and forth. You have to be told by villains. The protagonist has a good idea. If you contribute everything, if you can take over the contract, everyone knows how to do it, but can you still give it to me?

The collective era occupies too much space, and there is nothing exciting about it. He treats Fa Xiao more affectionately than his own brother. What's wrong with you, my dear brother?

Why are there so many complaints in the comment area? I think it's okay, and the protagonist is reborn a little early. It's normal to lead a group to work.