
That's Not How Ultraman Works!
奥特曼不是这样子的!
- Status
- Completed
- Length
- 96k Words
- Genre
- Light Novel
- Subgenre
- Original ACG Fantasy
- Updated
- 9mo ago
- English
- Request a translation
Synopsis
Stats
50Chapters
843Recommendations
18Fans
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Reader comments 23
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What are you, an Ultraman of that caliber, doing in the Dragon Clan? It's as absurd as Doomsday learning Wing Chun.
I thought I was the only one who thought there was a problem with writing about dragons.
To be honest, I came to this book because of Ultraman, but it ended up being about dragons, which I found a bit hard to understand. If it continues to explore other anime worlds, I don't think it's worth reading anymore, since there are so many Ultraman TV movies to write about.
Shennong is here
If they've already written about the Dragon Clan, how could they forget about "Under One Person" and "Demon Slayer"? They'd have to spend years learning the Eight Extraordinary Techniques and Breathing Techniques, right? That way, their failures against monsters would be explained—because they don't know any beam attacks! They don't know any Ultraman skills, only the Eight Extraordinary Techniques and Breathing Techniques. So, Ultraman is a being of light and can't use them?
Suddenly I've been transported to the world of dragons! Completely bewildered! Who even likes watching dragon movies? Even Ultraman has been transported into the world of dragons!
This book has logical flaws. Read with caution.
The author's depiction of the protagonist's approach to danger—facing a source of danger—always possesses a kind of beauty born of intellectual deficiency. In the world of dragons, those who commit shocking and heinous acts are treated as objects to be reasoned with, as if their existence is being salvaged. Instead of immediately eliminating them, the protagonist engages in negotiation. The protagonist, possessing Ultraman-like abilities, upon encountering a confirmed enemy, has only one course of action: immediate, decisive, and complete annihilation. In that dragon world, in that heavy industry setting, aside from the victims, all the security guards and various other individuals are involved in and profit from these evil deeds. Their complete annihilation is the proper course of action for the protagonist, a being of both light and humanity. Instead of feigning concern and attempting to obstruct those who try to settle scores, the protagonist's first and only reaction is to eliminate them as much as possible, rather than engaging in negotiation and empty talk. This action is equivalent to, in the 1830s and 40s, when facing the invading Japanese army, saying to those who had just ravaged Nanjing: "Let's make a deal, I'll only punish the ringleaders?" Therefore, I believe that while the author has some good ideas, their own logic and values are flawed. Consequently, the content expressed and conveyed in their work is naturally quite toxic.
Ultraman, just stick to Ultraman! I was enjoying it so much, and then suddenly it jumped into other worlds. It's like finding a fly in your food—utterly ridiculous.
We can't just shout "Defeat the monster!" All the time.
Humans and monsters can coexist, and besides, where would the GUTS team go to work if there were no monsters? I think there aren't too many monsters, but too few!
A kind word of advice: writing this dragon archetype will definitely not yield any results.
Why can't so many fellow writers who write about Bao Si in Dragon Raja see this?
So you really enjoy mummified corpses that have been played with?
It's watchable, but the transitions between dragons will probably turn many people away.