Simultaneous Transmigration: Merging Worldviews

It's quite novel; it's not the common mechanism of sharing cultivation levels or talents, but rather sharing the other's world. The best part is that the mechanism only works around the protagonist, who can freely pass the mechanism on to allies. It's not like the protagonist suddenly merges with something and the whole world benefits from it; that would be way too difficult to fight.

This book has a unique premise, unlike traditional transmigration stories. Instead, each new world's protagonist upgrades the settings of the other protagonists' worlds. For example, with the addition of the Imperial Guard 00, the concept of lightning strikes increasing internal energy is introduced; with the addition of Douluo Continent, JoJo's Stand can gain spirit rings…

What kind of protagonist would risk their life for someone they've only known for a few days? They'd rather save someone than risk their own life, like Deadpool.

The biggest problem with time-travel stories is the multiple protagonists, each with a different protagonist in each world, resulting in extremely poor immersion. There's no main plot or true protagonist; everything feels disjointed, like bits and pieces here and there. Then I gave up. Hopefully, the author won't repeat that mistake...

The premise and the concept are interesting, but I still left. The book is well-written, but it's disjointed; the worlds jump around so much. When I got to the exciting parts, I'd skip ahead. For example, in *The Return of the Condor Heroes*, when he was about to destroy the Mongol Yuan dynasty and march south to conquer the Song dynasty and become emperor, he'd suddenly jump to another world.

I'm dying of laughter, he's been relentlessly pestered, poor thing.

Why did you have to take Lin Xian'er when she was still a virgin?

To be honest, the author's initial outline was problematic. Why did they change JoJo to Ruthless Swordsman halfway through? What was the point of the preceding section? The Ruthless Swordsman storyline also felt inconsistent and was quite discouraging. It seems unlikely to survive. You could check out Huang Tian's book. It would have been better if it had been designed that way.

The premise is relatively novel, but the author tends to use derogatory terms, such as describing weak and delicate characters. The descriptions of Hong Lingbo and the two little girls are overly weak, and the portrayal of the protagonist's perspective is also problematic. A satisfying moment is abruptly cut short, making me seriously suspect that the author believes readers are drawn in by the expectation of more exciting developments.

The concept is well-written, but the approach is flawed. Viewers drawn in by a shared worldview want to see how different systems manifest in a misplaced world, or perhaps some imaginative use of anime abilities within that world. The beginning was well-written and the reading experience was good, but what about after the tenth chapter? What did you write? It's a complete rip-off.