
I Became an Immortal in the World of Tomb Robbers
我在盗墓世界成仙
- Status
- Completed
- Length
- 216k Words
- Audience
- Male
- Subgenre
- Myriad Worlds
- Updated
- 8mo ago
- Source
- Qidian
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1.5kRecommends
2.8kFans
101Chapters
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The main character is a mother-in-law, and her personality is girly. It's not that she's a girly person, but she's very emotional when it comes to dealing with people and things. In her previous life, she was a professional tomb robber and had killed people. It's hard to imagine how a person with this kind of personality can become a professional tomb robber. Let alone a person who has been working for a long time, he will be eaten up and wiped out once or twice. I really hate protagonists with this kind of personality. If you write urban romance, there is no problem with the protagonist's personality. Writing about tomb robbing, killing people secretly, killing colleagues, and killing people who may expose themselves. These are all normal. After all, it is normal to do these things in the wilderness. It is difficult to imagine how a very emotional person like the protagonist, a mother-in-law and a mother-in-law, became a professional tomb robber.
After reading a lot of Tomb Raider fanfics, these protagonists all have the same problem, that is, no matter how powerful the protagonist becomes through the use of golden fingers, they will never kill people, even if these people want to kill the protagonist unlimited times. There are so many books, and none of them can be read through.
There are so many books about eunuchs, but you have never written one carefully. The writing method of Goldfinger is just casual, and you don't want readers to buy it if you don't take it seriously.
The plot of these chapters has been force-fed with shit for decades. Is that woman using a God's perspective? This way of writing makes you want to rush out and say goodbye!
Does the protagonist want to act alone? Then why do they need Hu Bayi and the others? I really can't figure out why they are following behind secretly. Is it possible that the protagonist wants to go and they don't want to? Later, there is a story about the protagonist being a member of the Feng family and setting up an experimental subject. What is the significance of this? Why does it have to be so complicated? It seems like this is art. There are several people who like this setting now.
Many tomb robbers did not make it to the end. Speaking of which, if there are really extraordinary tomb robbers, they should go outside, not just domestically.
He was honored during his lifetime and became the Little Stone King of the Immortal Realm after his grave.
Do I rely on Yang Kun's version of Hu Bayi? ? Come on, this version is what I hate the most
The light emitted by the flower in the movie Ghost Blowing the Lamp?
Collect it first and look at it later when you are fatter