Simultaneous Transmigration: Becoming a Villain Across the Martial Arts Multiverse!

Very good. Many idiots, after transmigrating into the Lin family, have become feudalistic in their thinking. Even more idiotic, after decades of transmigrating, they haven't accomplished anything; all they know is to cut down the Qingcheng Sect. They have absolutely no modern thinking.

The biggest taboo when sharing a character is suppressing your cultivation level or not being able to share combat power. If your combat power is too low in martial arts dungeons, it'll be difficult to succeed.

If more content from The Deer and the Cauldron were written, the Qing dynasty would be thoroughly crushed underfoot.

I'm more interested in the Heaven Sword and Dragon Saber chapter from the synopsis.

This is another example of over-mythologizing the Dugu Nine Swords. In terms of artistic conception, Zhang Sanfeng's Tai Chi Swordplay may not be inferior to the Dugu Nine Swords. However, the fundamental principle remains the same: the core logic of Jin Yong's martial arts is still internal energy. Moreover, the Dugu Nine Swords is only the swordplay of Dugu Qiubai during his sharp sword stage.

Yuan Chonghuan's descendants are divided into direct and collateral lines: the direct line is most clearly defined by the line of his posthumous son Yuan Wenbi, whose descendants mostly served in the Qing Dynasty and died for their country, such as his sixth-generation descendant Fu Ming'a and seventh-generation descendant Shoushan; the collateral line consists of the descendants of his adopted…

It's really well-written and interesting; many of the jokes don't feel out of place, and the writing style is quite good.

This book is amazing; the later chapters are actually better than the first one.

You could definitely write more; the world of The Deer and the Cauldron is clearly very well-written.

The Manchus once again plagiarized our things. This was the earliest Siyiguan (Foreigners' Residence) built by Zhu Di (Emperor Yongle). Its architectural style was borrowed by missionaries and became Western European style, even though it actually originated from Chinese style.