
Age of Gods: Welcome to Glorious Evolution
神祇时代:欢迎加入光荣的进化
- Status
- Ongoing
- Length
- 1.5M Words
- Genre
- Eastern Fantasy
- Audience
- Male
- Subgenre
- High-Martial World
- Updated
- 3h ago
- Source
- Qidian
Stats
Tags
Synopsis
Reader comments
In booklists 5
Recommend According to Your Own Taste (Only Serials Are Recommended)
🌟 The taste is mixed, please read clearly the description, whether there is a female protagonist, whether there is any benefit, and there is also a CP book 🌟🌟Two stars usually means the book will be in short supply before reading again I wanted to quit the world at the beginning Not well-dressed holy roman empire Fictional reasoning (like the heroine) I'm in Tokyo Crusu The Bourne Supremacy Monsters will die if they are killed Ruins of the past Incredible mountains and seas Foundation Game time
Yuewen Boutique Book List
Reading is not only a means of acquiring knowledge, but also an important way to improve personal cultivation and expand thinking. These books are not just a collection of words, but also the crystallization of the author's wisdom and soul.
Rats Love Rice
There won't be many recommendations, try to ensure the quality The book list is updated very slowly. After all, I have to find one that I can read first (=-0-=) No need to give flowers, waste of money
Xiaoli's Boutique Study
I can't guarantee that the work won't be bad, but I guarantee that it will be excellent.
Personal Reading List
The character's IQ is online, his personality is reasonable, and his actions are consistent with his background and identity.
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Starting from the Two Realms, Controlling Beasts and Cultivating Immortals






















Gods flow into the wilderness, fantasy novel
The progress is too slow, right?
Is it becoming more and more popular recently? I feel like I can't keep up. I'm jumping to order 🙂
Refuel yourself, day four
Refuel yourself on the first day.
Half grass
I stayed up late at 4:40 to finish reading it. Let me first give my overall evaluation. It is considered a semi-immortal. More than most ordinary books. Although this book is said to be a book about gods, it goes beyond ordinary god books. It is like a special theme of fantasy cultivating immortality, rather than the kind of book that is popular among the people. In addition, the author's construction of the worldview is really excellent. At first, I thought it was just a very boring upgrade and picture change of gods for all people + the integration of other factors such as Warhammer (I have not seen Warhammer, so I can't comment, I don't like it or dislike it). Up to now, the worldview has been gradually upgraded, especially the treatment of the prehistoric macro worldview, which is really excellent. Whether it is the early stage of cultivating dependents to build the Kingdom of God, or the middle stage of upgrading, competition, and expansion after entering the academy, or the current high-level duel in the context of the grand war. They are all very well written, with in-depth details and a macro perspective. The author has truly made use of the theme of the Great Desolation for his own use, instead of copying the vulgar Great Desolation novel. Even though I feel annoyed when I see the prehistoric era now, I have to admit that the author's writing on the prehistoric theme is really good, and it can be said that it is innovative. I feel that the biggest problem with this book is that it is delayed by the title. This title is reminiscent of the very boring full-name mainstream school. I suggest that the author change the title of the book to a better one, and change himself from the mainstream name of all gods to a name on the fantasy and cultivation side, so as to attract more readers who are truly suitable for this subject matter. I've given you all the monthly tickets in my hand, keep up the good work.
Shen Nong tasted hundreds of herbs
After reading it in two hours, I feel good for the old bookworm. It does not stress the progress of the protagonist and is clearly organized. However, the amount of updates is a bit small and the food and grass are edible.
I realize I haven't written a long review yet, so I'll add one. First of all, let's talk about the conclusion. I have written so many books on Gods of All Nations so far, and only the first one and this one are still readable. Let's first review the issues of the first book, The Age of Global Gods, Wan Dingwen, but this book is basically the first half of the academy's new skin, and the second half is written without breaking the original copy. The advantage is that the setting is novel and the original copy at the back is well written. The disadvantage is that the previous academy-style script was too classic, and all the people who imitated it later imitated that badly written academy-style script. It can be said that this writing method still has a certain future, but those who imitate it do not imitate the idea, and they all imitate the bad part. In the end, it turned out that even though he was the true god who destroyed the world, he still had to go to school. In addition, the positioning of the college is not clear. What exactly does the college teach? Could it be that the more resources invested, the stronger the people? Isn't that just a Gu breeding ground? As for this book, the author should have seen the problem of a large number of imitators before and optimized the early college plot. Jump out of the academy early in the mid-term. In other words, the content of the original copy is increased, while the plot of the academy stream is reduced to one. It should be said that the author at least imitated it to the point. At present, I have reached the limit of demigods. I think the author's writing method is quite promising. It is one of the few novels about global gods that can be read.
Be a divine farmer, above the level of grain and grass, close to fairy grass
Overall, a very good god novel, worth ordering! Let's talk about the problem first. The beginning is a bit chaotic compared to other novels. The setting of this chaos is not particularly clear now. The amount of output settings and the character construction of the protagonist are too much to accept, and it is not systematic enough. But as the plot changes and the background is explained, these problems are solved one by one. Another problem is that from the perspective of the changes in the power system, the outline should have been adjusted during the writing process. There is a slight lack of coordination before and after. This is reflected in the tendency of combat performance to be familial for a period of time, and for a period of time to be the body, with a slight twist in the middle. However, the overall combat effectiveness has increased steadily, and the sense of gain is strong. The author's writing skills are not bad, and the changes are well integrated with the original outline. There are no obvious numerical bugs, and some errors are within the tolerance range. But of course, the expansion of the power system has brought about some expansion of the original outline, and there is also a slight sudden change in the plot, but it has little impact on the development of the main line of character growth. The next thing is that the power system structure established by the author should be complete, or have sufficient redundancy, the ability to expand and merge, and the writing power is enough to control the direction of the plot. The entire plot structure is also relatively complete, and you can feel the process of getting better and better and the world view gradually becoming complete. Originally, it was difficult to write a novel with multiple worlds and multiple systems, but in this book, the integration of the power system is complete and there is no confusion, which is worthy of praise. Summary: Although there is no wonderful plot design with ups and downs, the overall plot control is very tight, does not fall into the box, and develops steadily, which is rare.
What a pity. There is no problem with the writing, but the most exciting point is that the family members are missing. When looking at Shinto, the main focus is on the family members and development farming. As a result, the family members are a mix of robots and aberrations. They are neither handsome nor strong. The development farming is also ignored. Basically, the gods rely on their skills to kill. Turning to the side of cultivating immortals again...
The main world is a prosperous world of Shinto, and the prehistoric world is a prehistoric orthodoxy. But you told me that the supreme one will be suppressed if he goes to the Warhammer subspace. The subspace is still a place of transcendence. After a long time, whether it is a god style or a fantasy novel, the result is to give Warhammer a foothold and become invincible.
The rest of it is all about prehistoric times, cultivating immortals, and Eastern mythology. What I'm looking at is the virus becoming a god?
Refuel yourself, day 11
At the beginning, the Familia could barely explain why they were strong. Later, they got a low-level mining machine from the Machine Clan and used digital viruses to evolve and become stronger. No, if your software is strong, the hardware will automatically take off, right? It really completely ignores the low basic attributes. The author of Chuang Shen Shen said it is strong, right? It's okay if you don't say that the Machine Familia relies on resources and knowledge to become stronger. I only think of you as magic. You said that the mechanical clan mainly relies on resources and knowledge to evolve, and at the same time, it became stronger with just a digital virus. It seems very awkward. To be honest, the author's writing of magical battles is very interesting, but there is a sense of heart when writing about the clan. I think my clan is strong, and it is infinitely strong. As for the reason, I can just guess it!
Although it is a text about gods, there is no emphasis on the description of the dependents.
I personally think this book is quite interesting, but it cannot be regarded as a book about gods. Your family is a complete virus from the beginning. It only needs energy to evolve, and there is no need for development. Whether it is an X-virus or a digital virus, they are both complete bodies and only need to be parasitized.
To sum it up in one sentence, the writing about gods turns into fantasy writing.
After writing and writing, it turned into prehistoric literature, but it was okay. The powerful people were all the reincarnations of so and so. After I went to college, the content of the gods and goddesses was basically gone. It turned into fantasy and immortality. The virus system has not developed much. The more I read, the more strange it becomes.
Refuel yourself the next day.
Will players still show up? In fact, the previous chapter can only be regarded as average (but it is better than many gods and goddesses, mainly because it is a book that is very similar to 🍅. It turns out that it is really the author, so I asked when did gods and goddesses have another author of this style), but after more than 100 chapters, it becomes different, and it feels like it is many levels higher.
What a good article about gods, why did it suddenly turn to cultivating immortals?
Feel like writing is a bit off topic? The protagonist's system is a bit like cultivating immortality, and the virus doesn't show any characteristics.
I haven't written much about plague viruses anymore.
Ever since I finished using the heart-eating virus to solve the karma plane, the plot has nothing to do with the realm of gods, dependents, and gods. It feels like a traditional fantasy novel about immortality. When can the author publish an update? Wouldn't it be better to collect monthly tickets or something like this?
More and more useless descriptions show that the protagonist is quite intellectual.
If you want to read the divine body style, just read the first few hundred chapters. Later, you will switch to the immortal style, which is full of protagonists, all kinds of adventures, upgrades with things, and various reincarnated powers. This is awesome, and that is awesome.
Suddenly I can't tell who is the protagonist, Chen Du. Although the protagonist is not necessarily the strongest, the description always feels wrong.
It's okay, the coolness is good, and the plot doesn't have any poisonous points. It's the threshold of fairy grass. Let's see how it's dealt with later 🤓
When will players enter the venue?
There are several big plots out there, but the players haven't even entered the scene yet.
It looks okay so far, I will vote for a few more months
Big cheers for the author!
The author should pay attention to the rhythm, don't write too much. The protagonist's strength is really improving too fast. Should players enter the game in advance? If the protagonist has already transcended two or three hundred years later, then the protagonist's layout will be in vain The protagonist's family, realm strength, and main plot are difficult to balance. I hope the author can try to balance it as much as possible and don't suddenly end it Come on, come on~
I haven't watched the early, middle and later stages of Xiancao