I Feel Like I Have Divine Help in the Heavens

The protagonist tells the bad guy that you are bad and I will kill you. People blame you for killing people. The protagonist didn't explain, but just killed people. Everyone said that the protagonist was really not a good person, and then the protagonist was beaten and scolded while killing bad guys. It was probably this kind of plot that made the killing so frustrating.

The most disgusting part in Jin Yong's novel about Yi Deng's transformation of Qiu Qianren. After killing so many people, you, a monk, just forgive him if he says forgive him. Why should Yi Deng forgive the murderer on behalf of those innocent people who were killed, just because he represents Buddha? It's disgusting. You even seek forgiveness from the victim's family, which is moral kidnapping. If you repent, you will die immediately. He insisted on inflicting secondary harm on the relatives of the deceased, and was forced to apologize.

As I write this, I start to suffer from literary youth syndrome.

As long as you can tell the story well, it's too formal and laborious. Tell the story well and clearly. If you tell the story well and in plain English, it will be more beautiful.

With such a perverted golden finger, the learning ability is comparable to that of a god of learning. When he went to the new world, he couldn't find any way to collect knowledge and update the brain's database. Instead, he hung out with a group of fools and became desperadoes. His brain was sick!

After reading four chapters, I can't get into it. What's the background? Dialogue? What's going on? I feel you are awesome because I know nothing, and I am illiterate. Farewell.

Forget it, I can't stand it. They are all women. It's so annoying. Martial arts novels don't teach martial arts well. They all focus on women.

Have you ever rescued a fox in the snowy mountains?

It's really nonsense to talk about heroes. No matter how powerful the character is, he has to work hard for the officials and be a dog. I don't understand it at all.

Again, if the sentence is clear, you have to rebel. Otherwise, don't write it and give me a happy message.

After a few chapters of the Hongmen Banquet, the traitor and lackey can just poison him to death. Things that are inferior to pigs and dogs are a waste of time.

The plot is too weak. This kind of astronomy cannot be separated from the main plot, otherwise it will be too dramatic, and the recent portrayal of Lu Wushuang is also too dramatic.

Have you heard about being a single girl? Don't want Little Dragon Girl! ? Slipping away

Taking on Lu Wushuang as a disciple was too abrupt. He had no emotional foundation at all. He was rushing to be a nanny instead of walking alone in the world.

Forget about everything else, there is one scene that keeps stopping me from reading. I don't know if the master still has the impression, but I really want to see what that scene is like: holding a wine bottle in one hand, then raising both hands, and running and making a thumping sound... It's awkward...

Here we collect the martial arts that you like, or your own fantasies about martial arts. If you have any ideas, please post them here. After sorting and selecting, the Holy Minister will create them accordingly. Thanks! Li Shengqing's current martial arts (World of Divine Condors) Internal Kung Fu: Six Meridians Disease Qi External Kung Fu: Shaoyang Thunderbolt, Tai Chi, Hidden Spirit Needle, Eighteen Dragon Subduing Palms Light Kung Fu: Shao Yin Hidden Spirit Technique (the fastest body technique in the world) Drug God: A little bit of innate spiritual light comes out as a sword (Dugu Qiu realizes his defeat)

One roll and one cute female lead, too homogenous, I don't like it

Dear readers, please read it and read the last chapter. Fish farming will lead to death. Pursuing reading is really important. Without following up, there would be no recommendation and no exposure. Please read to the last chapter every day, thank you all! The update time is 8 a. M. Every day, and a reward of 5,000 points will be added for an additional update.

Like divine help? Then I want to be an emperor. As the saying goes, if I don't wear clothes, I will wear clothes that suit me.

There's something about it, just like when everyone else eats dinner, you're the only one eating cold dishes, right? Are you just here to disgust people? Or do you think you are unique?

Feihu has his own things and new ideas, but why has he changed from the divine eagle to the same old routine? It's really boring to go through the plot and write like this!

I don't know if you are familiar with this 4,000-word scrapped setting draft. This was the setting Jin Yong added in 2003 for "Nine Suns Magic" and what we readers commonly call "The Wine Fighting Monk". It was originally going to be placed at the end of the newly revised version of "The Legend of the Condor Heroes", but was later abandoned due to Mr. Chen Mo's suggestion. I feel that the martial arts of the gold system has high aspirations and has never been a low-level martial arts world. As for why it was abandoned later, if you are interested, you can check the original text of Mr. Chen Mo of Ocean Publishing House, the creative background of this paragraph and his advice to Jin Yong. I hope it can be helpful to your creation, and I also hope that fellow fans can understand it. [The following is the original manuscript of Jin Yong] Yang Guo was impressed, stepped forward and bowed respectfully, and said: "Master's magical skills are rare in the world, and juniors worship them." Jue Yuan said: "The layman just gave me some instructions to subdue the evildoers. Thank you so much, young monk." Yang Guo said: "Don't dare!" And returned to Xiao Longnu. Huang Rong said: "Master, my little girl has something unclear, and I would like to ask Master for advice." Jue Yuan said: "I don't dare to take it. If the female donor has any inquiries, I know it, so I should tell you." Huang Rong said: "Master just said that between the four volumes of the Lankavatara Sutra, there is a wonderful book on martial arts called the Nine Suns Sutra. I think the Patriarch Bodhidharma was from Tianzhu. He wrote it in Tianzhu Sanskrit, and Zhang Junbao thought it was because of the master's guidance that he understood it. It was in vain that the two evil men robbed the scriptures and did not know Sanskrit." Jue Yuan smiled slightly and said, "This "Nine Yang Sutra" is written in Chinese characters." Huang Rong said, "I heard that Patriarch Bodhidharma can speak my Chinese language, but he cannot write Chinese. Regarding writing, is it true that this Patriarch Bodhisattva has boundless Buddhism and great supernatural power, so he can write it whenever he wants? " Jue Yuan said: "If I tell this secret, it seems that the monk seems to be boasting and praising himself, which is not the way of a gentleman. Please forgive me, the monk has no choice but not to say it." Huang Rong said: "I know, most of the time Patriarch Bodhidharma wrote "Nine Yang Zhen" in Sanskrit. "The Sutra" was written down, and the master translated it into Chinese. The merits are almost as great as those of Patriarch Bodhidharma, who is the first ancestor, and the master can be called the second ancestor of Shaolin martial arts. "Jue Yuan blushed and said, "I don't dare to do it, I don't dare to do it!" Yang Guo and others knew that Huang Rong was deliberately provoking this gentleman monk to tell the truth, and they all found it funny when they saw his embarrassed expression. Huang Rong said: "That must be the case. The master turns out to be the second ancestor of Shaolin martial arts. How disrespectful!" She stood up straight, clasped her hands together, and bowed in salute. Jue Yuan waved his hands repeatedly and said: "Sin, sin! Don't say that, female donor. In fact, Shaolin martial arts has nothing to do with the "Nine Suns Sutra". The sutra was not written by Bodhidharma, so the monk recited the inscriptions written by the author of the sutra at the end of the sutra so that everyone would not misunderstand. Among them, he blamed the junior monk. Every word he said was true, but you couldn't believe what he said. "The young monk still remembers this inscription." Everyone saw that he looked like a slumbering scholar, and he was good at endorsements. They all said, "Master, please speak, we are listening." Jue Yuan said loudly: "This inscription is from the true scripture." It was written casually after he finished writing the sutra. He was a humorous person with a bit of cynicism. In fact, he was very talented. Some of the following words were self-effacing words. His postscript said: "When I wrote this sutra, I kept in mind the ranking: Yu is a hermit in Qingcheng. He is good at swords, wine, literature, and sex. If he is good at swords, he will always laugh when he sees him." If you don't fight, you will be nameless; if you are fond of wine, you will be drunk all the time; if you are good at writing, you will be poor, and if you have no talent, your poems will be poor and unsightly; if you are lustful, you will not be lucky, and if you are not lucky, you will not meet beautiful women, and you will often encounter ugly women. Guo Xiang squinted and saw blood pouring from the wound on Zhang Junbao's head, so she took out a handkerchief and bandaged him. She thought that after Yang Guo heard Jue Yuan recite this passage, he would leave with Xiao Longnu, not knowing whether he would see her again. Her heart ached and tears fell down one by one. Everyone was smiling when Zhang Junbao saw it, but this beautiful and amiable young lady was the only one who was sad and shed tears. She didn't know why, but she didn't dare to ask, and she couldn't express her gratitude. Only Hearing Yuan continued to recite: "'There were originally two hermits in Qingcheng, and I was the big hermit. Xiaoyin was the younger generation. He was not good at swords, wine, and sex, but he was good at writing. He was a great person. He had an unforgettable mind and was rich in knowledge. After reading a lot, he became pedantic and Yu didn't like it, so he went to Songshan Shaolin Temple and became a monk. His Buddhist name was Jueyuan. Visiting Xiaoyin. Little did he know that he met two people on the top of Mount Song. They were both swordsmen. One was Wang Chongyang, the Taoist priest of Quanzhen, and the other was the heroine Lin Chaoying. They were famous all over the world. The Taoist Master had newly obtained the Nine Yin Scriptures, and when he mentioned it, he felt very surprised. This was due to Yu's nature, and there was no other intention. Lin Nuxia mistakenly thought that I was ridiculing the Nine Yin Scriptures, and she drew her sword to test Yu's depth, and Yu responded with a smile. The Taoist master used the Quanzhen swordsmanship, and Lin Nuxia used the Jade Girl swordsmanship. The two swords were combined and extremely powerful. Yu Sui parryed, and even handed the gourd to persuade the wine to help the elegance...'" Huang Yaoshi, Huang Rong, Yang Guo and others heard this and were heartbroken. Zhongjun was astonished and thought: "Zhenren Chongyang and the heroine Lin Chaoying have joined forces, and the two swords are so powerful that they can't be compared with Jing. This person can parry easily and still have time to pass the gourd to persuade the drinker. His martial arts is so strong that it is indescribable." Most of the speculation is self-promotion and exaggeration, which cannot be fully believed." Zhi Huiyuan continued to recite: "'The three of them were discussing swords from the evening of the full moon to the red sun rising the next day. I gradually felt exhausted and was about to give up. Jian surrendered and told the story of Yu's martial arts and his master's background. Unexpectedly, Lady Lin was drunk and unsteady, so she made half a move with her sword wrong. "I admire you, I admire you!" We lost! "Yu said: "If you drink a little, you will lose, but if you move with a sword, you will definitely win!" "Zhenren Wang is generous and heroic, and he keeps his word. He took out two volumes of "Nine Yin Scriptures" from his arms and handed them over. I bowed in thanks and took them, and sat on the ground to read. The author of the scriptures, Mr. Huang Shang, is a scholar of heaven and man. The martial arts described in the scriptures are very enlightening and surprising. It was strange and unimaginable, and I praised it again and again. I drank with it, drank and read it, and by the time the sun went down, I was completely drunk. After reading it, I asked Master Wang: "If the Taoist master had used this trick in the sutra, I would have already lost. Why don't you use it?" "Wang Zhenren said: "Pindao won this sutra in order to prevent the martial arts from killing each other for this sutra, stop killing and save lives. Pindao swore that he would never use the kung fu in the sutra, and this oath cannot be broken! Yu Da was so impressed that he placed the sutra on the stone and kowtowed to it again and again. Then he kowtowed to Zhenren Wang, expressed his gratitude and expressed the virtues of the sutra, and said: "After seeing this sutra, my horizons have been greatly broadened. I should also follow Zhenren's wishes. I will never use any of the martial arts moves contained in this sutra during my lifetime." Master Wang said, "Thank you very much!" In fact, your martial arts and swordsmanship are not inferior to this scripture. I firmly believe that no one in the world can force you to use more than a hundred sword moves. Just now we tried more than three hundred sword moves, none of which involved this sutra. You no longer need to use the techniques in the scriptures. "Although Yu won the bet, he still followed the agreed rules for losing and told the two of them the origin of his name, the sect he studied under, his experience in swordsmanship, etc. The three of them made friends and parted.'" Huang Rong and Yang Guo became curious and both wanted to know about this magical person. As for the origin of the swordsman "Qingcheng Dayin", he expected that Jue Yuan would never tell him, so he refrained from asking. He only heard Yuan continue: "What he then wrote was about the process of writing the Nine Suns Manual, but it was inevitably unremarkable." He continued: "The inscription said: 'Wang Zhenren and Lin Nuxia' After leaving, I thought about the wonderful magical power in the "Nine Yin Manual" again, and felt that there were still flaws in it, and it was not perfect. He meditated on the top of Songshan Mountain for three days and three nights, and finally suddenly realized that the author of the scripture, Mr. Huang Shang, had studied thousands of volumes of Taoism and immersed himself in the "old learning" wholeheartedly. , Lao Tzu's so-called "softness defeats the strong", so-called "things must be reversed at their extremes", "what is right will become strange, and what is good will become a monster", "the crookedness will be complete, the wrong will be straight, the depression will be full, the disadvantage will be new, the less will be gained, and the more will be confused", everything is contrary to common sense, the true scripture is basically what Laozi said: "With the world "The most soft, gallops over the world's strongest", "No one in the world is softer than water, and no one can win against the strong", "Things may be damaged and benefited, or benefited and damaged". Therefore, Laozi said that "the truth is like the opposite", "Xuande is profound and far away, and it is contrary to things, and then it is even smooth." A brief view When someone first sees the true scripture, they must think that it is a big mistake. It is completely inconsistent with the fundamental principles of martial arts. Little did they know that it is exactly what Laozi said: "When a gentleman hears the Tao, he laughs. If you don't laugh, it is not enough to follow the Tao." If you want to take it, you must firmly hold it." He thought that just because Mr. Huang Shang was too persistent in using softness to overcome hardness, he named it "Nine Yin Zhenjing". The casual observer would not notice it, thinking that there is no name of "Nine Yin" in "Yi Zhuan", and "Yi Zhuan" reaches "Eight Yin retreats and becomes Six Yin". It is different. I don't know that when Huang Shang wrote the Nine Yin Manual, he did not take the theory of Nine Yang and Six Yin in the Book of Changes written by Confucianists, but purely based on the Taoist teachings of Laozi. "Huang Yaoshi nodded repeatedly when he heard this. Huang Rong, Yang Guo, etc. Did not study the teachings of Taoism and Laozi in depth, and only seemed to understand. Master Jue Yuan continued to say: After thinking deeply for several days, the "Qingcheng Dayin" finally realized the ultimate principles of "Yin and Yang reconciliation" and "complementary balance" from the "Pisces Yin and Yang Diagram" (that is, the "Xiantian Diagram") in the "Tai Chi Diagram". Simply "using softness to overcome hardness" is not as good as "combining hardness and softness". We must pay attention to what Laozi said: "Everything carries yin and embraces yang, and the energy is in harmony." The "Tu Chuan" of the Book of Changes says: "When the Qian Dao changes, each one rectifies his life and maintains peace and harmony, which is beneficial to Zhen." Yin and Yang complement each other, and the Qian Dao is as important as the Kun Dao. From this, he came up with a set of martial arts essences. Although Yin and Yang are equally important, because they need to correspond to the "Nine Yin Manual", it is called the "Nine Yang Manual". He thought carefully from beginning to end about how to enhance internal strength. The first step was to refine the Qi, from the acquired Bagua style (Kanli Coupling) to the innate Bagua Style (Qiankun Coupling). "Qingcheng Dayin" comes from Taoism. The "Nine Yang Zhen Jing" he planned is also the same as the "Nine Yin Zhen Jing". It is also based on Taoist exercises, but it is not limited to the "Pure and Rou" learning of "Laozi". He first practices "Yang Breath" and reverses the last three passes on the back. The first half of the month is like the three hexagrams of Zhen, Dui and Qian. Fire rises at the beginning, half-bright, and then reaches the great Ming, and then practices "Yin disappears", descending smoothly through the first three passes. In the second half of the month, it resembles the three hexagrams of Xun, Gen, and Kun. It goes to the chest and abdomen to accept the Yin Fu succession of the chest and abdomen. From the beginning of Xun's loss, Gen's half loss, to the end of the light, it is the Kun hexagram. As for the "Great Zhou Tian", it is divided into twelve news hexagrams, the six yang hexagrams (Zichou Yinmao Chen Si Liuyang hour) enter the Yang fire, the six Yin hexagrams (noon Wu Shen Youxu Hai six Yin hours) retreat the Yin hexagram, starting from the Fu hexagram and the Lin hexagram, and then to No, Guan, Pei and Kun. (The Taoist master's method of practicing internal strength is extremely profound. The author only tells stories and does not understand the practice of internal strength. He cannot be as profound as the "Qingcheng Dayin".) When this "Nine Yang Magic" is obtained, there are really unpredictable opportunities for ghosts and gods, the god of yin and yang. "Qingcheng Dayin" is just based on its principles, letting your imagination run wild, thinking that it should be like this, and I have not been able to practice it to this level. After he figured it out, he went to the small market at the foot of the mountain for a meal. He wanted to buy some paper and pens to write down the scriptures he wanted to understand. Even thick paper, thick pens, and account books were not available in the small town. In a hurry, he went directly to the Sutra Pavilion of Shaolin Temple to see Master Jue Yuan. Although he and Jue Yuan had different personalities, they were not good friends, and their age difference was more than thirty years. After all, they had lived together in seclusion in Qingcheng Mountain, Sichuan for several years. When they saw each other, they were both very happy, and Dayin asked for paper and pen. The Sutra Pavilion has both writing brushes and inkstones, but not much white paper. Without asking why, Da Yin took down four thin white paper albums from the bookshelf. He saw that they were bound with rough edges and covered with rough paper. They looked inconspicuous and he thought they were inexpensive books. He flipped through it and saw that it was sparsely filled with zigzag Sanskrit characters, with wide gaps between lines, leaving a lot of blank space up and down, left and right. At this time, his mind was filled with verses from the "Nine Yang Manual", some of which he had been thinking about for a long time. He was afraid that he would miss a few sentences after too long. Regardless, he sat on the chair in front of the desk, dipped his pen in ink, and started writing in the blank lines of the page. Jue Yuan was taken aback and asked: "Hey, brother, what are you writing? Don't smear the books in this Scripture Pavilion casually!" As he said this, he tried to grab the page he was writing on. The scriptures in the mind of "Qingcheng Dayin" were flowing out like a stream. How could he be allowed to disturb him? He said: "What I am writing is extremely important, so please don't disturb me." He gently waved his hand to push it away. Dayin was a top-notch master in the world. At that time, Jue Yuanhe had not yet practiced any kung fu. With a gentle push from him, he involuntarily stepped back about ten steps. His back leaned heavily on the board and he cried out with a "Ah yo". A young novice hurriedly grabbed the support and said: "Master, please sit down and have a rest." Jue Yuan said angrily: "Quick! Quick! Look at what precious scriptures this uncle has defaced! Please advise him not to damage Buddhist scriptures!" The young novice responded: "Yes!" Grabbed the big hidden book When I looked around, I saw that he was writing in the blank spaces of a white paper album, avoiding the original Sanskrit text in the album, and not smearing a single word. He took a long breath, returned to Jue Yuan, and said, "Master, don't worry! Master is writing on a manuscript without touching the original characters in the manuscript." Jue Yuan was relieved. It turns out that there are some blank rough paper manuscripts in the Sutra Pavilion. If any sutras are incomplete or damaged, Governor Jueyuan will lead the other monks and novices to copy the original text of the incomplete and damaged sutra pages and insert them into the damaged places to prevent the precious scriptures from being damaged. Jue Yuan asked the young novice monk to make tea to entertain his uncle. Then he slowly walked over to see what Dayin had written. He was relieved to see that he was writing between the lines of several manuscripts and had not defaced the original text. These manuscripts are all written by the deacon monks of the Sutra Pavilion and are not precious scriptures. Jueyuan took a closer look and found that what Dayin wrote was a Sanskrit manuscript of the four volumes of the Lankavatara Sutra. At that time, Patriarch Bodhidharma brought the Lankavatara Sutra from Shaolin Temple from Tianzhu and drew it on the shell leaves with needle strokes. Patriarch Bodhidharma came to China during the reign of Emperor Wu of Liang Dynasty, when paper had already become popular in China. There is no paper in Tianzhu yet, and the bay leaves are fragile and difficult to preserve for a long time. After Patriarch Bodhidharma passed down the scriptures to the Shaolin monks, the Shaolin monks kept them in white paper notes. The manuscript written by Dayin has been copied several times. There are still several copies in the Sutra Pavilion, but they are not rare copies. Seeing that Jie Jie was far away and not bothering him, Da Yin felt very at ease. He wrote all the thoughts in his mind over the past few days in one breath, filling the spaces between the lines of four albums. He felt that he was full of energy, discovered something that no one before him had done, and created a new place for martial arts. The profound and profound new world, especially in the three key points of "timing, opportunity, and neutrality", can give full play to its unique insights. It can be said to be the pinnacle of martial arts. The consciousness is complete, the contempt is added, and the hands are dancing without knowing it, and the feet are dancing. Seeing that there was still a blank space at the end of the album, he wrote a self-expressed "inscription and postscript", and finally wrote: "Although 'Qingcheng Xiaoyin' is circuitous, he also contributed to the writing of this sutra. I passed this sutra to 'Xiaoyin'. Although it is a Taoist book, it is temporarily stored in Shaolin Temple. If there is a chance, it will be compared with the "Nine Yin Sutra" someday. "Qingcheng Xiaoyin" I would like to say."

I want to ask the author some questions. What is the strength of the protagonist? Why does it seem to me that he is so weak and has a lot of immortal tricks that he hides when he doesn't use them? He just likes to write melee plots. However, the original work is famous for fighting everyone in melee combat. It keeps lowering the character of the protagonist. Can the fighting gradually become more advanced? If the world's martial arts has improved, but if it doesn't improve in combat, then what else will we wear?

Kill one person in ten steps and leave no trace in a thousand miles. When the matter is over, he brushes off his clothes and hides himself and his name. Kill the damn bitches. Governance is a matter for the natives. If there are no scum left and you can't help them, they will be rotten to the end. You can only destroy and rebirth.

I don't understand the current copy at all and have no interest at all.

Bianhuang is too niche. Why not write about Shattered Void? Wouldn't it be more interesting to compare and contrast with Ling Donglai? Is it because I have already written about Ba Siba?

Finally I saw some people talking about who is a hero. I like it very much.

When will I go to Shatter the Void and fight Ling Donglai before the Shatter?

And in the final analysis, Wen Xiaobai is too unreliable. If Lei Chun knew about it, he would really hate Lei Shu.

Is the protagonist of Black Pearl ignored?