Steel, Magic and Dragons

Many women chased her 😍😍😍

This book is neither good nor bad in the genre of Western fantasy.

Rt, the general definition of a berserker is labeled with violent attacks, unyielding, resistance to death, death fighting, etc., But the author gives a definition of calmness and accelerated thinking? It feels so mismatched.

Based on the author's reply and subsequent updates, we can roughly draw the following conclusions: 1. That curse is just a clown, a useless thing. 2. As a knight, the dragon knight actually makes a lot of money. As long as this person can let the dragon fight, it will not affect him even if he is locked up. 3. Although the reason why the eldest prince killed the female knight was to poison her and the princess, if he succeeded, he could naturally imprison the princess. Yes, that is to say, according to the legal principles of this country, at least in terms of the selection of heirs, if someone around you poisons you and another heir, and then the other heir kills the people around you, you can be locked up. 4. The second prince is also a clown. The eldest prince does not care that after taking action, he will push the remaining forces of the princess and even the princess herself into the camp of the second prince. In the incident, the only restriction on the second prince was the spontaneous control of the inner court, and there were basically no other means. 5. The emperor is a rebel, which means that when the empire is in danger, the princess will save the empire regardless of past grudges. The reason is that the princess is very kind and does not consider the possible personality changes that may occur if the princess is imprisoned. 6. In the book, the human race and the empire are equated. 7. At present, the protagonist is not irreplaceable. Everything is still under the control of the emperor for the time being. The protagonist is purely a puppet.

The Western Fantasy Mecha is not like this! You should first let me watch the epic showdown between dragons and airships, slowly introduce those giant armors inlaid with magical cores, and occasionally intersperse the daily routine of elf craftsmen debugging rune engines. Then, the mecha's transformation is demonstrated at a special celebration. Finally, in the doomsday crisis when an ancient demon god awakens, the protagonist burns his life to light up the reactor and resonates with the mecha's soul to break through the boundaries! From the beginning to the release of your novel, what impact does removing the protagonist have on the plot? Why has the protagonist never piloted his own mecha? ! The Western Fantasy Mecha is not like this at all! I don't accept it! Where are my sword and sorcery punk aesthetics, my steam sage quotes, and my mecha overload tragic CG? ! All skipped! !

The content is okay, but it's a bit uninspiring, but the style of Western fantasy is also good.

The plot is too childish, the protagonist is too pretentious, and there is nothing interesting to read.

The plot is not good. It was written after it was released.

The problem is that there is no clear main line that serves as the driving force for plot development. It is neither an escalating battle, nor a plot to seize the heir, nor is it a suspenseful decryption. 1. To upgrade the battle, the cultivation level system and cultivation methods should be given, and the writing should be centered around the cultivation process. Combat should be used as a way to test the results of cultivation. But there is neither a specific cultivation level nor a cultivation process in the novel, so pure combat is meaningless. 2. In chapter seventy, no competitor is introduced and the main plot is not even started. The emperor gives the little princess a dragon egg to establish the advantage of inheritance. As the main plot opens, the opponent should be drawn out. Without an opponent, Machiavellian tactics are empty talk. 3. Suspense decryption, very messy writing. Everything thrown out is a mystery, not a single mystery has been revealed, and there are very few decrypted contents in the novel. You might as well divide the worldview information into several big questions, and for each big question, ask small questions one by one and solve them one by one. Battles without escalation, intrigues without opponents, suspense without decryption, and case reasoning, no, cases without reasoning. The characters are well drawn, but the framework is so messed up that readers will feel bored just looking at it. My suggestion is that it is no longer possible to go back and write escalation battles now, and case reasoning becomes the author's narrative rhythm and means. Then use case reasoning to introduce competitors and intrigues, and let suspense decryption improve combat effectiveness. Then, decryption is interspersed with cases, and cases are interspersed with decryption. Machiavellian tactics serve as the third engine of the plot.

I still don't understand the meaning of what the eldest prince did. Even if he succeeded in the end, he didn't dare to kill the princess because of the curse. After all, he would just cut off the princess's power and have nothing to do with the princess herself. But the emperor wants the princess to become a dragon knight. If he does this, he will definitely turn against the princess. Doesn't this mean that he directly pushes a dragon knight to the second prince? Wouldn't it be impossible to get the throne if you do this? Would you rather not be the emperor yourself than let the princess be the emperor? Or is it true that he can kill the princess, and then the emperor and his father are stupid and don't care? What about the curse, can it be circumvented by letting his men kill it? That curse is not pure clowning. He still plans to control the princess and prevent her from becoming a dragon knight, so how can he guarantee that the emperor will not interfere? Just controlling the capital does not control the emperor, and he does not have this ability.

Dragon Knight, all the fighting power lies in the dragon, and the knight is just a decoration? The coup feels like a house game, hypnosis/mind control (the specific method is not mentioned in the article), the dragon knight can control the dragon, which is a bit overwhelming. Maybe she was sprayed too much, saying that the princess has the strongest mental resistance and cannot be controlled. She is trying to make up for the emperor's half-prophecy.

This book often describes various scenes, which is a bit slow compared to the current pace of novels, but it just has some humanistic flavor, which can be regarded as a feature of this book.

After revising Chapter 154, I finally feel that the logic is smooth. I am glad that the author can accept the feedback. This book is quite to my liking. The golden finger that was easy to write and very brainless was used just right.

The first picture directly hallucinated the blazing sky (wrong)

The steam industry is just like Lord Shadow's world, with steel mills by rivers, railways, trains and steamships.

It's pretty, but there are too few updates.

Is the use of golden fingers a little less in the plot? Is it better that the early plot revolves around ancient characters?

After raising it for a while, why did it die 😒

Rhythm... Look at the book you wrote and see if you find any problems with the rhythm.

It's well written. It's rare to see a book that doesn't have so much intrigue. It can be said that it's very comfortable to read and you won't worry about something happening suddenly (derogatory meaning ). And I also really want to find a book with a protagonist similar to Zhuge Liang's positioning. Other types of books will deviate from this positioning even at the beginning. I hope this one won't.

My fault, it's my fault that I spent money to read such a wise article. I must have had a fever for the past two days and my consciousness has been blurred 😥. Remind everyone, just read the free chapters, don't spend money on Akaashi

The writing is okay, but the plot is hard to describe in one sentence

Rush!

The book is quite nice, but it's a pity that there are so few people

It took me a day to catch up on the latest chapter. It's very interesting. Now it's time to reach the magic chapter. I hope there will be more Chinese and English magic in the introduction than in the first chapter.

With or without Shennong, when will the protagonist learn magic and will he always be a berserker?