Trip from Mondstadt

For now, I'm simply watching the plot again. The protagonist is really the camera...

It's all plot, the protagonist is of no use at all, it just emphasizes how powerful the protagonist's background is from time to time, and then the plot doesn't change at all.

Just a camera? His role is not even as good as that of Paimon. After all, Paimon can talk, so what does the protagonist do? The one responsible for peeping from behind?

Is there any difference in the identity of the protagonist as a time traveler? I feel like he is no different from an aborigine. The story has not changed at all. How is this different from repeating the main plot, and to put it in a bad way, the main plot only has these characters, and you only wrote these characters. I don't believe that Mondstadt only had these characters active during the dragon disaster. Except for Mona, who is not in Mondstadt now, won't the protagonist make friends with everyone else? And I feel that it is a tragedy that the protagonist joins the tragedy, and he is gone anyway.

It's a bit too bland. It's all about the plot, but the role of the protagonist is not reflected at all... It doesn't have to be particularly powerful, but the outstanding points should be written out, right? This is just one more person, nothing special and boring.

It's almost a hundred chapters, and the camera feels like it's going to die... I'm bored when I'm twenty or thirty and there's nothing special about it. You've been using the camera for so long...

Drive super high and go super low. The middle is full of plot. We are not here to read a Genshin Impact novel. The middle should be more realistic. There is no interaction between the protagonists, especially when you see the chapter about choosing a vehicle, a three-wheeled motorcycle. Even if you throw your mind away, at least there must be a lower limit.

Genshin Impact's fifth anniversary

Genshin Impact

It has the beauty of a Predator, high technology but poor utilization.

Happy Mid-Autumn Festival