Heavens, Start by Using Conceptual Techniques to Treat Tao Injuries

Read it, don't like it, too much nonsense.

The protagonist's treatment is at a conceptual level. The elixirs used to be true immortals or immortal kings. Can the protagonist's ability restore them a little?

First of all, the protagonist's skills are rubbish and can only heal minor injuries. Then after traveling through time, he becomes awesome. What if instead of becoming stronger, the world he traveled through becomes even rubbish? From high dimension to low dimension or something

The first chapter fooled me. In the interstellar era, people are still taking human lives to occupy land. Let's not talk about those science fiction weapons! Let's talk about the ordinary weapons that are available now, the most common ones are drones. According to the production capacity of the interstellar era, a million units a day are considered few. They are cheap and large in quantity, and their offensive capabilities are countless times greater than that of ordinary people. Author, can you tell me what advantages ordinary people have in interstellar ground wars?

According to your skills, you can reach the limit. It is like constantly squeezing yourself, similar to burning yourself and constantly overdrawing. Anyway, with this skill, you can recover. The size of the sea of suffering does not depend on how big you open it, but on how you dig into the sea of suffering. Just like specializing in a lineage, others are cautious, but you are slashing with a broadsword. Anyway, you have skills and can recover. There is also a weight unit. Different worlds have different latitudes, just like you can push a big river upstream in the mortal world, but you can't break even a stone in the upper world.

The main problem at present is that the author's portrayal of the interstellar era is very inconsistent with the background of the times. I don't see the sense of technology that the interstellar era should have. Except for spaceships and genetic medicines, everything else looks no different from modern society. At present, the protagonist goes to other fan worlds with original works and the interactive plots with the protagonists of other worlds look better than the original interstellar colonization world. I don't know why the author designed this kind of interstellar world, but I still hope that since it is an interstellar world, some technological content can be improved without affecting the author's conception of the plot. There is also colonial development with a 90% mortality rate, which is very unscientific. Because this kind of development means going to death, and development means generating profits. If the dead don't give money, that's exploitation, and society will definitely be unstable. If a person is given a lot of money after his death and still has to send the person to die, are the officials doing this because they think the money is too much? With the technology and productivity of the interstellar age, using human lives to fill holes should not happen. Even if it does happen, it should only happen when civilization is about to collapse. The normal development of colonial planets should not be filled with human lives. The article says that the Star Alliance not only has Star Destroyers, but also has superpowers that are comparable to Star Destroyers. These are all high-end combat capabilities. If you have high-end combat power, you should have mid-to-low-end combat power. If a technological civilization has developed to this level, it will inevitably use cheap and practical cannon fodder mechanical legions. Whether it is AI central control or individual combat mechanical units with independent combat capabilities, they should be cheap and sufficient to meet the supply. This is more conducive to social stability than using human lives to fill it, and the cost of the development process is also lower. After all, it would take at least nearly 20 years for a qualified worker or soldier to be able to work. And a cheap and sufficient mechanical army should be very cheap under the productivity of the interstellar era, and can be produced locally on the developed planet. If there are no local production conditions, the engineering ship can also start production on a planet near the colonial planet. In short, there is no shortage of productivity in the era of interstellar colonization. Not only can it produce machine units that are about the same size as human beings, but it can also produce mechanical units that are tens of meters or hundreds of meters in size. These are all very simple things once the productivity reaches the standard. If this kind of combat power cannot suppress the monsters that colonize the planet, then the death rate will not be 90%, but the death rate will be 10%.

Read it carefully in the early stage, jump to read in the middle stage, and read the chapters in the later stage. Without a female protagonist, there is ultimately a lack of spice, and the more I watch it, the more I get tired of it.

There is something wrong with the lowest level of superpowers, in order to recruit people to practice the Heaven-shading practice.

No, since you don't care about the resources of the main world, why bother with the aristocratic family tank for no reason! Or is the main world invincible? More than 10,000 people with super powers appeared for no reason. . . . . No one covets you!

The protagonist is greedy for life and afraid of death. The batch I sent was not bloody at all. And paranoia

The subject matter and setting are all very good, but there is too much nonsense in Che Zuluan. I can't stand it anymore. Goodbye.

Why are there more and more novels that reveal that the protagonists are fictional characters at the beginning? Isn't it strange? The reactions of these protagonists are very peaceful. They are shocked at the beginning and do not go into details later. The protagonist knows that his whole life has been known to billions of people. He has no privacy at all. He does not pursue the secrets behind it. He just believes what the protagonist says. None of these protagonists let the protagonist Let them know all their experiences, but occasionally let the protagonist talk about the plot. Don't say anything and don't want to know the future for fear of affecting yourself. This kind of plot has no logic at all. I don't want to know if the protagonist's time in the future has affected the future. Reading this kind of novel, I always feel that the protagonist is like a puppet. He knows that he is a character in the novel but dare not say it. He is manipulated by the author. This is not the feeling.

Normally, he clearly knows that making changes will shorten his stay this time, and Ye Fan can also confirm that the protagonist is leaving and throw a storage bag to the protagonist, and the protagonist has practiced to the other side many times, but he has never thought of imitating Ye Fan. Obviously, he can write down the information in advance, such as Ye Fan's parents are worried that he will die of illness and how to quickly get to know those who can help him go back, and put it in the storage bag when he is about to leave. He hurriedly threw it to Ye Fan, but ended up going back and forth several times and still taking advantage of the plot. He basically did nothing except helping heal injuries and speed up his cultivation. The protagonist knew what he had told Ye Fan at the beginning of the plot. Later, Ye Fan had been practicing for many years like the original work and found out that his girlfriend was married and his parents had all died long ago because they were worried about his safety. Anyone who does not regard the protagonist as a life-or-death enemy would have to say that he is a good person.

Why do you keep traveling? There is no plot in this world. Traveling through time to improve strength shouldn't be an auxiliary. Is this world the main line? Putting the cart before the horse. The priorities are reversed. No wonder the subscription is low. It's better to read the original work when reading fan fiction.

The setting is baffling. If you want to feel good, feel good. Another time, Liu Su was still wearing it. How are you round? I asked you how to make it round?

Did the author ask us to read the explanation? ? ? Explanation from beginning to end, no fighting? ? Are the first three chapters all commentary? ? ?

Concepts need to be supported. For example, if you go to another universe with the six gems in your universe, it won't work. If you think about your conceptual skills, you can do whatever you want in my universe. God's way: I don't care about this or that of yours. Why don't you think I don't exist? I'll ban you directly!

Being able to travel through the heavens, ability is not the important thing, information is important, just like covering the sky. In many cases, those Dark Supremes are willing to exchange the Imperial Soldiers for just one word.

When I read the introduction, I just want to vomit: the so-called authors nowadays are always either covering the sky, being the Hokage, or the Three Kingdoms, and they go back and forth like this. Can't you make more progress? Who gives you the power to conquer all the heavens and worlds at every turn? If you write like this every day and read it every day, even if you write well, it will become garbage! What's more, one or two of them don't even have any writing skills, they are pure garbage makers!

First of all, the character setting is according to the author. He is relatively licky and afraid of death. He mainly lies flat and occasionally has an aggressive character. He also has a little sense and scheming. The golden finger will not be changed Then the normal logic should start from the meeting with Ye Fan, because you can't reveal too many things and you can't take too many things. First, change kneeling to "stand there crying" to take care of the reader's mood 🙂 Then don't reveal that you are from another world (´_ゝ｀), just say "can't say" (the first time you ghost) If you know if you say this, it will be gone, why bother) After revealing the ability of supernatural powers, you can be the same as before, just be a nanny. The final things you take back should be changed to "life-saving equipment and training resources" instead of the method of covering the sky. It is best for the protagonist to only follow the path of supernatural powers. There is no need to use the method of covering the sky. •ᴗ•💧 This way, there is no need to mix the realm of cultivation, and it is concise and clear. Then the information revealed in the card bug is to be changed into classical Chinese, and the speed should be fast. It is best to say one or two words before the world reacts. Otherwise, how can it be used as a life-saving method? That sentence is so long, it would take enough time to raise your ashes. Then don't draw so much in the main world! What if you don't apply for the job if you don't have any worries to begin with? •ᴗ•💧After returning to the original world, delete everyone so that there will be no intersection. If you have to write, you have to change the previous time synchronization setting to a non-synchronized time, such as 1:1000. Even if you want to write, you are a person who has no friends and is an ordinary person. If you are called to get an injection, you must change it! This is too inexplicable. You might as well write about your comrades who came after you, their struggles, their deaths, and their pain. It has to have a focus. It is best not to write about these. Even if you fake your death and escape and go back in the end, it will be better than this, because the writing skills are very demanding. Then open more worlds. As a nanny, what you have to do is to help the boss, and your skills are so high. In order to prevent the collapse of combat power, you must first open some small dungeons and directly create infinite streams. The excuse is that it can be difficult to improve after mutation with superpowers. You need some special things such as the origin of the world, but the origin of the great world is not easy to steal. Then go and save a few people to satisfy the readers' wishes. For example, in the second dimension, you can save the fox demon Little Matchmaker, the Octopus Crack, and the Abyss. For classics, you can save Daiyu in Dream of Red Mansions, the Prime Minister in Romance of the Three Kingdoms, and Wu Dalang in Water Margin. Anyway, I can write a lot in this area. It's not easy to fall apart. It just depends on how your writing style is. It's just a hodgepodge. At least you can write a few paragraphs and get all kinds of popularity. As long as you write normally and don't change the original cp and abuse the characters, no one will say anything to you even if you are popular. ᴗ•💧Author, I have given you the burning skills. Can you write a better one?

After reading the introduction, I feel that the setting is a bit abstract, a bit like Tai Chi punching through the ancient world.

Your name as Tianxuan Holy Land in the Heavens is not impressive enough. In other worlds, when you announce this name, people who don't understand it will be confused. In the future, you can definitely upgrade it to the Multiverse Heavenly Court. If you talk about Tianxuan Holy Land in other worlds, others will only feel powerful after they understand the truth. If you report it to Heavenly Court in most worlds, others will feel powerful and powerful when they hear it. The protagonist can completely establish the Heavenly Court with Ye Fan. The protagonist will be the "Emperor Jun" who coordinates the overall situation, and Ye Fan will become the "Eastern Emperor Taiyi" responsible for combat power. In the future, the scale of the multiverse Heavenly Court will be expanded, new powerful characters or geniuses will be added, and the four or six imperial models will be used to continue strengthening it. In the future, after connecting with Journey to the West or Prehistoric World, your multiverse heaven will compete with Journey to the West Heaven or the Demon Court of Prehistoric World to see who is the best in Heaven.

Newbie, new book, please give me all the data, recommendation tickets, monthly tickets, etc.

I saw that the middle part was boring, and the author fell into the vicious circle of killing monsters and upgrading. I felt that I had to break out to get better. I focused on describing the cool operations of conceptual abilities. Now it has become a subsidiary description. The creativity has declined step by step. I have written too fast to improve my strength. There is no other life. I will open more later. In a fun world, it may be more interesting to let the protagonist's clone start from scratch and rely on special powers to do things. It is similar to the clone flow. The combat power does not need to be increased step by step, so you can write more different stories. This way, you can follow the protagonist through the plot without constantly describing upgrades, and use the time difference to write the plot of several more worlds, including the main world.

Others are fine. The fight over who is popular is a bit low. It is better to just write the novels about which one is popular.

I feel like the protagonist might as well be strapped with the magic hammer of a fast-handed Ashu. He can repair everything and have fun all the way to the end. Personally, I think there are many people who like it. It's called God of Covering the Sky, Saving Life and Repairing. The beginning of this article is not very interesting. The interstellar era is boring and boring. Compared with the plot of Zhetian, it is much different.

The Killing Saint and the Heavenly Prince of the Assassin Dynasty are doomed, both of them are about to die. I just don't know how many chapters to write. The assassin dynasty is about to be destroyed.

The Emperor of Heaven is dead, and now it's time to liquidate the Assassin Dynasty. Although the two great slayers are dead, the members of the Assassin Dynasty have not yet been liquidated.

Seeking refinement

The ruthless emperor: I want a clone to use in other cultivation systems. Li Huan: Why do you want a child? Liu Shen: I want a clone to understand the new practice system. Li Huan: Why do you also want a child?