Super Mage: The Arcane Network Collapses Again from the Start

I feel that the influence that the protagonist engages in does not have any strengthening effect on him. On the contrary, he is always being dragged down by the influence.

It can be said to be a well-made work, and the pace is good at the moment, but there are also concerns that the protagonist can easily abuse his strength. If he doesn't control it, his combat power will take off. If he controls it, he will be scolded and downgraded, which will affect the enjoyment. It depends on how the author balances it.

When I wake up, I am the only one in the world who can explain the Dharma with all my strength.

There have been a few recent updates.

Why do you like being a lord so much now? Nowadays, almost all novels require a job change from adventurer to noble lord as soon as they are published. What's wrong with that! The story of an adventurer is not good at writing about science and technology, right? Forget about one or two books. Nowadays, anyone who writes novels has to start a company. If you can't write well, you can just become a lord. But there is no actual change at all. It's just good writing and fixing many bugs by yourself.

The Oath of Dedication (Keep your word, help those in need, and lead by example.) The Oath of Glory (Strive for the top, move forward courageously, and inspire people.) The Oath of the Ancient Sages (Light up hope, protect lives, and bring happiness to others.) The Oath of Revenge (to eradicate evil, face injustice, and mend the situation.) The Oath of the Crown (Law, loyalty, courage, responsibility.) The Oath of Conquest (to extinguish hope, rule with an iron fist, and have the supremacy of strength.) The oath of salvation (peace, innocence, patience, wisdom.) The oath of watch (vigilance, loyalty, discipline.) The oath of the ocean (freedom is supreme, high heaven is faith, change is like flowing water, Explore the unknown territory. ) The oath of fanaticism (revealing corruption, eliminating heresy, abandoning mercy, and doing whatever it takes.) The oath of drinking curses (becoming a sword, a shield, and a magic spell.) Stream of the River Oath (the stream will never stop, the water will rise and fall, the rapids will advance bravely, and you will reach the sea.) The oath of carnival (obey the teachings of the Brodish Canon, celebrate every celebration, invite friends and foes alike, and fight to hold a party if necessary.) The Oath of Punishment (burn away doubts and fulfill your duties; purify sins and forgive the innocent; repay blood for blood, tooth for tooth.) The Oath of Heroes (walk before your will, fight as a test, accept your fate, hone your body.) Oath of Guardian (Choose your own creed according to your camp; Chaos Creed: Affinity, Beauty, Freedom. Evil Creed: Dominance, Opportunity, Profit. Good Creed: Courage, Sacrifice, Dedication. Lawful Creed: Loyalty Honesty, protection, service. ) The oath of the giant spirit nobles (take destruction as a foundation, rebuild a new life; use brilliance as a banner, use elegance as a guide; respect the elements and fear their anger.) ps: It is equivalent to not being able to fight elemental creatures, the restrictions are quite large. There are also Oathbreakers who have no creed and need to spend money to redeem them.

Since the author said that he will decide whether to arrange a female protagonist based on the plot development, then you can take a look at this vote.

The protagonist's strength is always in an embarrassing stage. He is weak or not, and can beat many people, but he always feels like a man on the roadside.

If you have played Baldur's Gate, you should understand that the charm of DND does not lie in various overpowering structures, but more importantly in RP (role playing) and immersion. Among them, occupation is the core part: the profound wisdom of the mage, the witty words of the poet, and the aboveboardness of the paladin. The Oath of the Paladin itself is both unique and can be used as a driving force to advance the plot, but as a result, it is combined with an inexplicable djinn handkerchief and the whole section collapses: this is just a player sitting at the table and fussing over data, not a living adventurer.

To be honest, this book is really uncomfortable according to the DND rules. The construction is really not strong. In other words, the author actually doesn't know what he needs to build. The author basically has no understanding of the DND5E professions. He has read that the opening of cards with high charm is strong, because the charm professions in the 5th edition are strong, including paladin, warlock, and magic. Companions and poets are all charming, but seeing that the author is still that super embarrassing paladin at level 18, it can only be said that the author does not know what the strength of the paladin is. The end point of the part-time paladin is level 5, and there is no need for it after that, because level 5 can fight two people. It is so outrageous, but the author has done both but does not use the paladin, so it is okay. The same reason why the Courage Poet is strong is that it is also a level 6 two dozen, so the idea of ​​building it is simple. According to the author's needs, the whole level 5 paladin/level 6 poet/level 7 warlock can basically make two two dozen professions (pure waste) with a full charm identification profession of super magic. The spell casting level is 8 levels, and the magic learned is the most commonly used 1 to 3 levels. The high level spell slots are just for super magic. There are not many poets' spell tables. There is no need to cheat and force the warlocks with spells. , Can't tearing a scroll? There are only a few who really need super magic. Then open an origin specialty. The whole priest apprentice or druid apprentice can get two corresponding links. If you have to upgrade to a mage profession, it is actually unnecessary to upgrade to a level 2 mage. 3 Professions are outrageous enough. Adding a mage will weaken it In fact, the total is 5 paladin/15 courage poet. At level 6 of the courage poet, you can cast magic after attacking, at level 14, you can attack after casting spells, and the poet's spell table is There are many and good, and you are guaranteed to get 9th-level spells. After choosing defense, your survivability is stronger. It is much better than the above one that only has high-level spell slots and can only learn up to 3rd level. This is also better than the whole inexplicable construction plus a bunch of useless plug-ins. There is nothing good above the level except for the wish spell. The spell slot is just for super magic Level 6 Courage Poet/Level 14 Dragon Vein Warlock can also be used The most noble skill in DND is immunity. How to maximize the use of your strongest attribute is the key, just like the magic contract master uses charm instead of strength to pass the appraisal. What is the purpose of adding strength points? There is no difference between not using it and not having it, not to mention that it can be obtained by using some structures. The hanging skill is the same as not opening it. Adding points is not as good as saving skills. Anyway, the essence of adding points is to pass the appraisal. Except for the upgrade of Son of Slaughter, I really don't see anything cool about it. It just saves a few physical feats in the front, and has enough spell slots in the back, and both can wear armor and hold shields. Who calls the mage's level 20 characteristics rubbish? This level should be replaced with more useful ones DND background books are like this. It's awkward to keep writing about them if you don't understand the rules. Or just write them purely in the background, don't add this and that like other game articles, because the characteristic of DND is that the character has been set up by the unscrupulous people from the beginning, and the follow-up route is set up. Level construction is based on extreme ideas, maximizing the benefits within the rules according to the purpose to be achieved, and most of the running groups are in T1T2 state. Diao Min mainly concocts rules and concocts spells with the DM. As long as the DM agrees with your question, how can it be weird? Speaking of DND, I have my own special understanding of spells and then use spells to complete my life. According to the group running, it is not a functional structure for running a group, and it is not a powerful structure according to the PVP. So what is the fun of cheating? I can only say that cheating is intended to be used by one person as a group, lone wolf mode. The problem is that you are a charm profession. The mage intelligence profession can also be said to be my lonely homemaker's mentality and one more person to form a group. What is the purpose of forming a group of one person with normal conversation therapy and team motivation like charm? Even if the magic bonder calls the sect or summons monsters to form a group, and organizes several bases and recruits a bunch of people, it is not a one-man group.

I really like this book. It's great to keep fighting. Other books are just nonsense and no fighting.

At the end there is a mage tower

Can it be made into a style with women but not mainstream? Anyway, I feel like you don't have the writing style to write any emotional scenes, but if Warlock Garon is to follow the eunuch style, it doesn't feel right, so I hope you don't make a heroine design, just a tool figure or a maid type. A cup style design is more in line with the painting style. Conspiracy, trickery, coercion and inducement are all fine, just don't lick it, and you'll be done with ruthless objectification.

，，，，，， I can understand the protagonist being pushed by events. After all, Faerûn is very confusing and complicated. But many incidents directly hit people in the face, which I find very strange. It's like the death of the guardian of Dulag in the plot. What was his reason for chasing the dragon? The city was not destroyed by the dragon, and no one he valued died, so he insisted on chasing a dragon that was stronger than himself, chasing it all the way, and killing it until death. In the end, he died without a fight. Isn't this inexplicable? Is there any reasonable motive to explain this? It's completely a plot kill, in order to give the male protagonist the position of city lord. And the heroine herself is a level 16 warlock, and she is so rich. She has one or two hundred knights at home, her own chamber of commerce, and a magic castle inherited from the mage family. As a result, she has to find a complete stranger on the roadside. The passing male protagonist accompanies her to find the guardian of Dulag. And he generously gave away props worth maybe 40,000 to 50,000 gold coins, just to let the male protagonist do some work? Doesn't she have friends? Don't you have any subordinates? Moreover, the heroine did not use any magic props except the flying carpet. There is no trace of a sorcerer with two generations of heritage. The above is not an exaggerated shortcoming. Later, the shadow thief master directly entered the castle room when the male protagonist and the female protagonist were lingering 😐.       ，，，？ What's more, the shadow thief also knows that the male protagonist also lives in the castle. So this level 15 shadow thief went to assassinate two elite spellcasters who were almost as strong as himself in the caster's castle? Or after the hero just slayed the dragon? What does he want? Do you want to die quickly enough? Is the Shadow Thief and his gang not dangerous enough? The above are the main flaws I read. The book is a good book, and many places are indeed well written, but many points are worth complaining about. It feels like the characters suddenly become wiser, and you have to convince yourself before you can read on.

In fact, when most readers see the protagonist obtain a mind flayer larva, they will expect the protagonist to obtain a career related to psychic powers. This foreshadowing itself will stimulate such expectations. As a result, the protagonist also has a paladin who has nothing to do with warlocks and psychic powers. From this point on, expectations have actually been misplaced. And this giant spirit handkerchief is also worth complaining about. Although he is indeed strong from the panel, he does not promote the plot. To put it bluntly, even if you really want to be a paladin and have an oath of conquest, it is better than this, because it can promote the protagonist to start the conquest plot. Instead of being chased and pushed away by various external crises like before. After all, in writing here, the protagonist still hasn't shown what his true desires are? Does he want to be a successful lord, protect his subjects, conquer enemies, and expand his territory, or does he just want to upgrade and become stronger, master the nine rings and even legendary spells as soon as possible, and become a great warlock? In this sense, although the protagonist's part-time job this time can be regarded as an upgrade, it does not feel like an upgrade, and the future path of the protagonist is completely unclear😅

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Do you still think that this is a mage article, and that part-time paladin is for the purpose of transforming into a dragon and slaying evil? 😥 Part-time mage, or 5E psion sub-branch, I think is better. In a world dominated by intelligent creatures, it is inevitable to have to deal with humans 🙂 Charm Control is so useful. A part-time protection mage can also be used, and various defensive spell resistances can make up for the shortcomings of the protagonist's turret 😐 I didn't expect to become the protagonist of Tiger Balm again, with both magic and martial arts. It's like practicing Qi in a novel about immortality and having to learn physical training alone.

Adjustment: Most people cannot directly perceive their own alignment! The nine camps are not man-made labels, but the basic laws of the multiverse, which are reflected in the clerical realm, magical effects, and outer planes (such as the lawful and good Paradise Mountain and the chaotic evil Abyss). This is basic knowledge for professionals, especially for professionals such as paladins, druids, priests, etc., It is related to life and future. But the camp is just an appearance. It is completely determined by the individual's subjective will and behavior. It is a dynamic ideological concept. Gods, demon lords, etc. Can directly perceive the nature of mortal alignments, and there are also some spells that can detect good and evil or moral tendencies. However, most people have a vague understanding of alignments and can only roughly know their own good and evil. Thanks to book friend Xue Lingfeng for your opinions and guidance!

1. The protagonist who established the Federation should be called the Speaker, why is he still called the President? The Federation is in the past tense, and the others are just members 2. The old arcanist in the Miser Energy Core, that is, the Spirit of the Spirit Network created behind the protagonist, why is it not set to be a female? Males are too incompatible and are monitored around the clock. It makes me feel uncomfortable just thinking about it 3. What do you think of this trait when the adventure group invites people to upgrade together? I share the golden finger of the protagonist. It is obvious that no one has me but I am the coolest part of this book. Suddenly I feel that the protagonist is no longer the protagonist 4. Why keep the divinity of the platinum dragon god Bahamut? Why not just do it directly It has been decomposed. The previous tone was obviously that all the other gods had decomposed and evolved into Goldfinger, but here it is like being parasitized, and it is mainly of no use 5. The moon elf of Moon Shadow Quiling suddenly became a marginal person. It was originally supposed to be the protagonist's spare tire 6. The protagonist's surname is Hall Leiwen. It's so weird, it's okay to call it Hall Raven, and the federation that was established is called Hall Raven Federation. It's also weird 7. The protagonist's race is called Six-winged Spirit Dragon. Why should we add a six-winged spirit dragon? Can't we just call it Spirit Dragon? Besides these, there should be no other poisonous points, but the results have also deteriorated because of these.

The protagonist has done so many things, but actually used them too little. In the end, the protagonist has to take action on his own. He also said that he hired adventurers and built a golem army. Then those soldiers who had high welfare before were useless. They engaged in the federation to make money. As a result, after the completion, they did not spend it to become strength like the money Elise gave the protagonist. It did not reflect the role of making money at all.

Use less spammy memes and pay attention to your words. Don't use the vocabulary of modern spam internet users, it will make you lose your sense of empathy.

As mentioned in the previous post, here I will summarize what I said in the post: The biggest problem of the protagonist (author) so far is that he is greedy for output, and only firepower comes first. He thinks that as long as he kills the enemy to ashes from a long range, everything will be easy. And the several choices he (the author) made, whether he chose the school of magic specialization and evocation, or sold the plum staff for stronger equipment (this issue has been revised after strong objections from book friends), all wanted the protagonist to focus on "output" and extend the already long board in the "barrel". It is undeniable that the spell turret is indeed a good choice for the warlock. After all, the warlock's spell table is much narrower than the mage's in the early and mid-term. You can only open the pseudo-full spell table after you have obtained the 9-level wish spell at level 17. Therefore, it is indeed much better for ordinary warlocks to specialize in spell turrets than to learn miscellaneous auxiliary and other spells. But note, I am talking about "ordinary" warlocks here. And here, because the author gave the protagonist a lot of choices, the spell table is several times wider than that of ordinary warlocks, so the main thing the protagonist has to do here is not to strengthen but to fill in gaps. There is no shortage of output (energy evocation) spells in the warlock's spell table. I and other book friends thought that when choosing arcane specialization in the past, the protagonist would choose a protection school to enhance survivability, or learn a conjuration school to increase the breadth of spells. After all, it is a helpless move for a warlock to serve as a spell fort. If given the opportunity, who wouldn't want to be an all-powerful person? Not to mention omnipotent, at least it can take into account all aspects, and the protagonist can completely rely on plug-ins to achieve this, and there will be no situation where ordinary warlocks are mixed but not perfect. But the protagonist didn't. In order to get the B output, he chose the school of evocation that was completely lacking. This is very confusing. You act as a barbarian fortress when you have nothing to show for yourself, and I won't find fault with you. But if you cheat and still act like a barbarian (it's just a little stronger), then isn't your cheating in vain? Actually, when it comes to this, everyone is just complaining. After all, the plot has not yet unfolded. If the author wants to highlight how good evocation is (or at least make people disagree with it), that would be easy. It would be better to highlight the role of the evocation school more and kill the enemies from a long range so that they can't get in at all. But! In the article, the protagonist (the author) has always emphasized how powerful Evocation is, and how it can destroy enemies from a distance. However, in the first chapter of the release, there was a big problem - the protagonist was touched by an enemy at close range. If the newly purchased equipment could not react to casting spells, he would have been killed. Then the protagonist regretted not choosing the protection option. …? Also in the future, the author has been emphasizing that the enemy cannot withstand the firepower output of the protagonist in one round, but the plot he wrote has completely highlighted the shortcomings of the protagonist - if he is approached again and is not given a chance to deal with the firepower, wouldn't it still explode? Although it has always been emphasized that it can kill enemies from a distance, if it is unknowingly touched and approached again, it is not that it will be almost killed. The biggest problem for the protagonist now is that there are too many output terminals, so many that they are redundant. Even the super magic option in the latest chapter is completely for output (I can only say that it has a long memory), and the ability to deal with other situations is too little, especially survival and defense. It is undoubtedly a glass cannon. This has also led to the fact that in the current plot, choosing Plasticity is a complete failure. It is enough to clear out miscellaneous soldiers, but it is also enough if you don't use Plasticity to clear out miscellaneous soldiers. Therefore, it feels like it is better to choose the protection school and prepare more defensive spells after doing it for a long time. There is output only when you are alive.

The time in the article is too tight After reading more than 400 chapters, the plot time has only passed 4 months. People have rushed to level 18 warlocks, and several part-time levels are also very scary. Think about it, for 4 months and 120 days, I have to write 3 chapters almost every day. This way, the protagonist is running like a cow and horse to level up, without breathing at all, which is very abnormal from the perspective of Faerun NPCs. In addition, many events take time to develop and develop. A few months is really not enough. It would be much better if the time was extended to a period of five or six years.

A few days ago I saw some comments made by the protagonist who works part-time as a paladin. Somewhat over the top. Now calm down and say why again! Author, you need to know that both people and forces are path dependent. Take warlocks and mages for example. Although they are both nine-ring arcane spellcasters, their underlying logic is different. Mages cast spells with high intelligence, just like researchers. They are supported by underlying laws. Therefore, their spellcasting has a cold mechanical beauty. But warlocks are different. Warlocks cast spells by blood. Their method of casting spells is an emotional outburst. They actually don't understand the operation of magic. A bit similar to how Harry Potter casts spells today. So although I like mages very much, it is actually not suitable for your protagonist to be a part-time mage. , His spell-casting logic is different, which will cause conflicts. Except for the big guys, few people can merge! From this we can know the consequences of the protagonist holding the role of paladin. Whether it is 3e's faith god or 5e's faith rules, his way of casting spells is different from that of a warlock. Not to mention his fighting style is even different. If a part-time paladin encounters an unexpected situation, should you use the warlock's release method or the paladin's method? Author, you must know that what you write is a novel and you are building a world. It's not a game. When playing games, you can open a card with 8 intelligence, but in reality, if you are mentally retarded with 8 characters, you won't be able to take risks. After all, no matter how charming a retard is, he cannot be considered a leader. I hope the author will continue his efforts. Just family talk.

It feels weird that there are no women in dnd

Damn it, isn't it enough that the Drow sisters can communicate physically? Food and sex are half solved. The protagonist is actually indifferent and has no expression? Prudish

I like this style very much, but the time span is too short, and the later stage is a bit messy. The protagonist upgrades very quickly, and I can master the legend from nothing in four months. The setting instructions take up one third of the text. In fact, the longer the time span, the setting and upgrading instructions are a great advantage. Upgrading too quickly becomes a disadvantage. There is only one upgrade in a few chapters, which is the full data of two chapters.

There is too little Western fantasy, but it is more like a game article. Every time you fight, you will get various statistics. There is no sense of adventure. It is more like playing a game in a team.

The adventure in the early stage was much better, and I was sick of reading the Lords article. Dnd has so many maps and monsters to write about.

Baldur's Gate city layout and aerial view