In the World of Dragons, I’m Building the Mysterious Old Ones’ Church

I was only halfway through when I saw the main body and the clone communicate by phone. The protagonist isn't without supernatural communication abilities, yet he mentioned the main body, time travel, and the mystery of his birth during the phone call—I almost couldn't hold back anymore! Seriously, how little do you care about Norma and Kaguya?

First, it lowers the brand image. Something that was once unique suddenly gains a competitor, ruining all the carefully cultivated prestige. Secondly, it's difficult to write. From my observation, your writing skills are not up to par with this style. Each of the things he mentioned could be a book in itself, let alone when they're all mixed together. Third, if Dragon Raja doesn't focus on dragons, why not write about everyday life and behind-the-scenes stories? Why go to such lengths?

This author, known for their invincible genius, writes poorly from the start. If it weren't for the scarcity of novels like *Dragon Raja*, they would have already written *Bao Si*. From beginning to end, the story has been filled with filler and a lack of a main character, and this hasn't been changed even after release.

As a fan of the Mysterious and Dragon Clan books, I often enjoy comparing the power systems of different books, finding a bit of fun in these simulated battles. It is known that the Black King is the will of a planet, and his combat power is undoubtedly at the planetary level.

I have a ton of source material, and it's burning my hands. I want to find someone to give it away. I really don't want this stuff! It just makes me look cheap!

The one who mistakenly becomes a god must take his place in someone else's ascension ceremony. In the dragon race, the only one who can be considered a god is the White King from Dragon Ape III. Or perhaps it's a jump to the Fool or the Gate in Sequence One.

It's boring. Why do behind-the-scenes stories always end up being written like babysitting stories?

It's illogical. The characters create several high-sequence alts to help low-sequence characters, but once they reach higher sequences, they should realize there's only one God Throne. Instead of suppressing those on their own path, they help them—do they think they have too few rivals? The main characters should also realize this once they reach higher sequences. Isn't this a jarring inconsistency? Fiction will eventually be exposed.

I almost died from the poison after reading the beginning. They're giving away pathways and source material. Aren't there enough backstabbing stories in Dragon Raja already? Shennong, please tell me if they'll give away more later?

It conveys the feeling that 1+1<2.