Starting with a Max-Level Account, I Became the Witch Who Saves the World

Taxes have to be collected even if it rains. They are about to starve to death and there is no resistance. Is there something special about this world? There is no information about this world for a long time. Author, you can tolerate it. Slow pace is not necessarily good.

If the genre is Western fantasy, it is better to change the name of the protagonist to a Western name. The two characters "Lu Ming" are so inconsistent among all the Westernized names, and there should be fewer modern spoken words that relate to the protagonist's daily life. There are some dramas. At the end of the fourth chapter, the author said that he didn't have money to do full color. In fact, just post some AI illustrations. Many AI tools are now free, author! Take some time to look for it! ! Looking forward to your ai illustrations

Traveling to a different world to save witches with a full-level warehouse, the story begins with the protagonist, who has reputation and support in Sephis, picking up a witch in a bakery and unlocking a full-level account warehouse. There are also stories to improve the knowledge storage of villagers, etc. The author has only briefly touched on the exciting plot of these people appearing as saints. Although it allows the protagonist to pass the initial stage of land reclamation and directly sit on resources, popularity, support and prestige, it does lack some fun. Secondly, some interesting phenomena that happened on the other side of the river in the beginning were also used as jokes. Maybe the other world continent can't understand it. Judging from the feedback from readers, it feels okay? Of course, I personally think that as long as you don't overuse it, the senses are fine. If you use it too much, it will be a bit out of place. The last thing is the witch and the warehouse. The protagonist has a full-level warehouse in his past life. Logically speaking, you can get a rough idea by skipping all the plot, because the weapons and equipment need to be obtained through the plot and completing tasks. However, the protagonist seems to know nothing about it, and he doesn't even understand some basic information about the witch. If it is written like this, readers will indeed have some suspense to attract reading, but it is weird, forcibly creating suspense? The unfortunate witch, the theme of the story should be to cultivate and build witches, make them strong and finally save the witch. However, I would like to remind the author that the "sinking river" clearly cannot be a straight line, otherwise it will "peak", but training is OK, don't write that explicitly, be more subtle, and everyone knows that it is closed, otherwise there will be danger. That's all. Come on, I'll take my time.

Everything is without any foreshadowing. The protagonist suddenly becomes respected, suddenly saves everyone, and suddenly becomes a leader. It's like a daydream. Wherever he becomes obscene, he adds settings to the protagonist. The witch is like taking an aphrodisiac. There is only a little pitiful foreshadowing for the relationship. Xiaobai's text

I can't stand it after reading 20 chapters. I know why this book's performance is not good. The title of the book is a full-level account, but except for the unlimited bread, this full-level account is of no use. The witch doesn't see any use. I guess you guys like to talk about the three golden chapters. This is already 20 chapters. The content and the title of the book are completely different The main character is really ex-like, and the plot arrangement clearly shows that he is going to follow the path of the Yellow Turban Uprising, but the protagonist just wants to pretend to be this white lotus, and act as a cousin and build a memorial arch. It is obvious that the supporting villains are saying: You rebel. The protagonist wants to say: No, I was forced. If you want to rebel, then do it vigorously. What I want to see is the protagonist who is strategizing, not being forced on the road and asking questions. It is simply inexplicable to act like an irrelevant person.

I'm starting to find reasons to castrate the protagonist. There's nothing to say. My unified approach to this situation is to start raising books. When I think about it, I'll check the latest progress to see if the protagonist is still a eunuch. If you never think of it, or too much time has passed and you are too lazy to update it, delete it from the bookshelf. I just don't understand. The main character's loss of virginity can only be explained in one or two paragraphs. Why is it so difficult to write about it? You have to find some lame reasons to delay it. Isn't it interesting?

More than 400 chapters, with so many hidden plots, you can't even win the initial kingdom. You are no longer an ordinary procrastinator. The key is that the characters have not been established, let alone personality. From the performance point of view, it is still a high-level writing, playing tricks in the abstract, and it is embarrassing as hell. The most terrible thing is that you have to separate the lines by yourself, writing group portraits while pursuing the traditional route. The prerequisite for both wanting and wanting is that you can have it. You just have to wait so many chapters for your protagonist to be woken up by two big guys fighting each other. How do you separate the lines? Let the readers wait for you to write 1,800 chapters before you start. Have you read it for the first time, not to mention the growth path of your protagonist's character? You have to write one or two hundred chapters for something that others can write in a prologue. The key is that it is neither interesting nor novel. You have to spend so much time just to write a cliché. You go to the chapter to explain this and that, and write online articles until you jump off the scene to explain. You really have to think about it for yourself to release people and keep people. Besides, everyone can store their brains and read books, but you can't use a set of logic to death. It can't be solved by just posting on the profoundness of Chinese culture. You have to write serious plots and make these dramatic jokes while letting your brains run wild. Can your grades really be good? I'm bored enough to spend an entire night going through this thing.

The early stage was too slow. The author spent too much time trying to give the normal protagonist the identity of a leader. However, the overall plot is still very interesting. I recommend you to read it if you have time.

It was very abstract at the beginning. I knew that a noble came and said it was a lunatic gunman who did not move. He drugged the tax team and then did nothing. The nobles did not react at all (generally the tax collectors must be the nobles' confidants or the most elite troops). How could the nobles be surrounded by weapons and retreat? Don't you know that the arrow has to be fired when it is on the string? If you do this a few times, your heart will fade away. It is about a revolution in another world, and the protagonist is very similar to Yuan Shao, who is fierce and indecisive.

I feel unhappy and aggrieved. I do whatever I want and withdraw when I want. I don't want to do anything and I don't want to withdraw. What do I want to do?