One Mo Dao Saber Subdues the Tang Dynasty

For a chapter game, you can arrange the identity and background of the time-traveling protagonist, but it won't work after sixteen years, or you can write down what improvements the protagonist has done over the years and ultimately failed. Is it not against peace to live submissively for more than ten years and then dare to enlist in the army and fight for one's life?

People from the north don't dream about elephants, and people from the south don't dream about camels. Those born in Liangzhou are called Chaosheng. It's so strange.

After reading Chapter 30, I felt a little bit unable to stand it, mainly because I couldn't convince myself logically. You are a cavalryman. He is not an infantryman who can become a cavalryman by just riding a horse, especially if he has to attack the enemy's rear. You, a group of infantrymen in a big fighting army, do not train and then directly ride on horses and become cavalrymen. It was difficult to keep up with the enemy on horseback for a long time, let alone fight against the enemy on horseback and hit the rear. The soldiers could not leave the reins with both hands, let alone hold weapons. Although you have 500 cavalry assigned to you by Huangfu, you have divided your forces in the back and relied on the infantry from the previous battle army. You lead a group of mounted infantry to attack the rear. I really can't accept this.

When I read Chapter 7, I felt that a lot of it was too nonsense. I understand that you want to write about the background of the common people in the prosperous Tang Dynasty, but this is not the case in many cases. For example, a team is working frantically on the first echelon of soldiers to attack a city. It is not necessary at all. The main reason is that these are disposable tools. You can just arrest people after they are dead. There is no need to bother with these. If you have practiced hard, how can these tools work in wartime?

I don't understand why many authors insist on writing plots that make readers uncomfortable. I stopped reading it after Chen Da died. I bought a post specifically to set the fan value in my speech.

The rebellion is inexplicable. It's only because the rebellion hasn't been put down at this point in time that there's something wrong with it. How about some brains?

Is this enough to overwhelm Datang? I thought it was the courage of an overlord, but this is the result?

The title of the book is Mo Dao, and I started playing with artillery in the early stage! I can't stand it anymore

1. There is no golden finger to bring food, but subordinates with unlimited loyalty are good seeds. Why can you not eat human flesh and increase taxes? 2. Without background and family background, who is willing to help you? Who do you rely on for so much territory? Cultivate yourself and don't dream about it, okay? 3. Doctrine in mouth, business in heart. Shrimp head

I was attracted by the writing at the beginning. The overall structure of the novel is complete. It has all the necessary things such as golden fingers, conflicts, main lines, and character descriptions. The more I read, the more strange it becomes. The rhythm of the novel is not well controlled. The first six or seven chapters are all low-paced, and the protagonist becomes more and more miserable and aggrieved. Therefore, the first impression given by the protagonist is that of a loser. First impressions are important, and so are the protagonists. The issue of satisfaction is that when the protagonist is facing difficulties, he will show his golden finger and solve the difficulty or even make a comeback. This is the time when the golden finger appears and the feeling of satisfaction will be there. Captain Chen either writes poorly and is replaced or overthrown by the protagonist, or he writes well and helps the protagonist quickly gain experience or upgrade. The writing is neither good nor bad, and he has written so much space that the protagonist's rhythm is very slow. If I hadn't known the author as a novice, I would have thought that he was deliberately slowing down the pace. There is also a small loophole. The protagonist has traveled more than ten years and is about to join the army. He only has a few hundred coins to give to the recruiter. Why did he go there so early? The main character is stupid. The soldier recruiter didn't want these few hundred coins. He felt that this was unreasonable. He would have secretly collected it and then dismissed the protagonist casually. Although he is angry and does not believe that the protagonist can read and ride a horse, he may let the protagonist try it first. The author insists on arranging the protagonist to join the big battle army, which is a bit far-fetched and deliberate. There are other places. The work still needs to be researched and polished more, so that there are fewer inferior quality issues.