Jiuding Beacon Record: Dragon Picture and Blood Book

"The Record of the Nine Tripods: The Blood Mirror of the Dragon Picture" takes the Chinese Nine Tripods as its context and runs through the three thousand years from the Qin Dynasty to the Ming and Qing Dynasties. It interprets the civilization epic in which the Nine Tripods melt the bronzes of Kyushu and hide the code of "the people are the foundation of the tripod". The Taotie pattern on the body of the tripod condenses the power and ambitions of various countries. It is not only the gaming field for the Chu and Qin Fire Phoenix and Black Bird totems, but also a symbol of destiny that the heroes of the past dynasties have fought for. Qin Shihuang fished for the cauldron from Surabaya, and Liu Bang entered Guanzhong to view the cauldron, which all coincided with the law of "Heaven is the heart of the people". Later dynasties recast the cauldron and secretly searched for formations. The thousand-year prophecy of "the one who wins the hearts of the people will win the world" always flows between the cracks in the bronze. The Nine Cauldrons are like mirrors, reflecting the pain of civilization in the changing power, and eventually become the eternal footnote of China's "Destiny is for the people".