You Said I'd Be a Live-In Son-in-Law in Tokyo, So Why Am I the Mogul of Entertainment?

Love Letters, Norwegian Forest, Suspect Can you be more careful when copying novels?

The excitement of the male protagonist's identity being revealed has not been fully released, as if the troll had just loaded the gun and reloaded it again before firing a bullet. You should write more about the reactions of people around you. There are too many plot contents in confessional novels that readers who have never read the books or movies will not understand. It would be better to briefly mention the plot of the original book and write more about the popularity and achievements of this book in the original world. The emotional line between the male and female protagonists is too imbecile. The reason Shirakawa explained why he chose the Saionji family was that he couldn't afford to eat. Under the guidance of the physical contact between men and women at the music festival, the answer Risa wanted to get should be the words "Because I like you" that Shirakawa said to her, rather than the fact that she couldn't afford to eat. Such an answer would only make Risa feel that this man was just playing with her and was a bit poisonous. The business line issues and the turmoil in the publishing house have not yet been resolved, and readers are still waiting for a result. Now they are forcibly introducing music and film perspectives, hoping to solve the problem of publishers being chased and blocked. By the time the story about the film and television music line was almost finished, I had already forgotten about the publishing house, and the crisis in the publishing house would always hang there without being resolved. There are too many heroines at the same time! The rich girl Risa wants it, the cleaning and music girl Hoshino wants it, the mature editor-in-chief Minamino wants it, her colleague Sakuma wants it, and the internet-addicted girl writer Izayoi wants it. Only write a little bit about each female character and then withdraw after teasing them. It would be better not to write them at all. Don't write too many female characters at the same time. Instead, write different female characters at different stages. Risa sprained her ankle and rested at home. Then write about Risa at home, and write about daily life with editor-in-chief Minano at the company. Write more so that I can understand this female character, so that I will not be hesitant when the emotional line breaks out and Shirakawa needs to make a choice. If you just flirt with each one like this, I don't know these female characters. There is no long text for me to fall in love with them over time. When I choose Bai Chuan, I will be very casual.

The first few chapters are good, it is a classic Japanese entertainment opening, but it is a pity that the poison begins in Chapter 5 and becomes toxic in Chapter 8. It's quite a pity. The author must have read the relevant works, but he still stepped on the bad spot.

There is absolutely no benefit in making an apology to a stranger on the roadside who is in a strong position and bet on the list.

The author is still playing the same urban routines from 20 years ago. Doesn't the author feel that his writing is very good?

It's too humorous to change the waistcoat in every work, and the character development of the male protagonist is not good either.

When the author chose this topic, he must have read similar and excellent ones. However, there is still a gap between knowing and doing it. The author obviously does not have enough control over the routine or control of this type of novel. Japanese society + literary writers + book copying + many women, this combination actually makes you know what you want to write about at a glance, and you can also guess it, which is more fun. But the author is very frustrated in his writing, trying to show off but failing to do so. 1. When readers read this kind of novel, they actually want to read it. The high status of Japanese writers + multiple girls are directly ambiguous. (For example, the well-known disabled writer, Ototake Yoko, 50 Lovers.) Obviously, the author does not know how high the status of Japanese writers is, and he still writes according to the Chinese style. 2. Describe the plot and use low-level slap-in-the-face routines. Copy the book → question → slap in the face → show off. Slapping someone in the face for the sake of being slapped in the face, especially when making a bet, is something that shouldn't happen. Writers also have the character of a writer, and this kind of writing is not just the entertainment industry style. (Write a song → Question → Reversal → Slap in the face) 3. Generally in this case, the author who writes well. They all directly advance the plot, slowly defeat monsters and level up, win awards step by step, and pick up girls. You have a lot of plots and you question people about this and that every day, which is actually very low.

As an orphan, you set up a false author, and the royalties give you cash so that you can take it back and hand it over to the author. Since you know the royalties and you can't hide it, you still don't admit that the protagonist wrote it. Creating a false author is unnecessary.

There are already two books, and in the third one, I should use my real name, and I bet I really don't need to.

I haven't watched it yet, no one here has a seat first 😎