Dungeon Queen: Sending Goblins to the Factory from the Start!

The author seems to have not figured out why I said there is a problem with the author's writing. Two things I complain about are: 1. The second time traveler appeared without any warning when making coke, and he was still a senior, and the protagonist was unprepared to be exposed to him. 2. The plug-in fails without any preparation. The reason why I complain about these two-country plots is because they are extremely serious and severely damage the protagonist's image. This is not a plot problem, but an overall image problem. The appearance of the second senior time traveler and the unprepared exposure of the protagonist make the protagonist appear to be an unwary, arrogant and arrogant character. If there is a conflict between the two sides in the subsequent plot, the damage will continue to increase. The second plug-in failure problem is even more serious. When this kind of thing happens, if you use a plug-in, it will fail, and it will fail without warning, so you should not write it at all. It should also be written that the plug-in should notify you in advance that at a certain time or place, it will be upgraded or other circumstances will temporarily stop using it. This is related to the issue of plug-in quality. In the face of an unforeseen emergency situation, the plug-in becomes unusable, which means that the problem of plug-in failure may occur at any point in time in the future. The author took it upon himself to reduce the strength of the plug-in. According to the author's current writing method, the protagonist's plug-in should normally be at the top of the world, or directly transcend the world view. Anyone who interferes will be kicked to death. As a result, any cat or dog can interfere. These two problems, to put it bluntly, mean that the uniqueness of the protagonist has been unconsciously harmed by the author, and has greatly weakened the upper limit of the protagonist. I suggest that the author should change these two plots. Otherwise, it will be troublesome to make up for it later. For example, why does the plug-in choose the protagonist? What characteristics of the protagonist made her, rather than other time-travelers, get the plug-in? At least so far I haven't seen the protagonist have any otherworldly qualifications. It is also very troublesome to save the strength of the dungeon system. To prove the strength of the dungeon system, you must use unquestionable and irresistible means to crush several NPCs who are the strongest in the author's settings and prove your strength again. This is no small harm to continuing to write.

Why do you still have intimate interactions with men when you are single? Are you single or married?

The writing is really good. The protagonist Goldfinger is so awesome and has so many subordinates. Is the author considering founding a country and becoming an emperor, or is he just building a force? Otherwise, how would you place so many powerful monster subordinates? If Jianguo didn't compete with human beings' powerful ships and cannons, others wouldn't trust you to have so many subordinates, right? And the upgrade of Goldfinger basically depends on money. The operating income of a force will never be as good as that of a country. I hope the protagonist can build a country. Otherwise, there will be cavalry and dozens of trolls on the 1.3 Level now. They will not be able to gather them by sea, land and air in the future. It is a pity that so many subordinates are not involved in team building. It is recommended not to write the emotional line. After all, the heroine's story is easy to be reported.

A systematic gangster novel with a fantasy skin, it's okay

Really, watching the drama unfold in one second, the plot of cutting off the pulse and infuriating energy versus magic, was a plot that was eliminated eight hundred years ago, and it is extremely easy to mess up the power system. It makes people feel so embarrassed that they are pushed out of the three rooms and one living room. It makes me want to abandon the book. The group wear is so good that the group portrait is barely acceptable. This is really disgusting to me.

Have you ever been a dragon lady? Some things are scribbled and taken for granted.

Oops, the cousin's character design failed too much. It's obvious that the author wanted to create an image of a martial arts idiot. However, after writing it, in fact, compared to the martial arts idiot, he is more like the naughty kid in your family without tutoring in the Chinese New Year. He has his eyes above his head, is self-centered, has no empathy, and can't afford to lose. No matter how the author plans to whitewash this character in the future, in the early days, this kind of CS character appears on the female protagonist's teammates, which is disgusting.

The writing is very good and it seems that I have been a dragon lady. The writing is very real and reminds me of the days when I was a dragon lady. Come on!

I thought it was a farming novel, but it turns out it has nothing to do with farming. The protagonist's strength depends entirely on cheating. It turns out that the cheating is too big. The author always likes to cheat and get frustrated at the same time. The meaning is extremely unclear (I really can't stand it when I see one eye is blind. The protagonist doesn't even have the slightest doubt about what happened a hundred chapters ago. All fools know it. There are some problematic things, but the suspicious protagonist thinks there is nothing wrong with them) It can be seen that the author tried very hard to write a battle of wits, but the level of writing is a bit hard to describe, and the overall rhythm is like a wild horse running wild from the beginning of the meeting of the three clans. After arriving in the imperial capital, the rhythm of the book can be declared to have completely collapsed. The talents recruited in the past also started to soar in environmental combat power without any follow-up. It feels like they just wrote whatever they thought of To summarize: there are multiple time travellers, the protagonist's IQ is in arrears, problem solving is like deus ex machina, and the combat power system is broken. The dungeon system was broken and thrown away after it was used up. The Goblin Spider Mushroom in the early stage was completely forgotten by the author. The characters in the early stage only showed their names. I don't know why they still appear. Anyway, they have no effect at all.

After reading part of the story, I would like to share my opinion. The cheats are too comprehensive, and the protagonist's strength comes entirely from the cheats, and it is too easy to improve. I think the best way is to use cheats to attribute great power to oneself and make oneself stronger. Other novels about cultivating immortals have several major realms, and each major realm is divided into at least 9 smaller realms, and some can even be further subdivided. Therefore, the leapfrog challenge can control the rhythm. But this novel itself only has nine realms. If it is so easy to leapfrog, it will devalue the "strength" of high-level professionals. Later, they can only use some big events and grand narratives to highlight their "strength." Skill learning is also not rigorous enough. The text used in Dragon Language is Chinese but the translation is used to express it, which feels weird. Moreover, you can learn Dragon Language magic once you can read it. This threshold is too low