
I Arrived At Wizard World While Cultivating Immortality
修仙的我却来到了巫师世界
- Status
- Ongoing
- Length
- 2.8M Words
- Genre
- Western Fantasy
- Subgenre
- Epic Fantasy
- Updated
- 1d ago
- Source
- Qidian
Synopsis
Honours
More by this author
In booklists 50
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Late-Night Reading Warning! Novels You Won't Be Able to Put Down
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A Decade of Carefully Selected Novels: My Reading Memo
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Reader comments 84
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I am troubled by the lack of aura in cultivating immortality at the beginning. In fact, it is a matter of thinking inertia. If I bring you an AI and throw it into ancient times, your reaction will be to improve technology, not to cultivate immortality. You can't detect dark energy there. Instead, study how to boil water. I don't know what happens next. In fact, the main problem now is that the protagonist is too useless. His thing is a library, and you have to learn everything by yourself. To put it bluntly, guys. There is an ocean of knowledge on the Internet. How much can you find? He also had the same problem.
I seem to understand that wizards play with material things, while cultivators play with concepts, right? The nature of gold is mortal, but the nature of gold is immortal. The essence of gold is a refinement of the concept of immortality. Reiki may not be pure energy like elemental energy, but energy with spiritual concepts. Can the author respond to this setting?
Brief review of full booking
The dazzling setting, self-consistent logic, grand background, and smooth writing are the advantages of this book. I won't go into details. I will mainly talk about a few issues. I don't know if anyone has the same idea as me. 1. At best, the content is dry; at worst, it doesn't tell stories and has no story-telling quality. After seeing more than 200 chapters, I still study → Plane War → Make a splash → Continue to study → Plane War... Two points and one line, aesthetic fatigue will definitely and quickly occur, and the most uncomfortable part is that the plot is mediocre, with no suspense, no hook, and no climax... For example, in the plane of Elothia, the protagonist pretends to sneak into the human kingdom, does things here and there, and encounters many similar wizards in disguise. The preparations have been laid, and the result is only a few chapters, okay! After actually joining forces to pollute the faith pool, the high-level mastermind directly ended the battle and the copy was over! It's fun for me to see. Is this development reasonable? It makes logical sense! But you're telling me this is a good story? Brothers, let's eat something good. . . 2. I am not saying that I necessarily admire group portraits, but none of the supporting characters in the book can leave an impression on me. They are pure tool NPCs. The friends in the apprenticeship period are a little more agile, and the others are just facial makeup. In fact, it is reasonable. Wizards are civilized! Cold, ruthless, rational and efficient is the main tone, and it's not surprising that most of the people I meet are like this (don't talk about the little concern that Teacher Clark shows from time to time, which is a drop in the bucket of the whole book) The summary is that it is novel but boring, grand but monotonous, with mixed flaws. For me, it is suitable as a background sound when eating and a white noise when sleeping. For this kind of research, I recommend copying the homework of Squid's Divine Seal and Morning Star's Academic Master. Personal opinion, if you don't like it, feel free to complain.
The Problem with Wizarding Literature
In my personal opinion, most wizarding literature has a problem. Stronger = more research value. Most wizarding literature states that knowledge is fundamental and power is only incidental. However, there are often plots where wizards rush to study powerful creatures, just like the experience value of high-level BOSS in the game is higher. Wizard research corresponds to players defeating monsters, but strength does not necessarily represent research value. Do nuclear bombs have more research value than smartphones?
What has the author been writing about recently? When the level is low, the focus is on improving oneself. Cultivating cannon fodder is used to conquer the plane when the level is high. Now the research is of no use.
The protagonist seems to be a eunuch...
The protagonist seems to be a eunuch who has no daily life except research. The novel as a whole is like a large setting collection, and there is no main line. It is basically war-research-war-research-war... I don't know what the author wants to express? The setting is indeed good, but the description is a bit lagging, and it becomes more and more boring later on.
It's okay, but not very smooth. I feel that this kind of hang-up is simply arranged to embarrass the protagonist. I hope that the more the protagonist improves, the more useful the hang-up will be. Don't fix compatibility issues every time. How can the wizard system take off without a big hang-up? Another thing is that the protagonist is too cautious. It feels like someone is watching every word and every action. If you don't show that the protagonist's caution is correct and wise later, then the protagonist will become a clown. If he is so cautious and no one cares, he will be a god.
Have you ever been a wizard? Some things are scribbled and taken for granted.
The first assessment was well designed. No one was allowed to take magic weapons that exceeded the level, and only geniuses were selected. However, the second assessment does not restrict the use of witchcraft weapons. As a result, a rich and powerful apprentice holds a bunch of high-level witchcraft weapons, and the difficulty of the test is much lower than that of ordinary apprentices. How can ordinary apprentices compare? Aren't all the apprentices selected through this kind of assessment rich and powerful? What's the point? There may be a very small number of lucky or destined children, but what's the point of being lucky enough to choose? (Because you may not be lucky next time), you don't have to choose the children of destiny, they can rise anywhere. At present, it seems that this assessment has no practical value other than showing off to the protagonist.
Explain
I do use AI, and I have used it since the last book, mainly to correct and polish incorrect sentences. Some people asked why it took only a day to update so many words with AI, because if a serious AI polishes 4,000 words, it can only be finished with a little more than 3,000 words. Writing hundreds or even thousands of words into thousands of words is called expansion. Even if it is in the name of polishing, it is also called expansion. In addition to correcting typos and incorrect sentences, using AI to polish can also streamline some unnecessary content. So I only update four to five thousand words every day, but my actual code words can reach six thousand, which is why I add less, because adding more is equivalent to eight or nine thousand code words. I use AI to edit because I have mild obsessive-compulsive disorder. When I didn't use AI to code words before, I would have to go back and read a chapter several times to correct typos and incorrect sentences. Using AI can save a lot of trouble. And because I am slow at coding, I used voice coding to speed up the process. However, voice coding will reduce the amount of information, so I used AI to simplify it. Some people speculate that I used AI in this book later, but it is not true. In the next two months, because of the editor's reminder, I did not use AI... Then many readers said that I was stupid.