The Impressionist God

The author's writing is good, but there are problems 1. The first primitive long-range weapons that appeared in human beings were not bows and arrows, but spears and slings, so what does it mean to directly jump to the technology tree? 2. What fruit trees need to be irrigated with sea water, I was surprised. Needless to say, they can be planted on the salt-alkali soil until they bear fruit. Coconut trees are not grown this way 3. Large spiders, please write the ecological chain better. There are no lower species to support survival consumption, do you rely on refreshing? 4. Seabirds bring seeds, right? Generally, migrating seabirds poop out fish poop. If the poop brings seeds, there should be a continent nearby.

After reading it, I found that the starting point of the protagonist is very high, but there are two shortcomings. ① The description of the protagonist's brushes and other things in the first chapter is very systematic. You have become a god by accident, so don't make a system, okay? Even if you can't make a patch, just say that this thing like a "system" is just a "notepad" type thing you created (of course we all know that this is to make it easier for readers to understand the content of items and the strength of the protagonist, etc.). ②The protagonist is not "god" enough. I don't know how everyone understands gods. Generally speaking, it doesn't matter whether the strength (destructive power) is strong or weak. After all, gods also have small gods and big gods. It is normal for the power gap to be large. The main reason is that the protagonist is a god described by the author. He creates various divine creations for the island residents, and then the protagonist has to kill some. The description of the islanders is "erased with an eraser", but the expressiveness is that the islanders' heads are falling off. This is similar to the performance of decapitating the heads with a sword, which is not "godly" at all. You might as well say that the body of the islanders is like the characters in the painting being erased bit by bit and disappearing bit by bit. At least this way, the expressiveness seems to be a bit godlike (of course it is purely subjective).

It's quite interesting. The author's descriptions feel like reading notes, and watching the cricket fight between mortals and monsters is also a must-have for the gods😋😋😋

1 I'm a little curious about how the ancestors of these people became savages. A ship built in the presence of sea monsters can cross the sea. It stands to reason that the level of civilization is not low, and knowledge needs to be passed on. These people have actually lost their writing and need to record it with murals. They should have extraordinary power, but their level may not be high. After all, there are giant beasts. Without extraordinary power, it is almost impossible in the early stage of civilization. Can develop, but currently all of them have disappeared 2 This island is also very strange, as if it was a specially created desert island. Judging from spiders, birds and crabs, giant beasts are very common, but this island currently only has spiders, a local species of giant beasts. Giant beasts are also a resource. Now it seems that people have deliberately removed them, especially since the article clearly states that crabs prevent people from leaving. The sea, I personally guess that these people look like exiles 3 It may be foreshadowing or it may be a bug that the author did not handle the details well. These people actually call their place an island. If they don't know anything, they should guess that the opposite side of the sea is also land. And these people who have been on the island all their lives actually have the concept of an island and know that they live on an island. If these people The fact that it has been passed down from ancestors shows that these people's ancestors also existed on the island but knew about the mainland. There is no explanation why the names of tools that have never existed, such as bows, and the names of creatures and plants that the protagonist can see should be named by someone. It is really a pity that this writing can be followed up. The settings are inconsistent with the previous ones. If it is a bug, the author should fix it now that the word count is small.

First, the protagonist is just a person who takes an artifact. It does not have the quality of a god. Whoever the artifact is given to is a god. In this case, how does the protagonist develop the mentality of heaven? You are not a god yet, you are just a person walking on the road to godhood. The artifact only gives you a chance to become a god, and then you start pretending to be a god. The magic is not pretended, let alone talked about, but done. Second, there is the problem of IQ, which is a brainless protagonist. He also shows that he is indifferent. Pigs know that they should be killed when they are fattened. The protagonist does not know it and frantically squanders his divine power from the beginning to create a utopia. The key is to give him a life as a time traveler. He can handle this character. He is not even smarter than a pig. Pigs know that deep love and hatred will fight against each other. Third, the issue of details is that divine power is limited, and faith is what the protagonist needs. How to use limited divine power to gain more faith is the theme of the protagonist throughout the book. Miracles are indeed a better way to gain faith, but how to show miracles? How to recruit shepherds? That is, the Pope. This is the basic quality of being a god. The protagonist is completely a hand-dancing shopkeeper. He has been sleeping for 100 years. The flowers have withered. Who do people still know you in 100 years? There are too many variables, and you are completely irresponsible for yourself. Fourth, there is an operational issue. The protagonist compares himself to the gods. How can any god end up on his own? After the protagonist wakes up 100 years later, facing the resentment of all living beings, the protagonist's operation is to directly kill the culprit and fall directly into the lower level. Believers must be loyal to you, but God's Pope never requires loyalty, but ability. As a shepherd of God, you must gain faith for God, not create faith for anyone. No Pope is a fanatic, and a fanatic cannot be the Pope. It is recommended to refer to "I went crazy and became the creator", "My back room sand table", "Myth: Spiritual Dominator", "As the God of creation, I was recognized as an evil god", "I created the monster sequence!" Finally, forceful style is not something you pretend to say, let alone say it. Wherever you go, that is the beautiful style itself.

Author! I believe you can create a book that is as good as a historical novel. Why, in terms of creation literature, what kind of players will appear if you write child's play! Either he wrote a similar system description that looks fake and boring, or the author suddenly wrote a character named Huang. It was a good book, but it collapsed later. It's a pity. Until now, it's such a pity.

The content has more systems than the introduction

Light and Shadow: Prequel to Expedition 33😂

The creation text is good, but if you don't write a similar system text, at least it looks like a god.

It's not bad. It has a bit of a divine style and appearance.