Transmigrating into Undercover Work: I'm Really Not Emei Peak

First it was Secretary Hong, now it's Ma Kui. Will someone write another book about traveling through Luqiao Mountain, and then Li Ya, and then another one about the stationmaster traveling through the mountain too?

The logic doesn't make sense. Ma Kui and Wu Jingzhong have no teacher-student relationship, and Ma Kui isn't one of Wu Jingzhong's people. How could Wu Jingzhong dare to accept Ma Kui's things?

Ma Kui, the second son, has a problem. Why did you travel through time to him?

1. Why was Ma Kui chosen as the male lead? Wasn't he crippled? The starting timeline is before the assassination of Lü Zongfang, and the male lead hadn't been subjected to severe torture. Furthermore, the original drama didn't explicitly show that Ma Kui was impotent; the only mention was Zhou Gendi's line, "Old Ma's health isn't good."

I got hooked on watching these 100 Mrs. Mas, but it was all for nothing.

I've been following Secretary Hong's book, it's really well-written! I stumbled upon this one and will keep it for now.

Actually, what I'm most interested in is who will write a time-travel story about Xie Ruolin; that would be incredibly interesting.

Although the Kuomintang retreated to Taiwan, they still wielded considerable power in Hong Kong. What makes Ma Kui think he can rest easy just by going to Hong Kong?

I find it very annoying when multiple new character names (perhaps high-ranking officials) suddenly appear in a chapter, only to become irrelevant after a few chapters. If you must introduce new characters, you don't necessarily need to give them names; appearance, profession, or clothing would suffice.

When you update once, minor flaws will be magnified, and your writing style will be criticized. When you're up two hours in a row, a little patience is born, and the plot's progress becomes more important. When you're up past midnight, small praises begin to emerge, and the number of dead harvests begins to decline.