I Save the Sick Girl with Twisted Love

Overall, it is a fairly interesting story. The author's writing style and framework feel online, but there are still a few slightly awkward points. One is that the author uses a Japanese background to tell Chinese stories. This is also a common problem among many mid-stream Japanese light novel authors. If the first story has a relatively Japanese background, with only occasional dramas, such as Xiaokui's mother asking Aoi to support herself (it is not a legal obligation or mainstream social expectation for Japanese children to support their parents, and the social atmosphere advocates "parents should not cause trouble to their children"), then the second story itself feels like a very Chinese family atmosphere. Originally, in Japan's alienated parent-child relationship, there are only a handful of parents who are very controlling, so this family model of "cherishing time like gold" feels even less likely to exist. So for people who know a little bit about Japanese society, it seems a bit weird. This kind of story seems more appropriate in an imaginary domestic context. Another problem is the matching between the protagonist's personality and the conflict in the story. If the protagonist is more reserved and the author's writing style is more subtle, then more effort may need to be spent on the conflict to satisfy the audience. At present, I feel satisfied after reading it consecutively, but I am not sure whether I will feel bored after reading the follow-up part. In short, it is an above-average work that I personally feel can be read in a coherent manner without feeling like a waste of money. Those who prefer this type of work and are short on books can take a look.

Current reading progress is 74. The advantages of this article are that the writing is excellent, the heroine has a high concentration of two-dimensionality, and the scene description has the feel of an animated movie. When reading, I can often imagine the movie scenes of Makoto Shinkai's tone, and the character is also very lovable. Disadvantages, the male protagonist is not like a human being, he is very talkative, he is arrogant but not coquettish. It would be great to have more plots where the female protagonist slaps the male protagonist. Every time the male protagonist appears, there are two big mouths to shut him up. It might not be a masterpiece Liang Cao Bar, fully booked, let me see what ruthless tricks Lao Xia can do

The dialogue is still too Japanese and lacks step-by-step foreshadowing. The characters continue to have in-depth conversations and ignore the details of life. This is where light novels tend to make people feel pretentious. At the same time, the overly straightforward psychological activities also make people feel cheap and stiff. When describing psychological activities, try to write in cold and objective words, and even The advantage of avoiding direct psychological descriptions as much as possible is that when the number of words in online articles is relatively long, readers who are very likely to lose their sense of empathy and empathy due to various reasons will not feel abrupt. Instead, they can consider in-depth conversations in small fragments, which will be more delicate and at the same time more subtle. The writing style can burst out greater tension. The author obviously wants to write better, so he needs to polish his words more.

Good books worth reading

Since every heroine has amnesia, why do you write a multi-female novel? Seeing the amnesia really made me sick. It really made me so angry that I couldn't sleep at three in the morning. I was invincible. This kind of nausea drives the plot more than a stock trading article.

The setting of this novel is somewhat similar to the 2008 "God's Knowledge", in that the male protagonist fills the inner void of the female protagonist. The difference is that "God's Knowledge" focuses more on love skills. It can be said that it shocked me when I first entered junior high school. It is a strategy guide for girls with different personalities and inner blanks. It is similar to psychological massage and provides high-quality emotional value. As a result, I prematurely saw through the nature of women in reality and escaped directly into the second dimension to become a "great magician". The ending of "God's Knowledge" is the ending of a single heroine named "Pu Xin Nu". The author of the comic hopes that everyone will leave the house to find happiness in reality after reading it🌚 This book (the author) is exactly the opposite. It does not care about specific strategy techniques or techniques, but from a conceptual perspective, how to make the heroines become truly independent personalities and living abilities. According to the author's consistent concept, the ending will be a harem reunion. Under the guidance of the male protagonist, the female protagonists complete the closed loop of "self-awareness - ability construction - value realization" (such as life skills acquisition, trauma cognitive reconstruction), and ultimately form a foundation for survival that is not dependent on others. Coinciding with the concept of "self-creation" in existential philosophy, "redemption is not salvation but empowerment."

The male protagonist's character is very distinct, and his moral values ​​are the same as those of the philosophers in Nietzsche's books. His definitions of good and evil are different. For example, there is a seat on the bus specially designed for the elderly, weak, sick and pregnant. A healthy young man sat on it, and an elderly man came on the bus. The young man did not get up, but other people could not stand it anymore and took the initiative to give up their seats to the old man. In the eyes of ordinary people, young people are evil, and those who take the initiative to give up their position are good. But Nietzsche didn't think so. He believed that it was evil for an old man not to fight, and it was evil to take the initiative to give up his position and not protect his own rights. What is kindness? Kindness is the people who sit in their seats and watch with cold eyes. They safeguard their own rights and interests. That is kindness. Nietzsche believed that it was important to speak up for yourself and fight against injustice. Asahi Kui suffers silently, which makes the male protagonist very disgusted. He will not help Asahi Kui fight, because why should he help a villain? He guides Sunflower from evil to good. At the same time, he is also a very arrogant person. He only does what he thinks is right, with a hint of warmth in his indifference. His moral values ​​and personality distinguish him from other male protagonists in light novels, making this book a bit better.

The theme of this novel is probably redemption, and the flavor is very unique, but I would like to make some comments on the image of the male protagonist. The core proposition of the redemption story is "how to make the heroine live in a new attitude". It is actually oriented towards a person's breakup and recovery. The arc of the growth of the mind of the middle character is the highlight of the redemption story. One question here is, what position does the male protagonist play? There are many answers, including a psychologist, a life coach, a savior, a co-sharer... The common feature of these roles is "transcendence", but the question that follows is: Where does "transcendence" come from? From this dimension, the male protagonist himself also constitutes one pole of the redemption story. How did the male protagonist's mental state form? What kind of past has he carried to become the present? Why does he have the desire to "save others"... The author's description of the mental state of the characters, especially the heroine Asahi, is very profound, very layered, and well-established. But is the male protagonist's behavioral logic and motivation mainly based on the reward tasks of the "system" (Hell Girl)? Or does the male protagonist, as a transcendent person, have "his own reasons" to "meddle in other people's business"? If so, then such a male protagonist is too instrumental, more like a "transcendent" character that is set rather than "evolved". In summary, the "roots" of the male protagonist's behavioral logic and motivation are very important. Relying solely on the system reward task drive will become a vulgar strategy and line-changing flow. Therefore, "how to portray the male protagonist's experience and the character caused by this experience" determines the upper limit of this book. So far (Chapter 52), what I have seen is only a story about the relationship between a thin description of transcendence and a beautiful girl who is unable to extricate herself from self-contradiction. I have not yet understood where the protagonist's transcendence comes from, so I can only say that this novel is "good", but it is not "excellent". If the author can portray more of a vivid male protagonist in the future, I think it will add a lot of points to the book.

Write about distortions for a lifetime, readers will do anything 😍

，，，，，，，？ Reading your book is not just for suffering. Most of the book friends substitute the male protagonist. As for the male protagonist, I feel that he helped the female protagonist in action, but it is just for the so-called demon species. Just like the system novel, he has no ideas of his own, just to complete the task. That is to say, I saw Chapter 103, the description of the male protagonist has always been "said lightly", "no expression on the face", "cannot see the expression" and not even psychological activities. How can people substitute these words. From the perspective of book lovers, we spend money to read stories because we want to enjoy them. Why is Dafeng's Watcher so popular? The author knows what the readers want to see and then writes it. This is the pleasure. What about this book? What is the pleasure? Is it twisted enough? Crazy enough? In the author's world view, a post-sinking Japan, a Japan with extremely solidified classes, people are struggling, hypocritical, and extreme. Under such a social background, what do we want to see?      ，，，，，      ，，，     To put it bluntly in the end, what I want to see is two twisted people, redeeming each other, running wildly in the heavy rain, laughing wantonly, kissing clumsily and passionately in love Or like a sensitive rabbit, when it is healthy, the fox will not put it in the diet, but when the rabbit falls into the hunter's trap, the smell of blood attracts the fox, what will the injured rabbit do? Should he wait for death to come, or should he seek help from the fox? Even if it doesn't know what the fox will do to it, the fox, pretending to save the rabbit, is actually torturing it severely and trying its best not to let the rabbit recover, because then it will not be able to catch up with the rabbit, and can only keep biting the rabbit's wounds, letting the blood flow out, so that the rabbit can never leave itself I won't write anymore because my phone is out of battery

Sunflower

I read it on QQ Reading. I have read a lot of books and I couldn't help but post a book review for the first time. The character of the male protagonist made me feel like I spent a lot of time and money on it💩. Otherwise, don't write about harem themes. Most people want to read this theme to be more relaxed. I have to say that the heroine's character is well created, and the writing is very good, but from time to time there is some abstract literary youth disease, bye bye 😰

​ Originally I don't like to post comments, but when I saw that there were only about 30 people reading the latest chapter, I felt a little worried about the future of this book, so I wanted to give my own opinions on the idea that some of the male protagonists in the book review area are "pseudo-humans". Why do you say that the male protagonist is a "fake person"? The first is that the author has almost no first-person descriptions. This means that we, as the audience, cannot get a direct glimpse into the male protagonist's heart. We can only, like the sunny doll Xiao Ai next to him, be the invisible audience following him and explore his thoughts from his actions. This kind of requirement is very high. Today's online readers, including me, don't have the patience to read a chapter in detail. It took me at most five minutes to read one chapter, and I didn't have that much time or patience to carefully analyze the male protagonist's heart. The male protagonist is also a person with a very thick heart. He shrinks all his thoughts into his indifferent shell. We can only infer his thoughts from his actions. This is why I think the male protagonist is not a "fake person". If the male protagonist is really a high-ranking person who doesn't care about anything, why would he accept Xiao Ai's invitation? Does he really need that less intense desire? If that's the case, why didn't he choose to marry into the Chiho family directly? The energy of the Chiho family is enough to replace most of the wish effects. If the male protagonist really doesn't care about the heroines at all, he just wants to use them as a tool to earn rewards. So why does the hero make a wish to the heroine No. 3, Giving her a choice to lead to happiness? Wouldn't it be better to keep the energy of this wish to yourself? Why does the male protagonist feel so indifferent to the first two female protagonists who have completed the strategy? I think it was also because he couldn't completely reject those two girls, just because he couldn't accept it calmly because of his twisted personality? In short, if this book really develops further, the female protagonists will definitely correct the twisted character of the male protagonist, which is what they are doing. We can think of the male protagonist as the boss of a game, and Asahi Kui as a member of the brave team. They are gathering their teammates to accumulate strength to attack the male protagonist, and finally win the beauty. In fact, this book is a great improvement over the previous one. The male protagonist's character remains the same, but there are some changes and changes. It can be seen from his behavior. I hope new readers of this book will not be confused by some of the ideas in the comment area. This book is truly one of the best of its kind.

I just asked, why is this cover so familiar? , Is the illustration from the novel "Tunnel to Summer"

The protagonist is a born monk with avoidant personality disorder. The greatest pleasure is to save girls with psychological problems, make them fall in love with him and lose their memory, and then get entangled with them. I actually want to see the stories of these female protagonists who normally fall in love with others after they gain themselves. I don't know if the protagonist is still like this at that time. Through this book, I understand why ntr has a market.

This is the best Japanese twisted harem light novel I have ever read. The author must not be influenced by the one-woman party that is encircling the territory. This is a group of first saints who enjoy disgusting others.

The group number has been placed at the end of the introduction, as well as at the end of each photo. You can enter with 100 fan points. 🙂🙂🙂🙂

This book should be called Gods and Pseudo-men.

I haven't finished reading it yet, but I feel that the male protagonist is a fake person. His behavior is full of arrogance. I don't know if it is the result of the author's lack of skill.

The Tokisaka chapter is really hard to describe in one sentence, and the whole thing stands out inexplicably. But as soon as I got to the Asakawa chapter, the level suddenly went up. That kind of entanglement, that kind of sick mentality, that kind of slow change, it was really well written.

Kirishima Chiho, the picture is a bit blurry

I just read a few chapters, and the subject matter is similar to that of Xingang's book. I still like the author's style of writing (I personally feel that the writing in the book about crying is a bit strange). I hope this one will improve compared to the previous one, which had a reluctant rescue logic.

The heroine is hopeless, her family is broken, the campus is 80, and she meets a humanoid protagonist again. To put it bluntly, it's better to play tug-of-war with Fang Liang at the beginning. It's like a tool used to earn rewards and is thrown away after use.

As the title states, it was too tiring to catch up with the second heroine to regain her memory. There were no excessive chapters in the middle. It was always depressing and did not give any sweetness. As a commercial web article, it would not be a bestseller.

The character Chiharu is too stupid. I made it all by myself. She is crazy and internal. I don't want to subscribe anymore. I'll give this character a kick when the holiday is over. I'll subscribe again when the time comes.

It felt very novel at first, but later on I felt very tired. The protagonist was like an outsider, and the pace was slow and uncomfortable to watch.

I suggest changing the name to Japanese non-human records. I would like to ask if the male protagonist went to a technical school? Why does it seem like all the humanoids in Japan are surrounding the male and female protagonists?

When I read this book at Qidian, I still had thousands of monthly tickets, but now it's tens, not even a fraction, and there's also a chapter about amnesia treatment. The first one where the heroine lost her memory, a third of the chapter was missing, and by the second chapter, there was almost no one in the whole chapter. I have to say that it's too bad to change the heroine through amnesia treatment. After a long time, I came back to read it, and I still can't stand it 😒

Now I just want to see the male protagonist lose his memory or be beaten to the ground 😍😍😍

Come on