They All Want to Be Light Novel Heroines

I didn't expect this book to be like this. I will stop providing my image rights and stories to the author.

After the author has finished writing, can you not publish it and only show it to me? I don't want others to see your book.

I accidentally scanned for new books and found this one. The writing style is not bad. It is rare that it can remind me of the feeling of watching Riqing in the past. I just feel that the virginity smell is a bit too strong. Is the author still a virgin? I see that you have a completed work of 1.5 Million words on your homepage. It doesn't look like a virgin. ... Maybe my stereotype is too strong, mainly because there are not many novel authors who can write novels with such a strong virginity~ Anyway, keep going. Rating:4.0

Ever since My Big Tree published the endless "Tokyo No. 1 Love", Qidian's pan-Tokyo literature or Japanese romance literature market has almost been going downhill, and now it has become a red ocean market with a low upper limit, a high lower limit, and no head. Under such circumstances, the author still gave up the "golden finger" that was the main source of pleasure, had the courage and strength to continue practicing the ancient method, and wrote the results while completely reversing the version output. It is really commendable! I am currently reading this book. Personally, I feel that no matter from the writing style, character design and plot arrangement, I can feel the author's summary and study of the previous works he has read. This kind of "learning" is different from many novels, which are very ingenious, just take a frame and put a few characters into it. It is very comfortable to read, and you can feel the author's love for the characters and thinking about the motivations behind them, which is very vital. But judging from my immature personal judgment, the author's performance may be about to or has already entered a positive plateau period. Because of the organic combination of the basic elements of characters as the basis of romance novels, Huaian already possesses and is even proficient in the ability to give readers a sense of security, warmth and love in their subconscious when writing daily novels. At this time, it is better to be more "secular" and learn some market analysis skills that many great masters have talked about, but are often ignored. I personally want to talk about some of my current naive thinking. If you have different opinions, please welcome a friendly discussion. Why are Tokyo love stories gradually declining? It's just that everyone's tolerance for current works has increased. What's cool is no longer cool, what's interesting is no longer interesting. The coolness here is easy to understand. The biggest factor is to pretend to be x and earn cheers. In the past, the male protagonist's career path or campus scenery was infinitely better than ordinary people. Coupled with the different social and cultural features of the island country (such as baseball, dubbing and other fields that are not paid much attention in China), the combination of the two aspects will naturally give readers positive feedback. But now all these things have been written, such as seiyuu articles, campus articles, literary (sound) copy articles and other small categories in the big track. Their tops are very powerful, but they cannot or can only do micro-innovation. In addition, the main readers of Tokyo articles are basically concentrated in the 00s and 10s. The traffic pool is not large enough, and traffic decline is almost inevitable. When it comes to fun, it is not funny in the narrow sense, but the ability to stimulate readers' imagination. Take the combination of the three elements of Kuronagazhi + Poisonous Tongue + Leng Jiao as an example. In the field of Nikkari, when most people think of this, the first thing that most people think of is Yukinoshita. After that, there may be more Kiyono Rin. Such a beautiful girl arouses people's imagination, and they can't help but look forward to what will happen when they are with her, what will be said, how she will do things, and how she will interact with the male protagonist. Such thoughts will not be formed directly, but they will definitely happen in the author's subconscious mind. This is also one of the theoretical foundations that can keep readers at least a dozen chapters when the idea proposed by the Banana Master or someone else on Zhihu that "Dead or not, set a beautiful woman at the beginning". This kind of freshness is naturally not a one-time thing. Even if everyone has eaten it once, they will want to eat it a second time, because even if it has the same main ingredients, it will be different when written by different people. When I read "Lianyou" for the second time, I read it in comparison with "Harmono". It is easy to feel that Yukinoshita and Kiyono are almost completely different people. But what about next? The third time and the fourth time... More and more authors combine these beautiful girl elements clumsily or meticulously. Even if most readers hold the idea of ​​"long live as long as they stick with beautiful girls", boredom is almost inevitable. After all, everyone's core "natal" elements may only be a few. How to break the situation in this situation? How to repeatedly create micro tracks? I think it is a way to refer to domestic urban and campus literature, such as competitions, scientific research, and the ups and downs of the business world, which are common in China but not common in Japan (the recent pro-Chinese entertainment book is a good example. Patriotic entertainment has a market in the domestic environment, so arranging the male protagonist to go abroad will naturally be more contrasting and interesting). It is natural to organically combine it with Nikkei. However, this is too "pure" and loses the essence of light novels. If we want to return to our original style of Riqing, character innovation is naturally a good direction. Since the types of heroines have basically been written out, let's innovate the male protagonist. Many authors have also realized this. Since no one wants to read about the obedient students in school, I will write about Huang Mao, the passionate prodigal son, and the Japanese "Tong Jincheng". However, it seems that this character is a bit declining at present. Since this is the case, let's change it again. Japan's otaku entertainment is obviously aware of this problem. How did they do it? Too simple and crude, most of the male protagonists in light novels and comics nowadays are in the role of complaining. They are either unmotivated (for example, Chenghai is a typical high-ability but low-willed character designed to write about his own changes and the interaction between male and female protagonists), or they are too ordinary, so why don't I just write the Yang role? Among the current avant-garde works, the one with the most outstanding achievements is naturally "Chitose Classmate", but the localization is really bad; "My Perfect Romantic Comedy" is limited by the author's writing power and basically failed to develop; "Midnight Heart Melody" has a positive god and meddlesome male character x excellent complaining heroines. It is a simple but effective design. Using such a forceful approach, even if the other elements are exactly the same, the prospect of a book will suddenly become clear. For example, if the heroine is also cold and charming, what will happen if she and the hero are in the same room? Perhaps the female protagonist will be the weaker party in terms of ability and give the male protagonist earlier recognition and faster "couple doubles". Her venomous tongue may be used to help the male protagonist to be consistent outward, and she may even assume the ecological niche of the ordinary male protagonist (given that Yukinoshita and Hikigaya are too similar in many aspects, this can even be said to be a kind of effeminate Hikigaya...). For the first time, the unforgiving Yukinoshita encounters a male protagonist whose overall quality is higher than his own, and who only has a heartache or flaw in some aspects to advance the story and write an arc. What will happen if they are in the same room? Is it no longer just one party at a disadvantage, but two tigers competing with each other to win or lose? How do they handle "commissioning"? Can joint cooperation also increase the difficulty of the crisis and arrange more high-quality "villains" in the plot? Then the readers' reverie may arise again, and a kind of reversal is not a specific plot, but a contrast given to the readers on the big picture is born. Others, such as making a fuss about the sense of comfort, reinnovating Goldfinger seems to be good, but I still have some vague ideas in this regard, and I have not seen any market practitioners, so I will not say it out loud to make people laugh. First of all, let's start with the starting point of my concern. Among all the Lianqing authors, I feel that Huaian is one of the outstanding creators who is most likely to mature and write his own style and things. From my personal point of view, I really hope that the domestically produced Nikkei can have a "ZTE rule" like this year's fantasy. Come on, brothers who write about love!

Is this a book written by a former coder who graduated from computer science? He downloaded the toolbox of the picture bar and found a virus. He struggled with 360 and finally watched 360 delete galgame incompetently. Is this a book written by someone who came here because of its reputation?

If there is no ccb segment anymore, everyone will change channels.

After watching it for a long time, what does it mean to pay for a subscription when it is released later? Why are you still asking for my money?

I made an appointment with a line drawing on Crazy Thursday. It is for reference only. Readers with good imagination, please refer to your own imagination

Frontispiece color insert

Can you recommend a similar Japanese light novel?