They All Want to Be Light Novel Heroines

Don't you think the male protagonists are a bit lacking? There is only one, can you add more male protagonists? References

It is very important to catch up on new book issues! If you are a book reader, please stay in the latest chapter for a while and then turn to the last page. Thank you Huainan!

I didn't expect this book to be like this. I will stop providing my image rights and stories to the author.

After the author has finished writing, can you not publish it and only show it to me? I don't want others to see your book.

I accidentally scanned for new books and found this one. The writing style is not bad. It is rare that it can remind me of the feeling of watching Riqing in the past. I just feel that the virginity smell is a bit too strong. Is the author still a virgin? I see that you have a completed work of 1.5 Million words on your homepage. It doesn't look like a virgin. ... Maybe my stereotype is too strong, mainly because there are not many novel authors who can write novels with such a strong virginity~ Anyway, keep going. Rating:4.0

Ever since My Big Tree published the endless "Tokyo No. 1 Love", Qidian's pan-Tokyo literature or Japanese romance literature market has almost been going downhill, and now it has become a red ocean market with a low upper limit, a high lower limit, and no head. Under such circumstances, the author still gave up the "golden finger" that was the main source of pleasure, had the courage and strength to continue practicing the ancient method, and wrote the results while completely reversing the version output. It is really commendable! I am currently reading this book. Personally, I feel that no matter from the writing style, character design and plot arrangement, I can feel the author's summary and study of the previous works he has read. This kind of "learning" is different from many novels, which are very ingenious, just take a frame and put a few characters into it. It is very comfortable to read, and you can feel the author's love for the characters and thinking about the motivations behind them, which is very vital. But judging from my immature personal judgment, the author's performance may be about to or has already entered a positive plateau period. Because of the organic combination of the basic elements of characters as the basis of romance novels, Huaian already possesses and is even proficient in the ability to give readers a sense of security, warmth and love in their subconscious when writing daily novels. At this time, it is better to be more "secular" and learn some market analysis skills that many great masters have talked about, but are often ignored. I personally want to talk about some of my current naive thinking. If you have different opinions, please welcome a friendly discussion. Why are Tokyo love stories gradually declining? It's just that everyone's tolerance for current works has increased. What's cool is no longer cool, what's interesting is no longer interesting. The coolness here is easy to understand. The biggest factor is to pretend to be x and earn cheers. In the past, the male protagonist's career path or campus scenery was infinitely better than ordinary people. Coupled with the different social and cultural features of the island country (such as baseball, dubbing and other fields that are not paid much attention in China), the combination of the two aspects will naturally give readers positive feedback. But now all these things have been written, such as seiyuu articles, campus articles, literary (sound) copy articles and other small categories in the big track. Their tops are very powerful, but they cannot or can only do micro-innovation. In addition, the main readers of Tokyo articles are basically concentrated in the 00s and 10s. The traffic pool is not large enough, and traffic decline is almost inevitable. When it comes to fun, it is not funny in the narrow sense, but the ability to stimulate readers' imagination. Take the combination of the three elements of Kuronagazhi + Poisonous Tongue + Leng Jiao as an example. In the field of Nikkari, when most people think of this, the first thing that most people think of is Yukinoshita. After that, there may be more Kiyono Rin. Such a beautiful girl arouses people's imagination, and they can't help but look forward to what will happen when they are with her, what will be said, how she will do things, and how she will interact with the male protagonist. Such thoughts will not be formed directly, but they will definitely happen in the author's subconscious mind. This is also one of the theoretical foundations that can keep readers at least a dozen chapters when the idea proposed by the Banana Master or someone else on Zhihu that "Dead or not, set a beautiful woman at the beginning". This kind of freshness is naturally not a one-time thing. Even if everyone has eaten it once, they will want to eat it a second time, because even if it has the same main ingredients, it will be different when written by different people. When I read "Lianyou" for the second time, I read it in comparison with "Harmono". It is easy to feel that Yukinoshita and Kiyono are almost completely different people. But what about next? The third time and the fourth time... More and more authors combine these beautiful girl elements clumsily or meticulously. Even if most readers hold the idea of ​​"long live as long as they stick with beautiful girls", boredom is almost inevitable. After all, everyone's core "natal" elements may only be a few. How to break the situation in this situation? How to repeatedly create micro tracks? I think it is a way to refer to domestic urban and campus literature, such as competitions, scientific research, and the ups and downs of the business world, which are common in China but not common in Japan (the recent pro-Chinese entertainment book is a good example. Patriotic entertainment has a market in the domestic environment, so arranging the male protagonist to go abroad will naturally be more contrasting and interesting). It is natural to organically combine it with Nikkei. However, this is too "pure" and loses the essence of light novels. If we want to return to our original style of Riqing, character innovation is naturally a good direction. Since the types of heroines have basically been written out, let's innovate the male protagonist. Many authors have also realized this. Since no one wants to read about the obedient students in school, I will write about Huang Mao, the passionate prodigal son, and the Japanese "Tong Jincheng". However, it seems that this character is a bit declining at present. Since this is the case, let's change it again. Japan's otaku entertainment is obviously aware of this problem. How did they do it? Too simple and crude, most of the male protagonists in light novels and comics nowadays are in the role of complaining. They are either unmotivated (for example, Chenghai is a typical high-ability but low-willed character designed to write about his own changes and the interaction between male and female protagonists), or they are too ordinary, so why don't I just write the Yang role? Among the current avant-garde works, the one with the most outstanding achievements is naturally "Chitose Classmate", but the localization is really bad; "My Perfect Romantic Comedy" is limited by the author's writing power and basically failed to develop; "Midnight Heart Melody" has a positive god and meddlesome male character x excellent complaining heroines. It is a simple but effective design. Using such a forceful approach, even if the other elements are exactly the same, the prospect of a book will suddenly become clear. For example, if the heroine is also cold and charming, what will happen if she and the hero are in the same room? Perhaps the female protagonist will be the weaker party in terms of ability and give the male protagonist earlier recognition and faster "couple doubles". Her venomous tongue may be used to help the male protagonist to be consistent outward, and she may even assume the ecological niche of the ordinary male protagonist (given that Yukinoshita and Hikigaya are too similar in many aspects, this can even be said to be a kind of effeminate Hikigaya...). For the first time, the unforgiving Yukinoshita encounters a male protagonist whose overall quality is higher than his own, and who only has a heartache or flaw in some aspects to advance the story and write an arc. What will happen if they are in the same room? Is it no longer just one party at a disadvantage, but two tigers competing with each other to win or lose? How do they handle "commissioning"? Can joint cooperation also increase the difficulty of the crisis and arrange more high-quality "villains" in the plot? Then the readers' reverie may arise again, and a kind of reversal is not a specific plot, but a contrast given to the readers on the big picture is born. Others, such as making a fuss about the sense of comfort, reinnovating Goldfinger seems to be good, but I still have some vague ideas in this regard, and I have not seen any market practitioners, so I will not say it out loud to make people laugh. First of all, let's start with the starting point of my concern. Among all the Lianqing authors, I feel that Huaian is one of the outstanding creators who is most likely to mature and write his own style and things. From my personal point of view, I really hope that the domestically produced Nikkei can have a "ZTE rule" like this year's fantasy. Come on, brothers who write about love!

Is this a book written by a former coder who graduated from computer science? He downloaded the toolbox of the picture bar and found a virus. He struggled with 360 and finally watched 360 delete galgame incompetently. Is this a book written by someone who came here because of its reputation?

After watching it for a long time, what does it mean to pay for a subscription when it is released later? Why are you still asking for my money?

If there is no ccb segment anymore, everyone will change channels.

I made an appointment with a line drawing on Crazy Thursday. It is for reference only. Readers with good imagination, please refer to your own imagination

Frontispiece color insert

Can you recommend a similar Japanese light novel?

Youth is a lie, a sin. Those who praise youth often deceive themselves and the people around them and view everything in their environment positively. No matter what heinous mistake they make, they regard it as a symbol of youth and engrave it as a page in their memory. For example, if they commit crimes such as stealing or joining a bosozoku, they say it is "youth and frivolity"; if they fail the exam, they argue that school is not a place for studying. As long as they hold the banner of youth, they will always be able to misinterpret the most common truths or social concepts. For them, lies, secrets, sins, and even failures are just the spices of youth. Furthermore, they can find something special in those sins and those failures. Therefore, all their failures are part of youth. However, the failure of others cannot be regarded as youth, but simply failure. If failure is a symbol of youth, aren't those who cannot make friends at the peak of youth? However, they don't think so. To put it bluntly, they only choose explanations that are beneficial to themselves. That's considered cheating, right? Whether it is lying, cheating, concealment or fraud, it must be condemned. They are sinful. On the other hand, those who do not praise youth are the real justice. The conclusion is: Deposit now and let me explode!

I have read several of the author's books. The writing is very good, the pace is comfortable, the plot is novel, and the details are well written. But life is never smooth sailing, so I clicked on this book to report it.

The author seems to like bad big sisters? There are two female protagonists in this book and the previous one. One is Lin Yin, the most popular, really delicious, likes cold tsundere😍, and the other is I Rugu, I don't know why I want to keep this character who is the last in popularity. When I first started watching the plot of Xue, I felt pretty good. I was looking forward to it, and I felt like a close friend. But it turned out to be a mess after the gods descended. First, he was awkward, completely different from the online style, and then he refused to admit it. I was originally looking forward to 137's recognition. After watching Xue Lai Onslaught, the result was that the hero was teased as a young boy and then gave up. I don't know what kind of character the author wanted to use this to create. I felt like I was being fooled. Now I see that Yili and Tianshenxia are really the two kings of the district. One is that the plot is indifferent, and the other is that the plot is awkward. Can't the male protagonist stand up for a moment? Don't be like a mouse meeting a cat every time you meet, and be as weak as a little girl being teased. Isn't it good for close friends to understand each other and complain about each other? Once this reality appears, the style of the painting has completely changed.

I have reached chapter 143 so far, and the fourth volume is finished. I hope that this rhythm will be maintained in the future, and the intensity of the Shura Field will not be too high. I read earlier that the author mentioned the book Green Plum in the Snow Country. I was really afraid that you might imitate his stomach-ache plot. It was really uncomfortable for me to read there. We've already written about the pure love harem, so don't talk about youthful pain and the like. A girl's tears should only be shed for happiness.

The last time I saw a novel with such a Japanese light flavor was the last time. The Japanese light smell was so strong that I could smell it through the screen. With only ten chapters, I felt like I had watched two episodes of a new show. The text was obviously pale and feeble, but what made me feel uncomfortable was that the image of each chapter lingered. Are you kidding? ! What are you writing about? ! Throw away this damn visual sense, I have to go to work tomorrow! I don't want to watch it anymore, why, why can't I stop!

It's so tiring to watch. The writing is good but it's not suitable for people like me who like dark and light humor. The male protagonist is a time traveler but maintains a native-like character. It's so tiring to watch. Overall it's pretty good.

Let's talk about the good points first: In the Fireworks Festival episode, Fuu Yuko and Hoshi Airu's individual parts were outstanding, and both of them were very cute. You can feel a lot of the author's thoughts from the dialogue and actions of the characters, and it is an article that can be called a pile of material. Judging from the details, it is a very carefully written story. Then the part that makes me wonder. In the Fireworks Festival chapter, the two personal episodes are both conducted within the framework of "Date A Live", that is, when the reader savors the two dates, one side looks at the sweetness in front of them, and the other side is also looking forward to the Shura field after the meeting. All actions in the personal dating part are a kind of "accumulation" in the story structure, just like when you see two cars traveling in the opposite direction accelerating continuously in a movie, you must expect them to collide in the next moment. However, when Feng Yuzi and Hoshi Airu met, they suddenly entered reconciliation mode. After the story structure built up strength for a long time, the tension disappeared in an instant. The expected Shura field was not seen, let alone any emotional conflict, the protagonist himself even ran away. When the story needed fireworks (explosion) the most, a chat scene with Snow (the president) was inserted. This makes the reading experience very weird. Then I started to fast-forward ten lines at a time. I thought the fireworks festival was over, so I guess this volume should be finished. Let's read the author's post-volume remarks and quickly read about the changes in their relationship in the next volume. As a result, the story didn't end and several people started to eat again. My first reaction was to read the table of contents, and I read a whole five chapters. I scanned the meal with exhausted patience and no intention of capturing anything interesting in it. The author must be a person who loves reading light novels so much that his writing adopts the format of text volume, testimonials, and special chapters. Since it was deliberately written in volumes, wouldn't it be better to structure the text according to the novels sold in volumes? Generally speaking, the moment when the climax of the ending draws a rest, it should also be the end of the main text volume (and then use the epilogue to recover the aftertaste). Having five chapters of rice after the fireworks display is a bit superfluous. Finally, it's Feng Yuzi and Hoshi Airu making dumplings. These two people are so sensible in the story that they just came out of (what they thought) a personal date, met their love rival, and their dream of being alone was shattered, they actually understood the protagonist's good intentions directly, and then they talked to each other and settled their differences. In fact, normally speaking, there is no quarrel between the two, and the matter is indeed at the level of "explaining it clearly and solving it". But the matter of "explaining it clearly" itself is the deus ex machina in light novels (or youth literature with emotional themes). Even mygo's poem, Super Knife, uses music and performance as superficial communication to achieve reconciliation by conveying ideas (this is also deus ex machina). Feng Yuzi and Hoshi Airu's poem, Super Knife, are automatically triggered when they meet. It can't help but feel like "Why should the quarrel that is resolved so casually be written in such a grand manner?" I have written so much, but I just feel that I have written a heroine who is so well-detailed, so cute, so sexy, and so lovable. Why is there no good plot to match her? I really like stories with neta stuffed here and there, but the patchwork of the plot itself is a bit hard to ignore—— ——If I were a writer in my heart, the first sentence at the end of the volume would probably be: "To end this volume with an explosion of fireworks (an explosion of interpersonal relationships) was something that was planned from the beginning."

When to speak softly and get on base (⸝⸝⸝>`ˊ<⸝⸝⸝)

Shiomi: No need to say more about greatness Feng Yuzi: No need to say more about the star-stealing cat School girl: He appeared unexpectedly, I haven't even gotten used to the existence of this person, I feel inferior to... One mile. Snow: District? ! Yili: Who are you?

Ah, author, I am dying. I suddenly got gastritis, and then I read your novels every day, which made my condition worse and worse. No, I have to wait until my stomach gets better before reading some novels. Goodbye

Are there so few people watching Riqing now? It's not as good as a high-quality product

The author followed me for several years before writing this novel

One thing to say is that some of these heroines' family assets, including land, hospitals, etc., Should also be involved in politics. In the end, as for the harem, isn't it equivalent to the male protagonist unifying an area that was originally scattered? How powerful is this new collective?

Traveling through Japan, I'm really impressed by why the author didn't write it in Japanese. There's no sense of involvement at all. ———— References [1] Miss Tokyo is heavily dependent. Comment area [M]. Shanghai: Qidian Chinese Network, 2026.

Some of them seem to be exaggerated and embarrassing, but if they can be connected to the constant complaints, they complement each other better, and the animation scenes appear in my mind (the author's association tips are also very good)

I came from the melon planting activity. I didn't expect this book to have such a Japanese flavor, so I collected it very much.

How far is the plot now? I haven't read any books lately. I've always wanted to read this book but I don't want to read an unfinished book. I've been waiting for the end.

Why does it feel like I am gradually writing like a 6+ version of a sensory novel? . .