Book of Yinshou

The author's rendering of the horror atmosphere and description of details are quite good. There are some problems with the rhythm control, but this is not the focus of this post. I was really speechless about this plot... It feels like there are a lot of foreshadowings and clues hidden in these more than sixty chapters. I thought that at the end of the main line, these things would be connected together to tell a reasonable and exquisite story, but what the author finally gave us was a bloody family ethics drama. Let's see what foreshadowing or clues there are: 1. Xiao Li, a classmate who had a mutual affection with the protagonist's childhood sweetheart, died mysteriously, and the soul of the deceased immediately sought the protagonist's life. The protagonist's investigation found that Xiao Li's parents were transformed into monsters that were extremely aggressive to living people, and Xiao Li lived with his monster parents for at least a year before his death. In addition, Xiao Li, as a fierce ghost, possesses the "Book of Yin Longevity" that only living people have. 2. The protagonist encounters the dead soul of Qingmei for the first time, and his mother, who has been dead for many years, suddenly appears in a certain death situation and saves the protagonist's life. When the protagonist talks to his father about seeing his mother, his father reacts abnormally and suspects that there is a mystery to the cause of his mother's death. 3. The protagonist's father is initially selfish and cold-blooded. He abandons the protagonist to marry a wife and has children, and does not care about the protagonist. However, after hearing that the protagonist encountered a life-threatening ghost, he rushed over as soon as possible and blocked the death for the protagonist. The soul was detained. Later, Aunt Six revealed that Qingmei's transformation into a ghost and taking her life was the trouble caused by the protagonist's father. 4. There is a "Wujiang Ghost Realm" where the protagonist is, in which a group of white shadows (refer to the red and white collision) who are "not to be messed with" and play dark music are looking for something. The direct impact this has on the Yang world is the occasional white fog, through which ghosts and evil things invade the town. Okay, so many of the above lines come together, and readers can't help but feel that a subtle and reasonable story will inevitably be intertwined at the end, and lead to a deeper worldview, but what do you think the actual result is that the author brings? The protagonist's father has a brother named Li who worships others. When they were young, they played a dungeon together. Li was injured by corpse poison. Because he is the inheritance of corpse refining, he will turn into a powerful zombie and kill everyone. Therefore, the protagonist's father followed the traditional practice of the corpse refining industry and killed Li in advance before the corpse transformed. As a result, Li and his wife were not happy, and regarded the protagonist's family as mortal enemies. They instigated their daughter Xiao Li to deliberately approach the protagonist and pretend to have a secret love, and then turned her family into blood corpses and turned into ghosts to seek revenge. How was the ghost transformed by Xiao Li, the last boss, defeated? It was the protagonist who was disheartened and waiting to die after discovering the truth, but Xiao Li smiled slightly and said, "Silly boy, I'm going to kill you, why don't you kill me obediently?", Blah blah blah, he was saved as soon as he was affectionate and loving. It turns out that Xiao Li actually had feelings for the protagonist when he got close to him, so he put aside the family blood feud. Why did he turn his parents into blood corpses? He voluntarily died and turned into a ghost, and all of them went away with the wind. In the end, does the protagonist's father have a hidden agenda for being mean to the protagonist? Oh, it turned out not to be the case. After returning to his soul, he discovered that this father turned out to be so selfish, ruthless and mean, and he really didn't have much affection for the protagonist. In addition, the title of the book "The Book of Yin Shou" and the introduction also mention that "the protagonist accidentally discovers that he can see his own book of Yin Shou, and the story begins from there." However, by the end of the first main story in Chapter 67, the protagonist has not seen his own book of Yin Shou. The book of Yin Shou only appears a few times as a background setting and has almost no impact on the plot.

What does this novel say? It can be seen that the author has written very carefully. Many customs require time to investigate and the writing is very true. This is a quality that many novices nowadays do not have. Many novices are simply made up. The area in the article should be close to Guizhou. I have heard of it myself, so at first glance, it is not made up. However, the shortcomings are also obvious. It is too bland. There are hundreds of chapters, there is no climax, and it cannot arouse the readers' emotional fluctuations. The protagonist sometimes forces himself to be calm. Is it too much? It gives people the impression that it is tasteless to eat and a pity to throw away. , the daily recommendation votes and monthly votes are all voted for the author As a bookworm for more than ten years, I often read books silently and rarely comment like this In short, I hope the author will write better and better.

Advantages: 1. A pure supernatural novel that is almost extinct, and the horror atmosphere is well described Disadvantages: 1. It is slow to warm up 2. The Riddler, Chapter 60 has a lot of settings but the plot has not advanced much. The first mini-boss has not been pushed through. The Book of Yinshou does not explain anything in detail (it is better to say that there is no introduction to any power system. It has pros and cons. It can avoid horror turning into fantasy, but the disadvantage is that it feels a bit unappetizing) 3. Extreme Seedlings Others: Indigenous, no plug-ins (there are still plug-ins, but there is no system to add points and sign-in and other plug-ins)

Additional refinement

Can't get enough of it, just can't get enough!

The first part is basically a supernatural plot. The updated four chapters briefly broke away from the gloomy background and started writing humanities. Only then did I realize that the author is also good at writing people. The positions of the main characters are all tenable, especially the part in the hospital. It is a mixed bag of emotions. The male protagonist's inferiority, jealousy, and feelings of loneliness mixed with hatred are written. I understand the truth, I have self-esteem, and I also understand the benevolence, righteousness, and morality, but together with the hatred The low self-esteem spreads out, but he cannot control it. The male protagonist, who has just escaped from death and terror and returned to human society, is like a wet drowned dog. He looks at his father, stepmother and family of three alone without anyone to care for him. Thousands of emotions are lingering in his throat, and it is difficult to express them. I don't use any Chinese accent, but I feel that it is in place, and the writing style is even more dank. When I read that part, I always felt like someone stabbed me with a knife, which made my heart hurt·jpg

The book you wrote, author, is so beautiful! I want to support you! 🙂🙂🙂

I can write thousands of chapters about the protagonist's environment and conditions without cheating. The pace is slow and melodious, a bit depressing. The writing is very good, but the world view has not been spread out at 150,000 words. I'll start writing quickly and this book will be fully booked.

As the title states, I have a special preference for folklore/exploration/archaeological novels. My first novel was Ghost Blows Out the Lamp, and I also read Notes on Tomb Robbers from the same period. Such works are relatively rare in the later period, and can even be said to be rare. The source of the large vat mentioned in the early stage of this work is the ancient Yunnan period, and various All kinds of ghosts and gods in the underworld are the original products of chaotic time. The author also mentioned that in ancient countries like Luo and Ba, the main plot is to find the ghost king's coffin so that the ancestors can finally rest in peace. The exploration plot seems inevitable. I really want to see the blood corpse tomb, the bronze tree, the blue-eyed fox corpse, the insect It's hard to find such ancient products as Valley Man Chrysalis, with plots that are full of evil flavor. Although themes such as Ba Snake have been rampant, the location of the protagonist is really suitable. In the bottomless abyss pit in the uninhabited mountains, the male protagonist climbed down alone to look for the coffin of the Ghost King, but accidentally fell into it. Behind a certain cave, I saw a huge snake slough with no trace of its strength or tail. There were ancient hieroglyphics and bronze sacrificial vessels on the walls. Occasionally, whispers that seemed to be human voices could be heard in the cave. As long as it was lit, you would see weird "horns" with twisted human shapes climbing on the cave wall.

The protagonist is not likeable. What I want to see is a protagonist who is calm and decisive enough.

I have the same problem as Lord Buddha. The ghosts are very well written, but the characters are not so good. The emotional scenes are even worse. Li Hongye's love story is really awkward.

I didn't read the content, but the introduction seemed a bit wrong. Why is there something wrong with the "giant blood-sucking monster snake"? Only small creatures suck blood, and huge ones swallow people whole.

There is probably no way to fill the pit of outside righteousness, so I just hope that Dao Moli will let her accompany Ran Qing to see the outside world. Ran Qing told Li Hongye earlier that it was a bit puzzling that he had no romantic feelings for Mo Li. He and Li Hongye had some unspoken ambiguity at most, and it was Mo Li who had been with him through life and death. How could a teenage boy have such a long-lasting love for the ignorant and secretly in love with Bai Yueguang? It's a bit deliberate for the sake of being bloody. Now that we have written about the moments when Ran Qing fell in love with Mo Li, let's not make the story about Wen Qing having a stomachache.

Logically speaking, after the protagonist catches a trick every time, his abilities and strength are also improved, but the next time he goes there, he is always overwhelmed, and then something that is not in the book appears, making the reader unable to feel that the protagonist is improving, has no sense of security, and everything is over the top. The protagonist's ability to cope is not right in the book. It would be better to have a little more relaxed life between each incident, rather than one incident after another, which becomes more and more difficult and depressing, with ups and downs, which some readers of Headwind Bureau cannot accept.

Brother, do you know what it feels like for a Liupanshui person to read your novel? I was still working on the elevator floor. 😭

Hopefully this is just the end of volume one. I want to see Ran Qing grow up

I just saw the latest chapter, and the rhythm is not right. I see that I am getting more and more uncomfortable now. There are always accidents, I am always being chased, and I am not prepared for anything. Accidents occur in recklessness, and accidents occur after a while. As a reader, this kind of writing is very uncomfortable for me. This kind of folk horror writing should be properly prepared. When preparing materials and arranging, you can write more carefully and troublesomely. Then when it comes to dealing with ghosts, you can be more comfortable. Folk horror can't be like fantasy immortals, where you can upgrade on the spot, and accidents can't happen all the time. This kind of folklore is not like fantasy immortality, which has fixed immortal upgrade routines, such as Qi training, foundation building, and golden elixirs. But ordinary people can also fight with various spirits after getting some ghost-catching skills. For example, xxx was unlucky and was killed by an evil spirit. Then this ghost has some rules and restrictions, and xxx luckily escaped temporarily. Then xxx got some ghost-catching skills or books, and then competed with the ghosts to prepare materials, such as black dog blood, glutinous rice, and rag dolls. Some readers given in the books looked more like the underworld. Dispose of these materials in a method that is foolproof, and then annihilate the ghosts in one fell swoop. I personally think that this kind of folk horror should be difficult when preparing the materials in the early stage. It should be difficult, terrifying, and thrilling to find out what type of ghost the ghost is and whether it has any special rules. After going through this set of difficult processes, the ghost can be killed directly and smoothly later. Generally speaking, it is bitter first and then sweet, or it goes smoothly.

I think many people find it unpleasant, but this is actually the most original horror and suspense story in the past. In the past, even if it was a weird and suspenseful story, the main plot was to improve the protagonist's ability. The protagonist gradually learned various techniques to improve himself. Even if he was involved in an incident, there were cheats to ensure that the protagonist could escape from danger. In this way, the events are dangerous and bizarre, and readers will feel safe. However, this book follows a traditional storytelling path. The protagonist learns various skills just to solve his own incidents. You can also read the stories behind the protagonist and how the protagonist uncovers them step by step. It is normal for many people who have never read this kind of book to be unaccustomed to it.

When I read Chapter 67, I thought it was fairy grass, but it turned out to be a defense. It made me feel so uncomfortable.

I've been raising it for a while, and this time I saw the main character being put into danger again because of his father, and I really wanted to vomit blood. The emotional dispute between the main character and his father is really sticky, and it makes me angry. At one time, I wrote about the hatred between him and his father, and at the next time, he used other characters to describe the complex emotions he had with his father. They went back and forth, and they were constantly entangled. This feeling of entanglement is really annoying, and there is no sense that a man should have to follow through after making a decision.

The book is good. I voted for it monthly. I hope the updates will be better. I finally found a readable supernatural novel on the starting point 😭

Generally! White rice quality! Nothing special! There is nothing outstanding about the plot, writing, or character creation. As always, the story is about the protagonist who is bitter and hateful and goes step by step to find out the truth and fulfill the benefactor's wish. Standard supernatural story plot, standard writing, and standard character configuration. Nothing goes wrong and nothing shines. The only bluffing title "Book of Yin Shou" didn't even appear many times and became a useless foreshadowing.

The bullshit things that happened between the protagonist and his father, as well as the sudden appearance of his daughter, are really poisonous, okay? Does the author really have an outline? Is it difficult to honestly write about folk customs and strange stories? Can all the bullshit love between children be eliminated?

The first heroine, Aunt Six, has already appeared. I guess the next one is the aunt.

The feeling of the leader and the tail of the snake has been laid for dozens of chapters. There is no clear line. The protagonist has been resigned and resigned. He is really tired of relying on others.

It's so fucking bloody, what the hell, the heroine in the beginning asks for her life after she dies. I originally thought there was a big secret in it, but it turns out that the hero's father killed the heroine's father. The heroine is not happy anymore, so she asks the heroine to approach the hero and pretend to like him. When the hero knows the truth, he gives up the resistance and lets the heroine kill him. It's another classic. Although I am an undercover, I really fell in love with you. This kind of plot makes me sick.

Orthodox supernatural literature, the taste is too orthodox. Vote vote

When I was a child, my brother and I heard my grandma talk about becoming a mother-in-law. At that time, we didn't know what the word was and thought it was a "bianpo". I have been at the starting point for a long time. When I read the legends of my hometown in a foreign land, the memories of my childhood resurfaced, and I felt a different kind of touch. The characters are vivid and three-dimensional, and the storyline is twists and turns. Great support for the author 🤭🤭🤭

Do the protagonists in these kinds of books use useless templates and then dig a bunch of holes without filling them?

The author must continue to write. There are not many good supernatural novels nowadays. You have to fill this hole that needs to be filled.