Simultaneous Transmigration: I Created My Own Cheat

So, the classic trope is to avoid killing the villain to maximize the amount of subtitles? No, dude, why not just kill off a scumbag like Fujiwara Koichi as soon as you see him? Why keep him around for the holidays? The protagonist knows the plot perfectly well.

Why do you keep describing tiny insects in the inner monologues of characters who aren't tyrants or zombies? And why does every single one of them have this inner monologue? Why don't you just write about zombies taking the college entrance exam and running for president? They seem so self-aware, yet you keep emphasizing it.

What kind of melodramatic love story are you writing? I'm leaving.

Why write so much about Under One Person?

The romance novel with its bouncy breasts is a pile of crap, Naruto is bland as water, and Under One Person is also rotten.

What exactly did Naruto write? It only changed some side stories; the main storyline remained basically the same. It wouldn't matter whether there was a main character or not.

Is there really this much negativity in the comments section after only 130,000 words? Is there even a Shennong (a legendary figure associated with agriculture) here?

The protagonist is trash; everyone else is ready to kill you, yet you let them go. Your book is doomed to flop.

The opening of the world already establishes its own heavenly order; what is the significance of traversing to other worlds afterward, and how does it benefit the protagonist's growth? Is this a mere copy of a typical "cool" novel without any of its satisfying moments?

It's fine if you like this writing style, that's your prerogative. But don't think readers will overlook your flaws and still find it readable at this level.