I Went Back to 2003 to Do Animation, Starting with Gen Urobuchi

Qingshuixiu never thought that he would have a chance to do it again. He never thought that this time, fate would put a gun directly on his forehead. In 2004, nearly ten years had passed since the premiere of Neon Genesis Evangelion. The three major migrant cartoons of Dead Fire were just getting started. The second season of Ghost in the Shell SAC was about to be aired. Fullmetal Alchemist was popular in Japan. Full Metal Panic was born as a dark horse. Mobile Suit Gundam SEED firmly ranked first in Japanese animation sales that year. However, it was also 2004, and the female high school student had not yet encountered superpowers, aliens and people from the future. The notebook in which she wrote about the death of someone had not yet left the world, the drill had not yet broken through the sky, and the man with two brushes had not yet committed suicide. Not to mention, at this point in time, the world line has not yet changed, the seniors have not yet turned around, humans have not yet recalled the terror from the giants, no one has died in the battle with the two-faced Sunuo, and no one is playing Kasuga Shadow. He missed the second golden age of animation after Japan's economic crisis. This time, he would never miss this opportunity again.