Huben Lang

After reading it for so long, I feel more and more that this book is well written. A very distinctive feature is that everyone in this book has a butt that determines his head, and his position and personality determine what he thinks is right. Instead of imposing some kind of romanticized, transcendent historical view and emotions on the characters - this is very rare, and very few historical works can do this.

The author has a good grasp of the rhythm in the early stage, and has written down the interests of all parties and the solutions. With the development of Shuangwen, the problem is that the rhythm has slowed down in the middle period, and the conflicts have disappeared. Doesn't it feel like writing a running account? It means that when you write the background, is this what I want to see? Don't you think you just added an omniscient and powerful superman to this general environment to slowly play games in this world? The novel must have suspense, conflict, and depth in order to attract more people to read it. But now the novel has lost its originality and has completely turned into a story about a feudal dynasty competing for hegemony. I hope you will improve slowly in the next book.

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The monthly vote has been cast. The author has his own understanding of the Three Kingdoms, which is relatively complex and logical. There aren't many historical texts you can read these days, or you're resting on your laurels, leaving tens of millions of words unfinished. Or something like being a servant through time travel. There are also some novels that provide advice to Liu Bei, which are okay. There are not many other ways to start from Hedong, and the writing is not bad. The last time I saw such a wonderful novel was about Shao Shude, who rose up in the late Tang Dynasty, and Liu Jilong, who returned to Yiyi but was not in the Tang Dynasty. Shao has passed through the late Tang Dynasty, and Shao Xun, who has re-traveled to the late Jin Dynasty, has begun to rise. The author writes well, don't finish it badly 🌹🌹

You know the author

I like this book very much, praise it very much

I can only say that this book has first-rate writing and a first-rate plot, but it was born in the wrong era. For old bookworms of historical literature, it is a must-try. For those who know nothing or only a little knowledge of history, it may not be very friendly. The simplest is the mythical version of the Three Kingdoms. The plot and story in it are basically a mess, but it can capture the ignorance and half-knowledge of history. For Huben's book, you must at least have a certain understanding of the political ecological environment and characters of the Three Kingdoms of the Later Han Dynasty, because the book really explains it very clearly, and the reasons are all crushed and fed to you. However, there are still some people who only like to read this and that, so they are really not suitable for this book. Huben is a good work, but the readers are not selected and the audience does not follow the mainstream.

The early part of the book to Jinyang was quite enjoyable, but the pace started to slow down in the middle part, and in the later part I didn't even know what I was writing. The summary is that the protagonist cheats in the early stage, Lu Bu cheats in the middle stage, and Liu Bei, Sun Ce, and Zhou Yu cheat in the later stage. When you only write about the protagonist in the early stage, it's good. In the middle and later stages, I wanted to write group portraits like "The Romance of the Three Kingdoms", with all forces writing, but the author's writing power was insufficient and he was a bit out of control.

I was born at the wrong time, or this is not an online writer.

Starting from Xiliang, I was purely obsessed with the number of words. I wanted to write group portraits, but my writing skills were limited and I couldn't do it. I also wanted to make more money, so I had to make up words with a hammer and a stick. It looked like it was boring and I gave up.

Cao Cao is a literary figure named Gao Huan, and the protagonist is Er Zhuhua's Yu Wentai. Kansai vs Kanto, Qin system vs Qi system. In the future, whether medieval China will be awarded scholars based on literature or meritorious service, this is the most critical step in determining whether China's destiny in the last 500 years will be ancient or modern.

I saw Chapter 519, I scored 85 out of 100, I like the writing style very much; But from a macro perspective, this book is either at war or on the way to war, and there is very little farming part; For a historical text, I feel that there is some missing content, I don't know what it is.

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A series of group portraits were used to foreshadow the appearance of the protagonist, but the part where the main character appears was not pleasant at all. Reading a novel felt like watching office politics, and the writing was stinky and long.

Originally, I thought I could see a different Three Kingdoms, but in the end, I was given a system of three provinces and six ministries. The author himself said that he did not act like a powerful minister. I will not say more about the emperor's northern expedition later, but in the end, he relied on mares to attract thousands of stallions and the Huns surrendered? I really can't figure out the logic of this. The Huns with tens of thousands of people lack so many horses? Wouldn't you know how to run if you can't win? Can't beat Zhao Jihuo and other tribes can't? The writing style of this book was indeed good at the beginning, and the plot was fascinating. However, from the beginning of the book, it became more and more difficult for me to accept the logic of some plots in the book. The author must be able to write good novels, but can't he always write plots that he is good at? It's not impossible to cut it from the beginning to the end. If you have to do any tricks, the logic will not flow. I can't stand it anymore and can't subscribe. I guess, if it weren't for these logical flaws, the author's writing style would never have more than 200,000 subscribers, which is a pity.

Is this kind of thing also worthy of Sanjiang?

When I read this novel, I was very discouraged from the beginning. First, the family property was divided, and the second and third children could only serve as subordinates of the boss. The three brothers were direct brothers, and then the protagonist had no brothers and no father, and had no respect for his elder brothers and parents. Under the etiquette of the Han Dynasty, people like the protagonist could not be promoted even if they were not in the country party, so there was no way to gain momentum. It's so poisonous, it feels like forcibly kicking the protagonist's family out. Can't stand it.

I feel like this protagonist is so conflicted. Character is both necessary and necessary. . Especially the harem is so exciting, Cai and Du are really tired, especially Du showed her pregnancy at 6 months. . . Why collect these junk cars to blend in with the times? Or historical filter?

He was arrogant and rude to the emperor's envoys while sitting down to receive the imperial edict. He only had a thousand troops and was so rude. Cao Cao, who had tens of thousands of troops, was still full of etiquette and knelt to welcome the emperor. Ancient etiquette can kill people, and their character can be childish and ridiculous if they do as they please. He is fussy about etiquette, and he can't lose face and act independently, haha. The time traveler who has no brains has been a fool in his two lives. Xiang Yu divided the world, Liu Bang was the governor of Hanzhong, and finally the best warrior in the world was defeated by a thick-skinned old gangster. He didn't even have basic common sense, and had no ambition or structure. What kind of historical article should he write? Let's go for fantasy or fantasy. There is a reason why writing books is not popular.

Starting from the battle against Xianbei, the plot was a complete mess. Later, the battle against Liaodong became even more funny. There was no plan. No matter what the rear was, even if it could capture Youzhou, it was forced to fight hard. You usually take advantage, but when something happens, you just surrender? Later on, the protagonist stayed behind, and the seventy-eighty-year-old grandfather went out to fight. He also showed his love for false fame, which was very different from the initial image he had known. Even if he started to increase his influence, he was not worried that after his death, the forces would be directly divided against the protagonist? Author, since you are so jealous of the protagonist, just write the protagonist to death

Cavalry and slashing are really suitable for historical hegemony stories. It not only has the convenience of the system, but also won't become too powerful and become invincible, causing the plot to be unable to advance. First of all, riding and slashing can improve personal abilities, especially military-related ones, but after excluding various mods, it will not exceed too much, and overall it is still within the human range. The way to improve can not only directly gain experience through coaches, but also through combat, so that the protagonist's improvement is growth-oriented rather than directly related to invincibility and luck. Secondly, riding and cutting can directly upgrade the arms, but the number is limited, and the extent of improvement does not exceed the scope of humans. This can not only reduce the difficulty of development in the early stage, but also give you enough freedom to arrange the plot in the later stage. There is no need for rigid arrangements of identity and plot, and there is the added pleasure of a small character's counterattack. Finally, riding and slashing can see loyalty, but it does not lock loyalty. In this way, he can actually be regarded as a simple information collection device for subordinates. It is mainly for internal stability. It not only gives the protagonist some convenience, but also cannot completely rely on the system. After all, few readers of the book have extensive management experience, and the protagonist's rationality in time travel and indigenous strategies can also be increased. There are very few people writing such a system that matches the history of hegemony. Historical novels without a system were exciting at first, but after reading a few more, I started to dislike them less and less. They say it is driven by the plot, but in fact it is all the author's hand. If the system is not enabled, the plot is invincible and luck is enabled. It is not much different from the system. On the contrary, as a civilian, I feel more and more awkward as I read it. It may be that no system is better for film and television, or it may be that not many systems are good at writing. After all, some problems are really difficult to write later. So why doesn't anyone write such a good system for riding and cutting? This author has written before, but I haven't read it, so I don't know the situation, but after reading his new book, I slowly began to feel uncomfortable. I may have to give up on the historical text of Qidian. The author works very hard between the lines, and his writing style is good, but it is really uncomfortable. I can't explain the reason. Maybe it just feels too coincidental. Like someone said in the comments, I have read more than a dozen chapters of "Ghost Stories of the Northern Qi Dynasty" and I really can't stand it at all. The one I've read most recently is "Walking on Thin Ice", but I can't stand it anymore. Oh, I've said too much, so that's it.

This book is very good in terms of writing and writing. I picked it up not long after I wrote it. I don't know why I can't read it. I open it over and over again, read a few chapters and then exit.

It seemed good from the reviews, but I was disappointed after reading it myself. The characterization was a complete failure. In the first few chapters, the protagonist was annoying and resentful. Then the only chance to make a comeback (become a soldier) appeared, and it was very childish to give in to those who didn't want it. Before anything has happened, just thinking about killing your eldest brother seems to be narrow-minded, and your eldest brother has not hindered you. You are destined to go out and work hard, so you really accept it.

I would rather see the protagonist guarding a Bingzhou for hundreds of chapters. It would be too outrageous to forcefully pull him back to farm due to the natural expansion of his power.

It's repeated over and over again, and one thing and one thing is explained over and over again by different people. If it wasn't well intentioned, I really wouldn't want to read it. For example, the role of Sun Ben was explained several times.

This book is well-written, the logic of the characters' actions is reasonable, and the details of the battles can withstand scrutiny. It is a rare resource. If I really want to find fault with it, I just feel that the protagonist's behavior does not sound like a time traveler, but more like an aborigine. However, in this relatively rigorous writing style, this is the only way to look comfortable. I think that the kind of protagonist who speaks and behaves more like a modern person is generally not out of character if you look at it in a relatively humorous historical novel.

I can't figure out why the author belittles the other heroes and exalts Lu Bu's ability and importance, just because he has a similar positioning to the protagonist?

The amount of the arsenal of the Eastern Han Dynasty mainly includes the number of weapons and armors. These data can be obtained from the "Arsenal of Weapons and Vehicles in the Fourth Year of Yongshi". According to the records in this collection, a large number of weapons and equipment were stored in the arsenal of Donghai County in the Eastern Han Dynasty. The specific quantities are as follows: ‌1 ‌Crossbow‌: 537,707 pieces ‌Bow‌: 77,521 pieces ‌Arrow‌: 12,657,740 pieces ‌Armor‌: 142,701 pieces ‌Armor‌: 63,32 4 pieces ‌Helm‌: 98,226 pieces ‌Shield‌: 102,551 pieces ‌Sword‌: 99,905 pieces ‌Knife‌: 311, 069 pieces ‌Axe‌: 1,132 pieces I feel that Luoyang's arsenal reserves will not be lower than this. It is a bit difficult to fight back to Luoyang. It depends on how the author writes

This novel is good in the early stages, drags in the middle, and becomes a thesis in the later stages. The final analysis is that the author gave the protagonist too much control. When a person with a modern thinking perspective can appear as a thousand people in the late Han Dynasty, he can effectively reduce the dimensionality of others. Therefore, in the middle period, in order to continue writing, he had to cheat other forces and make the protagonist invisible. As a result, seven or eight chapters in the later period were written about other people. The perception is a mess. Even if you don't subscribe and read a few chapters, there will be no problem. I advise the author to finish it quickly and stop torturing readers.

The world is already in chaos. Those who clean up the old mountains and rivers and worry about the future are not like the founding ancestors. The ancestor of Kaiji cannot kill anyone in the world, and he is not like being born in the army. It's really unheroic to have so many concerns. Weifu is enjoy, do you understand?