Tokyo: I Really Don't Want to Learn These Skills from Them.

The beginning of the chapter is very good. There are many shadows of light novels that I am familiar with, including the stern Ryouya. The plot and characters are attractive. I must finish it. Don't be a eunuch. Come on Mr. Lu! !

This is the first time I read a novel of this type. After reading the free chapter, I felt like a teenager's youth should not end here. The writing is very youthful and energetic. Maybe this kind of unfinished feeling is youth. I also want to see Kusama-kun become a Tokyo male god, so I subscribed to the paid chapter. I hope the author will write more seriously and with more youthful vitality. I hope Kusama-kun can also bloom with youthful vitality. I have watched an anime called Leap of Youth, which has a similar feeling 🙂. Finally, I hope to make the system feel weaker and more reasonable. I don't recognize such a Tokyo male god. It just represents personal understanding.

Although I don't have a few monthly votes, I vote for the author. If anyone thinks I just like to troll people, then I have nothing to say.

Chapters 17 and 18 were scolded for their weak logic, but don't scold me. I've changed it, and it's no problem now! Don't scold me, meow. Don't scold me, meow. It's been changed. Let's take a look at it. You guys will still read it after the change. Don't scold me. If you don't see the changed content, it should be still under review. I wrote this chapter that day. It was early in the morning, and my brain was not working well😭I updated 8k to 10,000 words every day, and recently I was dizzy when typing😭I just remembered to change it now😭The male protagonist is not the slave of the system😭I am the slave of the system😭I am reading all your comments, and I will correct such serious logical problems😭But if it is not serious, please treat it as the author's feature😋

Obviously, this book refers to many settings of Love Travel, including some characters and writing rhythm, especially the beginning, which has a strong flavor of Love Travel. But it is also obvious that the author also adds a lot of his own things while learning from the experiences of others. For example, the setting of learning other people's talents (combined with random card drawing, adding the option of adding points to the opponent's favorability), some changes in the character (the most obvious is that Chizuru Yagami becomes less ruthless, to avoid the same situation as Kujo Miki), and all the motivations of the male protagonist's behavior, are they being led by the system? Or is he using the system to help him become a better version of himself? In the first 20 chapters of this book, the system has released a total of 3 tasks, all of which are designed to introduce the female protagonists of this work and make the male protagonists relate to them. With the system in place, the image of the male protagonist has been further improved. Whether it is the idea of ​​becoming a "Tokyo Goddess" or the desire to make his family live a better life, it is obvious that he unites knowledge and action, rather than relying solely on the existence of the system. Therefore, while the system serves as a "gold finger", it only plays a role in promoting the plot. There is no situation where the male protagonist becomes a "slave of the system". As for the plot, would you say it is classic? It is indeed classic. From the system issuing tasks to meet the female protagonists, to the male protagonist establishing contact with them step by step, this kind of plot can be seen everywhere. As for the character design, do you mean Dian? Micro code, 40% of the code. The male protagonist does not adopt the mainstream male protagonist design in China, but prefers the common image of Japanese youth or daily drama, which also causes the overall style of the novel to be a bit brighter. How to make the novel as a whole cheerful but not intellectually depressing is a question that the author needs to consider. From the perspective of the first twenty chapters alone, there are not many problems with the novel as a whole, including the character setting and narrative rhythm, which are also relatively stable. In Chapter 17, the character of the male protagonist is slightly established, which is very valuable. If you want to take a different path from the previous work, you still need to work on the subsequent plots to truly turn a solid work into a masterpiece. I look forward to the future development of this book.

It looks good, the quality is adequate, the heroine has characteristics, the writing is sophisticated, and the writing style and narrative rhythm are very good. The biggest problem is that the portrayal of the male protagonist is poor, giving people a feeling of being thoughtless and too cliched. In other words, the system tasks serve as clues to guide the entire text, rather than things like "the male protagonist's progress" or "feelings for a certain female protagonist". That is to say, the system tasks need to be optimized. The problem is that the reasons why the male protagonist does things are lacking in description. It is really disgusting to complete the tasks just because they are posted. In fact, I have not seen this problem in a new light novel for a long time. The description of the new character is unreasonable. Just because of five attributes, I went to find a person who just described "how unpleasant it was when we first met" and made an inexplicable confession to her. And I don't quite understand this in public. One criticism is that "the handsome Tokyo guy is just a slave to the system, a beast in heat, a puppet without a thought" Game comics can attract readers by relying on the style of painting and the appearance and voice of the heroine, but novels are different. Setting, writing style, and narrative techniques are equally important. I think the problem lies in the setting, the setting of the male protagonist, and the logic of plot development.

It feels like since a certain male god novel came out, a Tokyo lady who is ready to kill people will appear in other male god novels. The likability of this character is completely equated with whether the male protagonist can deal with her.

Such an abstract setting, why is the skill of drawing initialized? Then why not learn it yourself?

The protagonist is a time traveler, and it's like a baby who has traveled through 18 years. Then the mental age of two decades of memory must be there. But how can such a man of several decades, no matter how bluffing he is, say "Tokyo Boy God" and formulate a set of "Tokyo Boy God Code" with peace of mind? I know it's a play on the "Tokyo Handsome" book, but it's not that book, so it's really disconnected. The question written by the Yagami Fan waiter made my head buzz. First of all, the waiter poured water on the protagonist in front of his face and still showed an aggrieved look. Is this a human being? I did something wrong, I didn't stand upright and was beaten, and I was wronged. Come on, tell me that you, a man of several decades, can't see that Yagami is establishing his authority? The maid of Yagami has told the protagonist many times that the protagonist is treated differently by Yagami. Even the protagonist's own family said that he is the son-in-law of the Yagami family and the head of the Yagami family has certified it. It doesn't matter to you if someone pours a glass of water on you at this time, but is it okay if someone pours a glass of water on Yagami intentionally? Nothing happens if someone throws hot water on it? You yourself also know that you are the son-in-law recognized by the head of the Yagami family, and you have taken advantage of this convenience. Then instead of helping the Yagami family, you think about it for a waiter? "Growth", for time travellers, can be strength, intelligence, or awareness, but it is definitely not emotional intelligence and mental age. People with a mental age of several dozen years old claim to be a Tokyo male god every day, think about trivial matters for a long time, do not protect themselves or think about other people's thoughts, and just rely on fun and sex. What do you call growth? Let's talk about feelings. Okja's emotional scenes are really abstract. She's almost coming up. The protagonist is still hanging like a steely straight man. I don't know what the purpose of writing this is. Regarding the matter between Yuebai Liuli and Iori, the head of the Iori family has agreed, and the protagonist has made up his mind, so the protagonist is still hanging on? Going back to Yagami's slap in the face, everyone knows that family scandals should not be exposed, right? Then when the protagonist objected to Yagami's slap, he wouldn't have dealt with it lightly and then told Yagami about it when no one else was around? As a son-in-law, the protagonist catches the next generation head of the Yagami family to stop her in front of outsiders. Isn't this a slap in the face of the Yagami family? Relying on Yagami's affection for the protagonist, even pampering, to do crazy things? After decades of experience, I don't even have this kind of emotional intelligence. Stop growing up and I'll kill you with a piece of tofu.

I really don't understand why the skill of pumping has become the lowest level. What's the point of pumping it? 😮

He says he wants to be a handsome boy in Tokyo, but his physical strength is extremely low, his charm is extremely high, there are many female protagonists, and he must go to the University of Tokyo.

Ten skill points every day, but ended up risking almost certain social death for five skill points. After inexplicably succeeding, I got a painting skill that almost seemed impossible to use. The logic is touching, and the plot of Gao Chao was also castrated. I don't know what the author was thinking?

There is a kind of beauty in the second game that advertises the benefits as hundreds of draws, but in fact you have to do various tasks to get them together.

The author, the new chapter 42 is a highlight. The male protagonist is getting closer to the heroine, and the female protagonist is teasing that they are going on a date? Change it, don't be a strategist or anything like that. There were a lot of strategists ntr before, so it's a little bit toxic, right?

The first part was a bit interesting, but in the middle and later stages, it was all about making movies. I don't know where my skills were lost, and my writing also dropped. I really regretted that I subscribed to them all. The writing in the middle and later stages was just a mess, garbage among garbage.

The assignable attribute points of the female character is a failure. If you can modify her at will, what is the difference between her and the virtual character in your mobile phone?

Yagami Chizuru looks too much like Kujo, and the emotional scenes with her are very stiff. She still licks her even though she knows there is danger, which is incomprehensible. While saying no contact, he went up and licked it.

After reading five chapters after it was released, I don't understand why a character was set up to take away the director's position from the protagonist. You've always said you wanted to be a director. If I remember correctly, you also added a director skill? As a result, the first five chapters were basically discussions about the movie, and one of the supporting characters was inexplicably hostile. The protagonist, in order to demonstrate team spirit, acted coquettishly in front of everyone, devalued himself, and redeemed the explosive atmosphere caused by other people's mistakes... I want to complain about this: (1) When we first started charging, wouldn't it be better to write more sugary stories, or the Shura Field that we love to see, or the astringent ones 😳 (2) It doesn't mean that it has to be exciting, but at least the plot that competes for the director should be included Let's put it a little later 😥 (3) The protagonist is still not confident to put it bluntly, he has systematic directing skills, and he has to give in to a supporting character who repeatedly provokes him when they first meet (even if the supporting character cannot speak) [fn=4 9] (4) Personally, I feel that there is no need to set up a character with such a personality to compete with the director. At least changing the personality will make the impression better 🤫 (5) It seems that the author will write movies as a career line in the future? Then I don't even understand why that kind of plot was set up as soon as it was released, just to catch up with the supporting role of the director's father? No fight, no acquaintance, and then developing supporting characters as support? It just doesn't make sense 😵 In short, as far as I'm concerned, I read Tokyo Bun for the coolness, astringency, and industrial saccharin. After reading five chapters after it was released, I felt inexplicably aggrieved and didn't dare to subscribe anymore.

Okay, okay, I have read a lot of comments from brothers recently, so I created a post specifically for combat. Brothers are welcome to comment on this post or leave comments or attack the author. After all, reading novels is a process of catharsis and healing. The integrated form of watching and spraying is more suitable for today's young people, so why can't writing books be considered a service industry? 😋 Then fight here to your heart's content. You can't completely listen to the readers' complaints and suggestions, but you can't completely ignore them either. When a problem occurs, discover the problem and solve the problem, this is the simplest method. The author starts from the beginning. About the optimization of the system's skill extraction logic. It is indeed unreasonable that the skill you drew has become the lowest, so I urgently applied a patch. Because the skill of drawing a book is quite special and requires talent and a lot of time to accumulate experience, so there is no way to draw the original level. Otherwise, the male protagonist will directly seize the most advanced skill and play Tokyo alone. The same goes for subsequent assassination skills. Because they are special, they can only be practiced from level 1. About the optimization of system functions. All random rewards have been removed, and system tasks more closely follow the male protagonist's wishes. The current task will only appear when the male protagonist wants to learn a certain skill from others, and the level of the learned skill will be determined based on the completion of the task. The daily lottery has also been changed to a shopping mall, where you can shop if you accumulate enough skill points, making the goal clearer. To put it bluntly, this is the first time that the whole system keeps stepping on the trap, sometimes speaking harshly, thinking that I am right, and really want to scold myself. But a tough talk is still a tough talk, and what should be changed should be changed. Anyway, everyone is welcome to play. The author will also randomly select the lucky ones who comment harshly, and then secretly modify the article after being harsh😋

It's too embarrassing, and Yagami knew the plot as soon as he came out. He had to be a dog for Yagami and then get involved with Yuebai. There is a high probability that Yagami and Yuebai know each other, and there is a high probability that Yagami would forcefully give Yuebai for free, and Tamako might become a lover. There is nothing new. I have read Yuebai's type of suicide in the book about superpowers, so I can only say that I made it up.

I can't watch it anymore, but I still have to complain about it after spending money. It's not fun, there's really no fun. Although the title is about learning skills, their role in the plot is minimal. The most useful thing is acting to deceive people? After learning karate and doing some highlights, he acted like a pure clown. The male protagonist is an active and handsome guy and compared to the other guy, he honestly looks like a clown.

Suppressing the protagonist is too harsh. No matter how high you learn it, you will become entry-level. So what's the point of choosing the highest level?

It's a pity that I felt pretty good before, but ended up falling apart with Yagami. A leader who was cultivated by a large-scale social power was actually changed by an ordinary person in a short period of time. I thought it would change subtly after getting along for a while, but now the protagonist has become a female protagonist who takes other people's money to pay for other people's enemies, deceives others, and points to others to eat soft food. I suggest you don't accept Tamako's confession, wait until she goes to college or later, let her recall the absurdity of her youth, and then the protagonist can continue to eat Ruri's Zetsu and Yagami's soft rice.

Writing about a literary senior like Takagi who had an affair with the male protagonist on the subway, I don't understand why you didn't accept it, why would you write about Takagi having a bad ex-boyfriend later on? I don't care if it's written as a passer-by. The whole character is of Huang Mao coercing the female protagonist. Why does Takagi have to listen to Huang Mao and is coerced in this way or that? Do you want to create a male protagonist Asashi to save the beautiful girl? Do you want to make people sick in your plot? It's better to write about Takagi being bullied and becoming weak and inferior than being coerced by Huang Mao. He's still an important supporting role. What's going on?

The writing in some places is too aggrieved, what are you talking about?

If you haven't watched it yet, don't subscribe. The middle and rear parts are terrible, and the main character is so humble. He made a movie and used a supporting character as a cushion. It really made me laugh. He also said that the main character is an altruist, and it's not a good thing🐮

Whether there is Shennong or not, there are a lot of criticisms in the comment section.

Lao Wang, I came here from tomatoes! ! !

Come on, look forward to the next one 😭😭😭

It is said to be a love story, Tokyo Male God. As a result, after dozens of chapters, they are all large-scale movies that have nothing to do with the main plot. Because a supporting actor wanted to make a movie, for the supporting actor's dream, everyone worked together to overcome difficulties and make a movie to realize their dream. It was inexplicable, as if he had been forcibly kidnapped by a character like An Yilunya.