Buddha, Gunpowder and the Extraordinary Ming Dynasty

This book proves that the most important thing for modern online writing is to grasp the rhythm. It is said to be creative and the writing is interesting, but the viewing experience is very poor. The first three chapters are okay, but the entire first volume is very messy. The protagonist's action line is there, but it is too messy. Awakening - understanding how to ascend to the next level is the action of the protagonist, but the whole thing is completed in two relatively independent events, the girl possessed by the red thread and the old man. The author cannot control the rhythm well, and the viewing experience is very poor. For an old bookworm like me, I can still get a general idea even though I'm jumping from chapter to chapter like crazy. I can cut out half of the entire content or simply lengthen it and write it slowly. If it's stuck in the middle, it's not short enough and won't attract regular readers. About 70% of Qidian's readers are still mainly reading novels, but you can tell by the negative reviews of this book, but the writing style won't cause so many people to criticize it.

Since it is not a Buddha in the eyes of ordinary people, why do you still have to use the word "Buddha"? People who like Buddhism don't want to read it, and people who don't like Buddhism don't want to read it either.

I haven't read it yet, has Shen Nong told me what the protagonist is planning to do? Is it technology with one hand and extraordinary with the other, uniting the majority? Or will he be extraordinary alone and take over the world by himself? Or maybe he joins Mr. Zhao in running a factory and whipping tops with a whip?

The creativity is there, but the logic is poor. The protagonist is a puppet of the plot, and is completely pushed by the plot. He has no normal subjective thinking! For example, the skills can be obtained from the possessed noble girl, but there are so many mindless plots. The reason why Mystery is a classic is because the protagonist takes the readers to experience and explore the plot. However, the book is secretive in the details that should be written, and there are many plots that should not be written! The Eight Great Divine Mantras of Taoism can be used, and the simple six-character Great Ming Mantra Heart Sutra of Buddhism can be understood by all college students, right? Why not give it a try or buy some Buddhist scriptures from this world and study them for a while! What I see is a rigid development logic in order to have a plot to write! The background, the behavioral choices that the protagonist should have, and the plot are developed based on this, rather than using the protagonist as a puppet to develop the plot, because the reader is the protagonist, and the puppet protagonist is equivalent to the puppet reader. How can any reader like it?

It's well written, but it feels a bit too empty

The writing is quite good, but at the current starting point, it might be difficult to put it on the shelves.

The writing is eloquent, the level is not very good, and he also likes to engage in literary youth, so he likes to use montage techniques, right? It's written here and there.

It is similar to the feeling of college students going to the battlefield during the Anti-Japanese War. Apart from peeing and wasting bullets, the compassion in the head cannot cover up the hypocrisy in the bones.

You might as well let AI write the article. You can write it yourself, knocking here and touching there, and there is no main line.

When you see a monk, you break out in a cold sweat. When you see a person, you break out in a cold sweat. Do you have anthrophobia? Or are you sweating too much and drinking too much water?

I've seen almost 50 pictures, but the main character is still an ant, with no intention of rising up or using the golden finger of his previous life to get on the right track. After reading 5 more chapters and it doesn't work, I quit.

I can't say it's bad, but I can't say it's good either. It looks very scattered and feels empty. Typical of opening high and moving low, especially the protagonist's ability to start a team is really speechless. It perfectly explains the operation from diamond to silver. What's even more speechless is that he is still cheating.

You don't want to write about a time-traveler. It's really like an aboriginal who bears the name of a time-traveler. He just knows some modern things. I can't see modern thinking at all. The main character you write is startled and seems to be a child. His mind is not right. He has been a child for decades and has not seen any growth.

You are ten times better at setting up new enemies for the Ming Dynasty than you are when you write Jianzhou Jurchens. You also have muskets and drones. Are you kidding me?

It's okay. If it had been released two years earlier, it would have become popular very quickly and there would be a high-quality product. Nowadays, the trend is not strong, and there are some books in this style that are ahead of others. For the same thing, the results may not be as good.

The writing seems inscrutable, and the chapters jump so fast that people can't react. Because the writing is obscure, on the surface, each chapter seems to have content. In fact, just go to the black market and enter the black market gate. These four words can write a chapter. Shui is crazy, bangs here and there, but does not push the main plot line. It is too tiring to read, with more than 600,000 words, and the author level is still lv.1. There is really a big problem with this kind of book.

The writing is very good, but there is only one shortcoming: there are too many words and side descriptions. Just like an event, it should be comprehensive and detailed. It should write down all the inner activities of the main person and all the events that caused this inner activity. The reader looks very tired. Do some subtraction, author.

The setting is quite good, but there are too many descriptions of the characters' psychology, behaviors, and actions, too many and not detailed, and there is nothing emotionally resonant. The causes of some things are also written in a long-winded way. Some things are broken into pieces and written clearly, but they fall behind. In some places, it feels like the number of words has been crammed. If there is improvement in the subsequent settings and writing, it will be considered food and fodder for me.

The pace is slow and obscure. Qidian is popular in the form of white prose. Every sentence needs to be savored carefully to understand. There is no future in Qidian. It's a pity that the author put so much effort into it.

Naturally, why should we write about Maitreya Buddha? Eating Buddha's bonus, but not reading a single Buddhist scripture, knowing the name, and knowing the destiny. Isn't this just a disguised form of acting? What about the time travellers? We all know the Eight Divine Mantras, but what about the Great Compassion Mantra? If you can't remember it, the six-character Great Ming Mantra should be fine, Om Mani Pah Mi Hum.

If you don't know how to write female characters, don't write them. The female Jin Yiwei is so disgusting. If it weren't for the novelty, I would have abandoned the book. In what age does such a female character appear?

The twists are abrupt, too watery, and the logic doesn't make sense. I have a literary youth disease again. My face suddenly changes for no reason, and I play with one sentence for a long time. Let's forget it.

The last few chapters have been a bit mystical,