The Eight-Hour Workday of the Imperial Eagle Dog

The author first used various things to pave the way for the protagonist's invincibility, but then a plot appeared, saying that [When the protagonist became famous, he let go of a little minion in the first battle, but later found out that this little minion was actually a big fish. The main character All the things he encountered in the world were basically his doing. The protagonist became angry after learning the news😡 The feeling this plot gave me was: During the Chinese New Year, I was doing general cleaning in my small rental house. Things were cleaned, the holes in the corners were repaired, everything was picked up inside and out, and then on the eighth day of the Lunar New Year, I found a little strongman emerging from the corner of the room, 😡 It is reasonable for me to be angry, because I am just an ordinary person in the above plot, but in this book, the author sets the protagonist as a strong man who is superior to all living beings. In this kind of plot, the protagonist's anger means that the author is sacrificing the protagonist's character to elevate the identity of the big fish. From this, I understand that the author does not want to serve the readers, but wants to show the world he thinks about I think the authors who charge for their articles on Rigeng. Com, who do not want to serve the readers but want to express themselves, are all literary youth

I've read two-thirds of it, but I haven't finished the Yingzhou chapter. I see that many people are commenting that there is something wrong with the combat power. I think the combat power is not bad. Jianghu is originally a place for the upper class and the strong. It just writes too much about the strong ones and not the bottom ones, so it looks awkward. But seeing it now (referring to two-thirds), I feel a problem. Originally, I wanted to watch the plot of the protagonist with strong combat power, but the author frequently wrote conspiracies. In fact, there is nothing wrong with the identity of Jin Yiwei and the court, and there is also intrigue and intrigue in the world. There is nothing wrong with it. But, conspiracy shouldn't be a matter of going back and forth. The protagonist, the protagonist in the author's works, has enough fighting power, but Jun is led away by the conspiracy. Even if you say he has no brains, he can see the conspiracy, but he will go wherever the other party leads him, and then he will fly a wave of bricks with great strength, and then fall into the next step of the conspiracy. It's not pleasant to watch like this, and this kind of plot started from the first chapter and continues until now. Whenever the protagonist feels that he can enjoy it for a while, he will give him a new method and a new conspiracy. Then the protagonist will run for the bones like a dog. When he finds that there is no meat to chew, he will swallow it. The plot is too repetitive, the plot is not exciting and continuity is not enough, and the ups and downs of the plot are not at the right frequency. The writing may have many highlight moments, and the characters are described with flesh and blood, but what? In the whole big story, the sense of immersion is very poor. No one wants to live in a conspiracy every day. If you are stronger than the people of the motherland and don't fight back, you will just passively accept the attack. I've read thousands of points, which is a pity to say. I don't know how the author wrote the outline, but the translation into the main text is quite poor. It's a pity that these occasional roles are highlighted, and it's a pity that I have lost my time these days. When the author wrote the plot, he may have thought that he had arranged it well, but what? The plot idea of ​​the villain is arranged, but it doesn't look good. I can only say that maybe the author should rate his work quite high, but from the perspective of online writing and readers, the above content is quite a poisonous point, and it is somewhat inconsistent with the character's thinking logic. I still hope that my life can be more sunny. There are too many conspiracies and I can't bear to see them anymore, so I withdrew.

The pacing has broken and cannot be pulled back. The first part is too fast and the last part is too slow. The end of the first chapter has a disgusting feeling of being stuffed. Usually, the finale is unfinished and the water is forced to the end, so that the second chapter is completely unreadable. The plot after Nanjing needs to be overturned and rewritten. Next, if we don't mention the combat power, we can only change the scenes and splice the canned plot. If we mention the combat power, it becomes Tianjie Island. The next chapter should be cut off at the end. This book is a pity.

The writing is so exciting that I can no longer understand the part about "A Visitor from Yingzhou".

Good looking

3

（^ _ ^）

This sounds so good.

The first and most serious thing is the collapse of the strength setting. According to the background setting and the plot of the book, we can know the following information: The royal family suppressed the inheritance of heavenly beings for more than a hundred years, which cut off the inheritance of heavenly beings in the rivers and lakes. Once heavenly beings appeared in the rivers and lakes, they would either serve as offerings to the royal family or their sects would be wiped out by the royal family. Some of them would be fed to Emperor Jianwen and the heavenly beings who guarded Jianwen. Thirty years ago, the current emperor also began to eat heavenly beings. There were very few in the rivers and lakes, and there were about a dozen on the surface. (Relevant plots and supporting evidence: The words of the Shaolin Celestial beings; not counting the three strongest Shaolin and Wudang figures in the Ming sect, Wudang No. 2 Is seventy years old and has no idea about the Celestial beings; the words of the Yang family; relevant chapters of Emperor Jianwen and his fight against the emperor). But on the other hand, according to the plot in the book, we can also know that even in the past thirty years, at least about thirty heavenly beings of various sects have emerged in the world, and at least the beggar gang had the inheritance of heavenly beings thirty years ago (related plots and supporting evidence: when beating the emperor, the protagonist saw at least ten corpses of heavenly beings that had been eaten by the emperor in recent years, and the emperor had been eating heavenly beings for thirty years, and he was not the only one to eat them; for In Fengli, at least the leaders of the Qi family and Caobangwu became heavenly beings within thirty years, because they both mentioned that one of their grandsons is almost an adult and the other is more than ten years old; nearly fifty or more have appeared before and after the royal family; the last leader of the Beggar Clan became a heavenly being twenty-five years ago, and because his friend disappeared and realized that something was wrong, he hid with the Beggar Clan's Celestial Being inheritance, and the Beggar Clan did not have the Celestial Being inheritance after that). I don't need to elaborate on how contradictory these two plots are. It can be said that the former plot, which is almost a basic setting, has completely destroyed the strength of the entire world in front of the endless celestial beings that followed. The second is the issue of the emperor. According to a series of descriptions when the emperor appeared and the royal family's suppression of news about heavenly beings in the rivers and lakes and the speed of hunting down them, we can know that the emperor has extremely strong control over the court and the rivers and lakes (the heavenly beings who have made breakthroughs in the past thirty years are all over the world. At the same time, it is impossible for heavenly beings to go around shouting that they are going to break through before they break through. As a result, all of them were found and arrested by the court not long after the breakthrough before others knew about it. This kind of intelligence acquisition ability and control can be called abnormal), but on the other hand, the protagonist controls the emperor. What we see from the Empress is that the emperor has no suppression or control over the court and the world. The whole process relies on the protagonist to put out fires everywhere. The protagonist, who even mastered the emperor and the royal guards, was hammered by the villain in terms of intelligence. He relied entirely on Ji Tianrui's repeated jumps and his own strength to reduce the recklessness. In the past (officials dared to force the palace, dared to bring private soldiers to gather people to fight against the Jinyiwei, a Dongchang who had not officially come to power could cause trouble everywhere), I can understand the author's last resort to create difficulty for the protagonist without difficulty, but making it so rigid and fragmented really affects the reading experience. Then there is the problem of Yingzhou. According to the plot in the book, we can know clearly: 1. The number of heavenly beings in Yingzhou is extremely large, not much less than that of the royal family. At the same time, the second path of heavenly beings in Yingzhou all have dual cultivation of life and life, and there is no five decline of heavenly beings. 2. Yingzhou had been worried about the royal family for a long time and did not come to cause trouble. He came because he felt that the imperial court was weak. 3. The heavenly beings who have cultivated both life and life are the hammer to the second-level heavenly beings who have not cultivated sex skills, let alone the second-level heavenly beings who have no sex skills because the heavenly beings are five weak and cannot use their full strength for a long time. 4. An Qisheng really needs to come to the mainland to cause trouble so that he can force his teacher to show up. So the question is, what does Yingzhou care about the imperial court, as it is a threat to the imperial court in terms of both its highest combat power and its overall combat power? According to the current plot, even if there is no protagonist, even if there is no loss of the imperial enshrinement, the emperor will still be pushed down by Yingzhou. Does co-writing really mean opening new dungeons as the protagonist's strength increases?

Why does it have a Hong Kong flavor? The writing is indeed good, but it should not be the martial arts masters that my friends are familiar with. The writing is not yet mature. It should be a talented novice. You can follow it with confidence, because the newcomers have the mentality of being diligent and diligent, while the veterans are arrogant and always want to return to the throne.

There are a lot of comments that say it's poisonous, but I've been reading novels since I was in elementary school. Now that I am over thirty, I can be considered an old bookworm. I read this book in one go and read it now. I have to go to work tomorrow. Take a good look at yourself. I just want to say, author, come on💪

The protagonist feels a little conflicted with my three views. He admires a person and directly catches his enemy without asking any questions. Although there is some foreshadowing in the front, it feels a bit awkward.

What are you writing about? What about the invincible flow that you promised? Taboo 1: The protagonist always arrives at the last moment, just once or twice. It hurts to see this time and time again. What Invincible Flow wants is a little extra time. Taboo 2: The protagonist Shenyin goes offline, and then sees the supporting characters embracing each other. Taboo 3: Over-emphasis on supporting roles, such as this Liu Jin. Taboo 4: Mathematics is broken. We still don't understand how many heavenly beings there are in the world. To be honest, it's hard to come back to my senses after writing this.

Jueding is even rarer than heavenly beings. It reminds me that there are always more gold-quality characters in mobile games than purple horns. Jueding has not left the world yet, and heavenly beings are inferior to dogs. A Xiaoling Guard who has died after his father and his son has multiple heavenly beings. If his feelings rise to the point where heavenly beings only eat them Without resources and talent, fifty or sixty celestial beings can emerge in just thirty to forty years. On average, the so-called top-notch ones only appear one every few months. They can't even do it once a year. Alas, their combat power has expanded.

I thought I had found another novel that I could follow, but when I saw the girl from the Huashan sect, the sadistic bodyguard was poisoned to death 🥵, she definitely ranks among my top five poisonous points since reading novels 😐

Okay, let's just say that the semi-invincible protagonist Torii is a fun person. The result is that he likes to stand on the moral high ground. He takes on a female subordinate halfway through, and the character is set up to avenge his mother, and she has a good character. The result is a persona that is both relevant and established. You can write this plot, after all, there are many stupid things in Jianghu, but what you wrote before, the protagonist's character is not established. The woman's revenge is not paved smoothly. It is recommended that the previous plot be deleted. It's hard to see up and down.

The protagonist accepted a woman as his subordinate, and her reasons for revenge disgusted me. The protagonist also recognized her and called her a chivalrous woman, so I spent a hundred points to comment on it. To put it simply, many years ago a man tortured and killed a mother and daughter under the coercion of a highly skilled villain. The daughter who grew up came to kill the man to take revenge, but her reason was not that the man tortured and killed her mother, but that the man was neither a good person (meaning that he did not choose to commit suicide but chose to abuse the mother and daughter in the face of the evil person's coercion).

Three textbook golden chapters, the reincarnation of an absolute old guy 🤐

Just reading the first ten chapters looks like a masterpiece Then the first story was pulled Personally, the reasonable way is that after the heroine kills the director of the escort agency, she is defeated under the siege of the escort agency Or she escapes after killing her Or she is rescued by the protagonist from near death To put it bluntly now, it is a bit both fake and immediate I was thinking that the writing was so good, so I read on, but forget about it if you didn't see it Later, I said it was no harm to my family Then I maimed a few members of the escort agency I lost three or four of my arms' success ability I said the other party could come for revenge I changed hands and cut off the upper limit Disgusting, really disgusting

The writing is quite good, but from a narrative point of view, it is indeed the first book I have written. It is not like an old monster opening a trumpet. It is very risky to put such a long main line directly from the beginning. Nowadays, online novels are gradually turning into a fast-food style. It does not mean that you will kill whoever is caught and that kind of mindless novel. It means that it should be enjoyable, but it will be difficult to enjoy the story if it starts with a long-term plot, otherwise the long-term plot will become short-term. As for the name of the novel, the first step in entering a novel is an attractive name. I think most of the people who clicked into this novel came because of the three keywords "eight hours" in the title. However, after a few chapters of the plot, this point was simply given up. Although the explanation is reasonable, it is easy for readers who clicked on the novel to abandon the book because of these three words. Fortunately, the author's writing is not bad and he has retained a group of people. A common narrative mode is to start with several small plots, which will establish the relationship between the characters, explain the current world view, and create a refreshing point to retain people. At the same time, the small plots can also lay the foundation for the long-term plot, so that when the long-term plot is entered, it will not appear abrupt. Another disadvantage of writing long-term stories directly is that it is easy to run out of inspiration. How many long-term stories can be written in one book, especially when the starting point of the protagonist is set very high. Now that I have read all the chapters, the next chapter will most likely be Miao Jiang, who is related to Xiaosi. Guan, I'm afraid it's another long line, so there's no need to release all the long lines in a hurry. A novel is not a movie, and there is no time limit. You can write some short lines around these two long lines. This way, whether it's a foreshadowing or advancing the plot, it will be much more convenient. The author's current method of advancing the plot is to directly lay out the points first, and then improve the points. There are many such examples, such as the master of Mount Tai is possessed by a demon, and the eunuch picks peaches. Before these points appear, there are no warning signs. This gives people the feeling of having a flash of inspiration, adding a setting, and then improvising the setting. Once or twice is fine, but if it happens every time, it is too frequent. In general, the author has good writing skills and can write a reasonable plot, but it may be due to lack of experience in writing online novels, which leads to mixed reviews in the comment area. If he likes the slow narrative of Chuanwu, which is slow and long-term, it is naturally okay. He even said that he likes this book. After all, the books on the current rankings are worse than the others, with cliché settings, childish writing, and even a coherent plot. Even the book title has a template, like an assembly line. But after all, Chuanwu is not as good as it used to be. It is okay to insist on writing Chuanwu. This is the author's own decision. However, if he wants to make the book he writes have a larger audience, he may have to add some popular taste.

The first escort plot is a bit weak. Inexplicably, it cuts the grass without eradicating the roots. Let the protagonist do the pretending. It's still the same thing as whoever has the big fist will do what they want. This escort died unjustly. At that time, the children were killed first. Give the big brother the whole job. It's great to have fun with my eldest brother again. Submit your name and have similar interests. Can big brother still punish you? Whoever has the big fist just listens to him. That's how the protagonist behaves anyway. This is the logic of this book.

Sima official also gives discounts on masterpieces. It's really an orphan's behavior to recommend others to buy it despite being a eunuch. Who recommends whom Sima?

I ordered all of them as soon as I saw them on the shelves, but it was a pity that the price went up but the price went down. It doesn't make much sense anymore

I don't know if there is something wrong with my outlook or the author's. The character of the protagonist is very strange. There is no absolute justice in the general sense, nor the grudges of the people in the world. I really don't understand the part about accepting a female subordinate. It is obviously a personal enmity of someone. You can either stand up and take charge of the overall situation at the beginning, or watch them clean up after the fight. How can you cripple someone and watch him be tortured and killed by your subordinates?

Readers select readings, and readings select readers. It is normal. Only when the writing is true will there be controversy. Controversy means that the writing is meaningful, well-written, and well-characterized. I like it🥰🥰🥰

After reading the first ten chapters, I found the writing to be very good. The words are concise and the descriptions are appropriate and vivid. It is no exaggeration to say that it has the appearance of a master. The writing is very clean and neat, and the descriptions of emotions and fights are very brilliant. However, there is a big problem with character, if we look at the first ten chapters. Nowadays, readers can completely accept low-level "evil" protagonists, such as Gu Zhenren, but people clearly tell you that the protagonist will do whatever it takes to achieve the goal, and he is a complete bad guy. However, at the moment, the plot feels a bit both serious and independent. Although he is not the protagonist, but a subordinate whom the protagonist has won over, it is both said and done. "It's not a disaster for the family", then he beat and maimed several people in the escort agency, and then destroyed the swordsmanship of the daughter of the character who was tortured. It was a bit uh-huh, and it seemed that the protagonist was very intellectual. The key is that it did not foreshadow that the protagonist did not care about good and evil. The subordinates he recruited did not know each other for half a day, and it seemed that the protagonist was a bit mentally retarded and indulged his subordinates. Of course, if you say "Whoever has the bigger fist is right," I have nothing to say. I talk about ethics and you talk about strength setting, then the bar is your opponent.

Mei can kill Zhao Xing, it's okay to cripple him, or he can even kill him, but it's a 1v1 between him and the world. Whoever is stronger is right. The protagonist should not end up being side-tracked, helping Mei capture Zhao, and even killing him in front of the protagonist. The protagonist is an official member of Jinyiwei. The judge should not go to the end. He will go to the end and kill Mei too. From Jin Yiwei's perspective, Mei should also be killed. The protagonist should be a bystander, not trying to tell who is right or wrong. It is impossible to tell clearly.

Love to watch and vote

Come on, man!

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