The Terrifying Beast of the Hunter

In the chapter on the Sky Tower, Teacher Togashi formally introduced the concept of the Six Elements of Nenhe. Then in the Youke Xincheng chapter, he added oaths and restrictions as variables of mind. At that time, he thought that the addition of this concept was equivalent to adding a way for the character to cheat. However, until the Dark Continent chapter, through this series of plot changes, we can roughly guess the rationality of the oaths and restrictions, as well as their relationship with the six series. Constraint and oath are two variable ways of affecting telekinesis ability. From the perspective of closeness, the lower three systems headed by the trait system are closer and more suitable for gain through the restriction method, and then decrease; while the upper three systems headed by the enhancement system are more suitable for the oath gain method. From a schematic diagram, it appears that restriction and oath are two variable ways to affect Nian ability. Considering the closeness, the lower three series of abilities headed by the trait system are closer and more suitable for the restriction method to gain, and then decrease; while the upper three series, headed by the enhancement system, are more suitable for the oath gain method. First of all, what exactly are oaths and restrictions? Recall the plot, as early as in the Sky Tower chapter, when Gon and Killua first asked Yun Gu about the secret of Nian ability, Yun Gu said what seemed to be a "false answer" in the four major lines: point, tongue, practice, and hair. After the real Four Great Practices (Tangjue Lianfa) were mentioned later, the original "Fake Four Great Practices" were rarely mentioned. But I think the four lines of the original version are exactly the essence of the oath. Point: Gaze at yourself and set goals; Tongue: Convert it into language (equal to self-suggestion to strengthen the goal); Refining: Improve your will; Fa: Put it into practical actions. The result of these four major lines is the entire process of strong goal awareness, self-awareness, will training and execution motivation. The oath is probably driven by self-willpower to approach the target effect (in a straight line distance). I suspect that these four elements are the key to the so-called "Shingen Ryū". The ability of Shingen Ryū also has a relatively strong vow attached. Among the applications of oath, the enhancement system is the most prominent, which is why the enhancement system is placed at the end of the oath on the diagram. Wo Jin's goal is to "punch a punch close to the power of a nuclear explosion", and compared to other members of the brigade, he cares less about things other than improving his abilities. He is a typical example of concentration, and his belief is a kind of oath, which will eventually be directly transformed into powerful destructive power without any other rule restrictions. Similar to Nobunaga's method of using "Zhou" to strengthen weapons, there will also be the use of oaths. For example, when strengthening the sword, formulating a plan similar to "to strengthen a long sword that can cut all objects" and so on. The characteristic of the oath is that it pursues a direct goal, and no matter how exhaustive the imagination is, as long as it can be reached by linear growth, it can continue to be approached through the oath. Therefore, through the blessing of the oath, Wo Jin's super destructive fist cannot really reach the power of a nuclear explosion, but it is terrifying enough. Then let's talk about constraints. The so-called constraints can be understood as rules, chips, risks and costs. Ordinary degree of restriction is common in the abilities of the lower three series. Restriction can be roughly understood as "by limiting and preciseing the boundaries and definitions of the ability itself, and increasing the difficulty of taking effect, thereby greatly increasing the final effect, or making seemingly impossible effects come true." Specific examples of the application of constraints almost all exist in the lower three systems of abilities, headed by the trait system. This is also the reason why the trait system is placed on the restriction side. The trait system takes the leader's thief's ultimate intention as an example. Everyone is familiar with it. I won't go into details here. Whether it is stealing thoughts or actually using the thoughts, the rules of the thief's ultimate intention are extremely complicated and cumbersome, with so many restrictions. That's why it creates such a heaven-defying effect in theory. Almost all operating system abilities have additional prerequisites. The higher the degree of control, the more complex the rules of control, and even the greater the gain to the body after control, it means that the prerequisites and rules are more stringent, and the difficulty of realization is greater. Generally speaking, the simplest restriction is the operation ability that favors the embodiment system. For example, Knight and Ilmi both need to insert (or at least touch) the props into the target before they can start operating. A pure operating system like Fei Jie's requires strict constraints such as "kissing the other person." The constraints of the materialization system, taking Kate as an example, can only choose weapons through the clown's subjective consciousness. He has no right to choose (accidental), and the weapon must be used before it disappears and can be re-selected (mandatory). In my opinion, the difference between restrictions and oaths is that the increase in ability of oaths lies in the harshness of the goal and the strength of willpower, and the goal setting of oaths is absolutely subjective; while the restrictions of restrictions have individual differences, so it is strange that there will be objective fairness. For example, the chameleon's ability is restricted by the need to hold his breath. The restriction of holding his breath means that his ability will not take effect for too long. Assuming that a character like Mo Laowu with incredible lung capacity has this ability, the restriction must not be breath-holding, or if the restriction is just breath-holding, the actual effect will never be absolute invisibility. Since the abilities of the lower three systems are almost inherently constrained, and the lack of sufficient constraints means insufficient power, so the ability users of the lower three systems do need the "exhaustive hypothesis" that Tita said. Strict logic, broad imagination and ability under strict rules will surely achieve powerful results in a short period of time, with minimal dependence on physical conditions. Therefore, this is also the reason why Tita is so afraid of the fourth prince's test of the trait system. At the same time, from the plot setting, if the fourth prince learns so late and still has a place in the plot, then Yoshihiro Togashi will definitely place him in the lower third system, because if the fourth prince is an enhanced system, it is useless. So far, my point of view is very clear: the upper three systems are naturally suitable for oaths, and the lower three systems are naturally suitable for constraints. What if each other uses inappropriate methods? My point of view is: if the upper three series use restraint at the same time, it will inevitably have a negative impact on the fighting style, but there will be a multiple-level gain; while if the lower three series use oath at the same time, there will also be a huge jump-like gain. Using constraints in the above three systems, I used Finks as an example. "Kaitian" is a typical strengthening ability that uses restrictions. His ultimate power is not the product of the oath, and has nothing to do with willpower, but is directly proportional to the number of rotations of his arm. In theory, as long as there is an unlimited number of rotations, he can directly hit a power that surpasses Wo Jinchao's destructive punch. But its limitation lies in the long chanting time, and the length of chanting time is directly proportional to the power. If fighting as a group, he will have no problem under the cover of others, but if it is a one-on-one battle, this lack of rhythm and fluency is simply unreasonable. Therefore, although Finks is also a reinforcement type, he may play the role of a gunner in team combat, rather than a commando like Wojin and Nobunaga. Commandos need to fight quickly and have continuous and stable power output, and Oath will be more suitable for them. In fact, if the upper three series use restraint and oath at the same time, there is another possibility, which is the situation of blackening Xiaojie. Driven by a huge oath (to grow enough to defeat Catwoman immediately), he added huge constraints (it doesn't matter even if there is no future), so he directly squeezed life and became a hero without affecting the smoothness of the battle. But in fact, the consequences of his restriction are too great to be calculated. Although Mr. Togashi finally used the plot to trick him and save him, in fact, his use of restrictions and oaths this time has gone too far. Kurapika is the most appropriate example of using oaths in the lower three series. He has very strict restrictions on his own abilities, and this harshness is highly consistent with his own will and oaths. So in the end, what he has is not a single ability, but an ability system. The abilities of the five fingers complement each other. Under the restrictive ability of "absolute time" (which has huge side effects), it exerts terrible power. There is another hidden effect of using oath in the lower three series, which is the continuity of abilities. Understandably, the ability to read with powerful oaths can continue after the death of the user, and even become more powerful. Generally speaking, the restriction of the three series of abilities only restricts the activation of the ability, and does not guarantee that it will continue to take effect after death (of course, there are exceptions). As for Kurapika's mixed abilities, considering that the special restriction effect would be enhanced after death due to the oath, Chrollo and his group members even thought that they could not kill him at the time. The above is from an article I have read somewhere before. If there are any errors or problems, please go to the original author.

A misunderstanding among authors who write about Hunter Hunter is that there are too many supporting characters with telekinesis abilities, and even the supporting characters' telekinesis abilities are carefully developed.

1: Transform yourself into a dinosaur. Transform yourself into a dinosaur, and you can get the dinosaur's physical strength and the ability to practice mind. Two: Dinosaurs transform other people and small animals. Through body damage, various small animals and humans can be transformed into a variety of controllable dinosaurs within three minutes. Just cause damage during battle. Three: Infected dinosaurs are infected. Infected dinosaurs cause harm to other species and can also slowly transform other species into dinosaurs. Four: Leading Dragon Transformation. By transforming those with telekinesis abilities into leading dragons, the number and control accuracy of dinosaurs that can be controlled can be expanded.

The timeline of this book was too rushed, and the battle of wits was very well written. There is also an ant king who loses and a food minister. He forcibly did not kill the ant king instantly, and let the plot advance to kill Nitro. It is one of the failings. It has two shortcomings, and the others are invincible.

The protagonist goes to a country like NGL, and then uses the dinosaur transformation to infect the entire country's people and monsters, then selects powerful individuals to open the sperm pores, and follows the model of the chimera ant disaster to cause the dinosaur disaster. In a very short time, he can create a dinosaur army, and with a few powerful legion leaders, he can build a super power by himself. Even against hunters, chimera ants, Kajin, the five major countries, and the creatures of the dark continent, he has enough power to lay out the layout, and the difficult mode has become an easy mode.

To be honest, the protagonist has been a human being for two lifetimes and has experienced so many storms. He doesn't understand what it means to be emotionless and intangible. He doesn't react like a robot, but when talking to characters who obviously know that the other person has a higher IQ, doesn't he even know how to keep a straight face or a straight face? He would always say a word to the other person, and his face would change slightly, and then he would be suspected and guessed by the other person. It was the same with Chrollo, and it was the same with Pariston. In a world like a hunter, wouldn't it be best to reveal the least information and maintain a sense of mystery? I don't believe that your expression doesn't change from beginning to end. What else can others guess? Others can tell by facial expressions. You can say you're not used to it and you're immature the first time, but what does it mean the second time? Will there be a third time?

When it first came out, the protagonist was defeated by Hisoka and wanted to run away. In the end, he was afraid that the Twelve Princes would be attacked by the Phantom Troupe. Author, please understand that the Phantom Troupe is scum in front of big countries. Let's not talk about whether the Phantom Troupe dares to do this. Even if it dares to attack, the protagonist knows the plot of the Hunter. As a tool for Kajin's sacrifice, how could anything happen to the prince? It's really a mess, and so is the characterization. When it wasn't released, I thought the protagonist had a dark will, but it turned out to be a Madonna character.

After reading dozens of chapters, I can't stand it anymore. The abilities of the protagonist's enemies feel too comprehensive and not at all like what the world of Full-time Hunter should have. Secondly, the protagonist cannot use telekinesis. What ability do you have to dare to go against them? Even if he turns into a dinosaur, Wu Nian's protection will still be weak. It's not like you don't have huge beasts in the Hunter World. Ordinary people dare to touch them I don't want to run away quickly, but I keep investigating. I don't know what the hell is going on. Let alone solving the thoughts after death, I found out in the first fight that I was injured and the thoughts after death will help to recover, and then it will be less. Isn't there a solution? Still taking risks here.

I haven't watched Hunter much, but Hunter fans basically help Kurapika unconditionally. Is it just because of his miserable life experience? Most of them are not helping but licking. I don't understand. Is there any answer? As for his potential, the protagonist of the Hunter fanfic seems to be pretty good, right?

Let's complain about it. He was chased at the beginning and then made a lot of nonsense. He was chased by a phantom even though he had no strength and still fished in troubled waters. This is no joke. Chrollo has so many abilities and can't be tracked.

The rhythm of this book is similar to that of Killer Queen. It is hammered hard in the early stage and rises in the middle and late stages. Although the whole book is good, this kind of abuse of the protagonist in the early stage will make many fewer readers. The author may consider this for the next book.

1. The author is motivated by interest. If he didn't love it, he wouldn't write about hunters. 2. The author has a limited amount of thinking, so he will try his best to be reasonable and think about what should be thought about. If there is something unreasonable or something that was not considered, I can only say sorry. After all, he is not Mr. Togashi, nor is he a very powerful author. He is just a little fool 😭 who will only try his best to do the best he can. 3. The timeline selected is the mainstream online Xiaojie participating in the hunter test in 1999. 4. There may be problems with the Kajin settings after Mr. Togashi updates, but there is nothing we can do about it. This will happen if you choose to start with Kajin. Finally, more updates will be added to the shelves. If you like it, please support it. If you feel that there is something wrong that does not suit your taste, it's easy to get together and relax. Thank you 🤭

This novel is really good, but it feels too little exciting, and the protagonist is being chased and beaten all the time. I don't know if the author is tired from writing it, but I was tired from reading it.

So far, I haven't found anything exciting. Is the article I'm writing about abusing the main character?

If you want to win, activate your defense-breaking ability; if you want to lose, just say that your strength does not allow it.

Each fight is described in several chapters. From the first chapter to the seventieth chapter, it is basically all about fighting. If you like fighting and exchange your abilities for physical skills, wouldn't it make you passionate? Don't be too tight when it comes to developing logistics capabilities. If you want to compete with bells and whistles, just do tricks. Just practice martial arts, do you like to mix it up? It's not like the protagonist has died hundreds of times.

This is a suggestion given by a reader who loves you very much. I think it is wrong for the author to always try to write a hunter fan. At first, I thought that the author would learn from the lessons of the previous book and write more exciting characters and plots, but the author has been standing still. I thought the novel had become extremely boring towards the end. Readers don't want to see such a bland character. I think the character created by the author does not have the charm of a strong man at all, especially in the Hunter World, where there are so many outstanding villains with distinctive personalities and strong charm. It makes me feel like the protagonist is just an ordinary person who is lucky enough to have great power. The author doesn't know how to create characters. Can't he use ready-made characters? Make Diego a character who pursues victory at all costs or create a traditional JoJo character who has a golden spirit but is not rigidly pedantic. Isn't this much better than the personality you created? If you don't know how to create it, just copy it. What you wrote is originally a fan! You can't even restore the characters (of course the battles you wrote are still very exciting. I feel that the author is very talented in this area. I suggest you either just write a JoJo fan. After all, JOJO is basically a full battle series. You can write a road story from beginning to end. You can refer to Li Qing's Bizarre Adventure to see what others do. Dealing with the connection between combat and plot) As a JOJO hunter double chef, it is undeniable that the battle depictions between hunters and JOJO are similar. But I personally think that the hunter plot is more important than the battle. What hunters are mainly looking forward to is the unknown dark world, as well as the intricate plot and character relationships. On the contrary, I personally think that the popularity of JOJO is slightly higher than that of hunters, and the plot is not important when writing JOJO fans. Successful JOJO fans all write extremely exciting battles of wits, and this is your strength as the author! The characterizations are all ready-made and very vivid, as long as the author doesn't OOC. (The author can refer to the stand-in creed of the next station when setting up the character of the protagonist) Instead of falling into this vicious cycle of repeatedly falling into the street, it is better to use your talents as the author to write a masterpiece.                                                  with Advice from your loyal fans

That god changed Baidu Encyclopedia

Which Diego to choose? Dior is really handsome (initial Dior)

In the opening chapter, the protagonist just traveled through time and was involved in a big incident. Why didn't he run away? At least learn how to recite it first. The reason why you don't run away is that the Phantom Troupe will chase you. Then he just ran away.

The biggest problem with this book is that there are too many dinosaurs, which makes it very tiring to read. The second problem is that it does not have some light-hearted plots with some gags, and it makes it very tiring to read from beginning to end. Nowadays, people are getting smarter and dumber because of short videos. You can't write so tiredly.

Has the author been playing cards with Poxon lately?

Is it a frustrating flow or a refreshing flow?