Crimson Blade: Wandering Journey

In fact, the orthodox adventure genre is quite popular nowadays, and everyone is tired of watching it every day. It's a pity that the protagonist wanted to be an orthodox adventurer but ended up becoming a blood hunter. Maybe he would take the route of a sadistic villain who was forced into exile. People nowadays can't stand a little grievance.

Finally, it's not farming, stallion, or hegemony writing. Adventure writing is interesting. It's about the extraordinary world, personal power, freedom, look at that sb lord, if the emperor doesn't like it, just fuck him.

The author's lack of understanding of female love psychology and the reader's perspective has already caused the heroine Charlene to cause hidden harm to the hero Anthony and the readers. The perspective of the male protagonist is the perspective of the reader, and the feelings of the male protagonist are the feelings of the reader. After more than a hundred chapters of hard work, the male protagonist (reader) finally entered the magic academy and started learning magic. However, under the deliberate arrangement of the author, he fell in love with the female protagonist. Among them, the multiple switches to the psychological perspective of the heroine Charlene seriously ruined the reader's reading experience. The male protagonist Anthony should have been used to provoke the female protagonist Charlene's psychological emotions to show the process of the male protagonist's psychological strength. In turn, the female protagonist Charlene was used to provoke the male protagonist Anthony's emotions and successfully turned the male protagonist into a weak person in love psychology, destroying the strong independent character established by the male protagonist in the first hundred chapters. At the same time, the author's lack of understanding of women's love psychology led to the addition of telepathy and the ability to read minds by touching the heroine Charlene, which further increased the difficulty of emotional writing. When the male protagonist Anthony is completely immersed in the feelings of the female protagonist Charlene, it is when the female protagonist Charlene successfully destroys the male protagonist. The reasons are as follows: ​​​ A woman's love and mate selection are essentially the process of finding a strong enough male gene provider and male material provider for her own future and the future of her offspring. Therefore, under the long biological evolution, she will only be interested in men who are strong enough among the men she can come into contact with. This kind of strength does not only refer to material enrichment and physical strength, but also includes psychological strength. Therefore, she will repeatedly make trouble in love to test whether you are strong enough. Women often don't realize this when they are in love, but her feelings and emotions will truthfully feedback to her whether the man is strong enough. Once she realizes that the man is weak, even if he is only emotionally dominated by her, she will immediately stop being interested in the man, because being weak cannot guarantee her life and future generations. She will not hesitate to leave or use this man to find the next stronger man for herself. Based on the above logic, we can conclude that the male protagonist's sense of mystery and powerful psychology are destroyed by the female protagonist's telepathic ability, while the heroine's innocence and magical knowledge gained from a noble family background are not irreplaceable for the male protagonist. This is not to mention the contradiction between her innocence and her efforts to study at a magic academy. What's more important is that the male protagonist's emotional love and the reader's emotional disgust create a serious sense of separation of reading perspectives. It is recommended that the author immediately focus all the perspective on the male protagonist's magic practice in subsequent chapters and refuse to have any emotional fluctuations towards the female protagonist. The male protagonist's strength and psychological strength must remain consistent from beginning to end. His attitude towards the female protagonist can provoke her emotions and psychology like a master teasing a cat, but he must never be intoxicated with his feelings for her. The male protagonist's persecution or lack of interest in the female protagonist does not affect the female protagonist's feelings for the male protagonist, but proves the male protagonist's strength and emotional strength. This is the reason why the heroine in many female channel characters falls in love with the enemy who killed her whole family. Therefore, the perspective of the male protagonist is the perspective of the reader, and the feelings of the male protagonist are the feelings of the reader. Therefore, if necessary, it is better for the male protagonist to kill the female protagonist and get a new one than to let the male protagonist lick and submit to the female protagonist. I hope the author can deeply understand this suggestion and make improvements because it is not too late to change it from now on.

There is a lot of description from the beginning of the academy chapters. Even if it is well written, the questions are completely uninteresting and make people feel inexplicable. Obviously the previous adventures were very exciting.

As a result, your academy plot seems to have turned into a female channel after it started. Several chapters in a row are devoted to the psychological activities of the female protagonist. So is the main plot of entering the academy about falling in love? There are only a few sentences about learning magic, but I can't figure out what it is about?

Investigation object: "Scarlet Blade: The Wandering Journey" - Male Protagonist - [Anthony Makarov Christopher] Investigation Result: [Reincarnation (Awakening of Su Hui)] Judgment Basis: A time-travel investigator, as the name suggests, is a time-travel investigator The profession of investigating and recording crossing situations, aiming to let observers (that is, readers) in all worlds know in advance the crossing situations of travelers in this world, and volunteer to provide observers with fast travel information query services If there are any mistakes, Wan Wang will correct me ——Zhenjun Wanling Feast Stay on May 13, 2025

I'm embarrassed to see it, so I might as well not write it.

I personally think this book is well written, but from the moment I saw the heroine, I had an impulse and a sense of nausea that I didn't want to read any more The relationship between the male protagonist and the female protagonist is simply irritating. The male protagonist changed from the calm and independent person he used to be and did not become hesitant or even evasive The female protagonist said it was because of her bloodline The influence of the character is different from that of ordinary people, but the appearance of a giant baby who is irrational and dominated by emotions, the disrespect for others, and the wanton prying into other people's hearts are really disgusting In summary, I hope to reduce the number of scenes for the female protagonist, and increase the number of scenes for the male protagonist to skillfully deal with problems, concentrate on adventures, and study magic.

No, why is it that after entering the academy, the protagonist's progress is blocked? Is this course mandatory?

It's not that it's not good to have a female protagonist, or what the heroine's personality is like, it's actually quite good, but don't you think it's too stiff? Just write the interaction between the male and female protagonists. Didn't Anthony work hard for so many years to enter the magic academy to learn magic? Since so many chapters have passed, where has he studied magic? It's not that it's not good to write about daily life. Should daily life be written purely around the heroine? You want to write about falling in love in a magic academy, but as for your other characters, there is no introduction to the classmates, and there are no other events in the academy, so you just write a heroine. You, the heroine, are like writing a heroine for the sake of writing a heroine. The male protagonist's strength has improved after drinking medicine. After improving his strength, do we need to arrange actual combat? The two things you wrote before and after are completely different. What did you rely on to attract readers in the first place? Since you wrote the heroine, you have basically cut it all away.

I'm really speechless. If you have a heroine, why don't you hang up your character card?

Now I am looking at Chapter 130. The first chapter is perfect and beautiful, but after entering the academy, I was too eager to create a female character. Giving a large psychological description to a new character that the reader is not familiar with will greatly affect the reading experience (for me). In the contact stage, I should still focus on the perspective of the male protagonist, and let the readers gradually become familiar with it through some interactions with the male protagonist. Get to know the character, establish the character image, and then enrich the character image through some events and brief psychological activities. (For me) it would be boring to conduct large-scale psychological activities on the new character, especially after catching up with the progress. If the one or two updates every day take up too much psychological activities, it will feel dry and it will not look good.

I wrote a lot in the beginning, but the more I wrote later, the worse it got.

It was okay in the beginning, but after entering the academy, I can only say that it's the same as not watching it.

If you start to feel sluggish after entering the academy, you should not spend too much time in the same place. Arrange for an accident so that you can escape from the current scene and be saved, or jump in time.

Do you know why the heroine's plot is not popular? On the one hand, the interaction is too thin, and on the other hand, the heroine's aristocratic behavior is too obvious and too obvious. Everyone can guess that it will definitely cause a violent dispute later on when the man's face is full of blood, and the current male protagonist should be in the stage of studying and accumulating. As a result, he seems to be influenced by women, which is really unpleasant. I would rather the protagonist find a few running buddies to grind away.

This is not a DND novel. The settings about warlocks and psychics are all private. For example, a person cannot be a warlock and a mage at the same time. For example, a psion is a warlock and cannot learn spells (are intelligence casters fake?)

The reason why most Qidian authors can't write heroines well is because they don't understand women. When a woman is in love, she admires a powerful male protagonist and desires to dominate him, but once she dominates the male protagonist, she will immediately lose interest in him and despise and persecute him. A bad emotional scene will ruin a novel. If the author can't write about women's psychology and emotions well, don't insist on writing it. It can be written with a female supporting role or without a female protagonist. The beginning of the current novel is quite good, even if the pace of entering the academy slows down, it is reasonable. I hope the author will not ruin the male protagonist's self-maturity and original goals by forcing the female protagonist's emotional drama.

To be honest, the protagonist is well written, but the other supporting characters are also too abstract. They have been fighting for many years, but they seem to have no more brains to actually do things.

202, 203, 204, 205, 206, Five consecutive chapters are filled with dialogue between the male protagonist and the female protagonist. It is really strange, and the dialogue is very unnutritious. Especially in the first paragraph of 206, it is directly written that "the heroine is a curious person, and the hero happens to be very knowledgeable, so they have a good chat." It seems that the author cannot write about the curiosity of the heroine and the knowledge of the hero at the same time, and can only throw out settings to make it look like they have a good chat. Secondly, doesn't the author feel that the relationship is progressing too fast? Can you make up one episode of this romantic TV series? The male protagonist begins to regard the female protagonist as "my little girl" in his heart?

Did the author read the comment section? A lot of people said that your heroine is written like shit. What do you think?

Let me talk about my current evaluation of this book In general, this book belongs to the first echelon on my bookshelf, and it is the kind that I will read when it is updated. My evaluation is very good, it has the flavor of old DND novels Advantages: The description of combat is comfortable, and it is about learning methods. As for the main line of magic, the protagonist's learning progress is described in great detail. The learning methods of meditation, spell learning, blood control and other thaumaturgy are not mentioned in one stroke, but are written in a way that makes people feel immersed in the situation. It is not a simple upgrade, the protagonist clicks on a skill and it is over. The descriptions of strange creatures such as blood ducks, crows, owl bears, and hydra lizards are lifelike, which is a big plus for me. Adventure and monster fighting are always enduring themes in DND novels. The author has done a good job in this and will not make people feel bored. The private settings such as farewell relics make the story more interesting, and the portrayal of the protagonist himself is quite satisfactory. Although he is very talented, he is not brainless or unassuming. This is the type of protagonist that I like. Defects: It is slow to develop. After entering the magic academy, Pigfoot fell in love with a younger sister. The story later devoted a lot of ink to the younger sister, but so far it does not contribute much to the overall story. Except for the conspiracy of the archmage of the younger sister's family and the possible thunder behind the younger sister's identity as a warlock, I can't see much positive impact. It is a lot of dog food. I personally don't hate these parts. But the current length of this book is still too short. The more ink written on the girl, the slower the main line of the story advances and the slower it becomes. Readers will slowly run away. Generally speaking, the author either adds more or pushes the main line more, otherwise there is no positive feedback and fewer readers. The author will slowly fail, and then it will become a vicious circle. It is a pity that the last DND masterpiece was cut off like this, so the author, stay calm and add more!

It had been anticipated that without a system there would definitely be losses. A large group of readers

What I wrote in the front has the foundation of a great master, but the heroine Shui in the back is quite a pity. If I continue to follow the previous rhythm, the supporting characters will be portrayed less stupidly. I will definitely be out of the circle after writing it.

It's not normal to rush into the streets without a system

How can I put it, it always feels wrong that DND does not have a data sheet?

The early writing was very good, but later the style completely changed. I can probably understand what the author wanted to write later. After all, after reading novels and anime for so long, I have a Japanese comic flavor since I was in college. I wanted to write about campus and adventure in a Japanese comic style. However, the style of the early and later stages is different. It can be a novel style alone, but it cannot be integrated together, and there are pearls in the front, so there will be a lot of criticism later. The author will start a new book again and think about the context of the novel. Alas, this book is actually very well written in the early stage. Even if there are some flaws, it doesn't matter. It's a pity that it's an adventure novel, but I really like reading adventure novels.

The author would like to work hard. This book is slow to develop in the early stage and may not produce results. If it can maintain its current level, it will be no problem when it reaches hundreds of thousands of words! I hope it won't be cut off. There are relatively few books like this nowadays.

Not as popular as the unpopular channel master, Slow Heat really treats this place as a money printing machine, and it is normal to rush into the street.

Come on, author! Don't listen to them, Charlene's writing is very good, and the male supporting actor Anthony is not bad either👍👍👍