The Adventurer Is Coming

The previous writing is really good, especially the character creation is very good, but after the new Stefan battle, it felt more and more strange, the plot was too blunt, and I couldn't stand it 🙂

With my own strength, I dare to join a team I don't know at all to do a mission, and it's private work. I just go when someone calls me... I just can't pry open the box I got after two teammates died... After training for several months, I almost died on a mission and it still won't open...

No, two teammates of the first team died, and the protagonist spent all the compensation on himself. Shouldn't we spend some money to buy a cemetery and ask a priest to perform a ceremony to bless the two teammates to the kingdom of God they believe in? It seems that dnd does not conduct proper funeral rituals. If you bury it anywhere, there is a chance that it will become an undead creature.

The three golden chapters are gone. The protagonist's dead lover and companions are at the beginning. The author has no problem in shaping the characters, but it will also waste time for us readers to remember the characters. The name of Xihuan is always not easy to remember. After three chapters, Goldfinger is updated, and the protagonist starts over. How much water will you need in the future? It is recommended that you start from the point where the protagonist Goldfinger is updated, so there is no need to waste time.

The recent Western fantasy books are pretty good. Are all the old guys online now?

The protagonists in the more than 20 photos have experienced three life-and-death crises, and each time the halo of luck saved their lives. I would have thought I was doing archeology if I hadn't seen the 2025 release.

That is to say, is it a bit ridiculous that the protagonist, who has such a high stakes, is working hard for food? A fatal task can be exchanged for a few days of food (or brown bread)? It's equivalent to spending 500 yuan on the battlefield for a day. Which country's mercenaries are so cheap...

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​ Did not allow the protagonist to face a boss that far exceeds the current ability, not only reducing the sense of fun, but also easily feeding poison. First of all, the Harpy section is simply poisonous. Strength is not enough to rely on strategy, but strategy cannot be controlled - why does the witch let the servants bring blood to the warehouse to link the blank doll and then bring it back? Normally, the witch must let the servants take the blank doll back and link it on the spot! The process of exchanging dolls is even more simple and crude. People nowadays are really stupid, but can the operation of directly exchanging the originals fool a witch who was an adventurer, lived for hundreds of years, and whose strength is not in the same dimension? A witch would be able to spot the link problem at a casual glance, right? Not just anyone can write a strategy, and a weak pen will only force one's wits down. Obviously the protagonist already has a bug-level cheat, which allows the protagonist to develop with peace of mind. Once he has the strength, wouldn't it be nice to be able to solve problems with ease? This is in line with the needs of the public. The second is the character of the protagonist. It's okay to be greedy for money, but you can't seek death. People who are greedy for money will only be more afraid of death. So far, there are many plots in which the protagonist rushes in even though he knows there is danger, as if he has invincible armor or resurrection armor, which is completely illogical. The last thing is to get the loot. The novel is not a game. Don't fight the boss or do the tasks to get the equipment so directly. It's too dramatic. Summary: Don't write novels the same way you write game scripts. I really like the theme of road adventure. I hope it can be improved immediately in the future. I really can't stand it anymore.

Just look at the running team records, and there are no big problems with every script design and dialogue character design. The only flaw may be that the protagonist is desperate for his life, and it is a well-written running record. Just like one afternoon, DM called three friends to run a group. A friend with an out-of-the-box thinking bought himself a card of the Eternal Chunan Holy Warrior, and kept adding program effects to his Chunan Holy Warrior; A middle-class party bought himself a Warlock, and set the clan leader to be his own self outside the game, using it from time to time. Twelve-level magic crazy Thursday, shamelessly asking the DM to upgrade his character and give him various Mao Squad equipment; The most serious one hired the most unreliable magic warrior instead, and wrote the character background, character settings and interpersonal relationships seriously. As a setting party, he is very good at expanding the story, and can expand a small event into an epic. However, the dice luck was extremely bad, which made the DM love and hate him, and he had to cheat to save his life several times. Occasionally I joined some new friends along the way, but I couldn't hold on and quit the group. Going round and round, these four friends were still running together, until the story of this team came to the final chapter. After the team completed an ultimate goal, everyone thought hard about the retirement life of their characters and solemnly wrote it down on the character card. Integrating the team's experiences into a large running record is what this book feels like

It can be seen that it imitates the heavy reliance on goblins. You must be more diligent and don't have the same progress.

The current look and feel is better than Heavy Dependence and Task Log. Mainly for this kind of book that is one copy after another and does not focus on the macro plot. The characters are very important, even more important than the plot. Except for the three golden chapters at the beginning, the characters and plots of those two books are not very stand-alone. This one is obviously much better.

The plot is too contrived. What does the protagonist lack? And it feels like there are too many surprises, right?

It's just that the male protagonist's character is not very likable at the beginning. Where did you come from with this second-rate Western outlook? You traveled through time and started eating, drinking, whoring, and gambling.

The protagonist has the courage to take it hard and sell the magic ring and space bag. It will take a few more years to make up for the basics. He has been working hard and is convinced.

I basically finished reading it in one sitting. Let me briefly talk about the good points that I think 1. The plot is coherent, and there is no feeling like changing pictures layer by layer. Although the unit plot is a bit too story-driven, like a copy of the game, but the whole is not very cliché and can be watched 2. The overall world view is relatively easy to understand without too many barriers. , It's not a huge hook Then there are the bad points, because I read it in one go, so there may be things you haven't noticed 1. The economy is a bit collapsed. Silver coins and copper coins were hard to come by in the early stage, and gold coins were poured out like water in the later stage. There is a lack of realism in the middle. Why can you suddenly have so much money stably without obvious changes in strength? Then the expenses also increased suddenly, and the chapter review has always talked about spending money lavishly 2. There is a serious mismatch between combat power and level. Haven't you accomplished something extraordinary that even legends can't do? It's kind of interesting. It feels like the deus ex machina will be unfinished.

In Chapter 32, the protagonist's words were nondescript, and he said he could just be accommodating, but he ended up being accommodating. From which era did he travel through time? He traveled through Water Margin first, and then came back to Western Fantasy, right? 😒

The first three plots are really abstract, and the risks are uncontrollable. But look at the risks in the first three plots. The first one is understandable, the second one is the divine choice, the third one is the business route is cut off, and there are still hordes of orcs 😅, which is too deliberate.

I have read Chapter 51 so far No man, what can I say about the plot? It's not bad at all, but it is filled with a lot of classic plots, conflict plots are very low-level, and the kind of slap-in-the-face plots were all used many years ago.

I can barely watch it. The poisonous points are as follows. The protagonist is glib and talkative. Secondly, the conflict between the villain and the protagonist is too mindless. In the end, what was a good adventure into another world turned into a legion battle. There was no desire to click on the ten chapters before and ten chapters after it was released.

God-like author, in the previous dozens of chapters, the protagonist has encountered the moment of life and death so many times. The protagonist has been looking for death. Just kill him and change the protagonist. It's purely disgusting.

Not bad, but not interesting either. The hanging is too small, so small that it is almost nothing. The character of the protagonist is not good either. After becoming an adventurer and dying as a teammate, he finally gained a sense of urgency and began to train and improve himself. Later, he just messed around. Occasionally, when something happened, he became more urgent again, and then started messing around again. The overall style of this book is rather realistic, which results in a poor story. Combined with the previous shortcomings, it is not interesting enough, not exciting enough, and not interesting enough.

The characters in this book have a sense of blasphemy. Did the despicable male protagonist, the brilliant supporting actor, and the supporting female priest come from the script of Elesis?

1. Lizardman 2. Half-elf 3. Harpy 4. Crystal dragon 5. Red dragon 6. Black dragon We are currently at chapter 300. Let me see what surprises there are later.

The writing is so interesting that even a person like me who has never played it can read it with gusto. And the level of writing has gotten better and better since it was put on the shelves. It's like after playing the game, I dig out the feeling of this game's setting. I watched it in two days and gave the ticket.

Is the protagonist brainless or just a complete idiot?

The grasp of the narrative is still a bit lacking, and the author's ambition can be seen, but it feels a bit like his writing power cannot control what he has in mind.

I just saw 60%, why is this work so bad? First of all, the writing and plot conception skills as well as the ability to create conflicts (actually, there is no passive conflict) are all good. The main problem is that the writing is not commercial enough. Writing a good long adventure plot like a unit drama at the starting point cannot support the results. When I saw that the Sword Lord's lover became a character in the middle period, During the wedding episode, I felt a bit broken. It was not a breakdown in the plot but a breakdown in the rhythm. Dragons began to appear in the middle and the scenes of the battle between the black dragon and the protagonist completely transformed this book from a daily monster-fighting and upgrading fantasy upgrade with some small adventures into a plot-based adventure. However, the beginning and title of this book represent what most readers want to read. It's like Brother Killer or Lord of the Abyss. The protagonist rises step by step from the bottom, fights monsters every day, changes equipment, finds people to form a team, and adds some small plots at most instead of turning into a long adventure without talking about values. In the middle and later stages, it feels like watching Guns of Embers. The plot is good but not popular. It's like watching a movie: its early stage and movie title are both comics. In the middle and later stages of a powerful commercial blockbuster, you suddenly change the style into a literary and artistic film with a good plot. This change of style will inevitably mean the loss of readers The second point is that the subject matter is niche, and the outlet is completely eaten up by Goblins who rely heavily on it Of course, if the author only writes part-time, does not want to make more money, and just wants to write his own style, I didn't say that.

It's that kind of Western gangster-style protagonist. No matter how I look at it, I can't get into it. It's a pity.

I have read more than 760 chapters so far and I can't stand it anymore Going to chapter 100, I have been in a copy story of the Way of Silence This chapter is the most boring chapter I have read so far. The story is a bit too long. Meet the princess first, escort, arrive, teammate +1, then escort the undercover, and get involved in another I came out of a dungeon and went undercover again. I saw that I was about to enter the inner circle But the whole story dragged on for too long. Although the interaction between individual characters was interesting, the core plot as a whole can be said to be completely unimportant. The process of undercover was that no information was obtained at all. So what is the Way of Silence doing? Is it the country of the necromancer? Although the process has been upgraded and advanced, it is a bit boring to be separated from teammates for so long

The protagonist is a death-seeking maniac. If the protagonist's aura hadn't forcibly suppressed his intelligence, he would have died ten thousand times.