Hollywood Begins with a Talent Agent

When I saw that the author spent 150,000 yuan to buy the script, I realized that the author didn't understand Hollywood at all.

Qidian is also a gold mine now. Your writing is quite good. I also read Tomato's previous books. The plot is very smooth, but the relationship between women is too superficial. Now that Qidian is here, there will definitely be a charge for it to be released later, so the emotional scenes should be written well, and the female characters should have their own brilliance, not dolls. The last piece of advice is to write about entertainment and entertainment, and try not to touch on domestic entertainment. It's too fragmented.

Come on, brothers, it's all tomatoes, right? 🙂

I found that some entertainment novels always make some common sense mistakes, using the domestic entertainment industry to substitute the American entertainment industry. The protagonist opens a film production company, owns a movie theater, and contracts stars. This is absolutely not allowed in the United States. American law stipulates that film production companies and film distribution companies cannot get involved in the celebrity brokerage business, nor can they operate movie theaters! In addition, when a new American actor signs a contract with a brokerage company for the first time, the contract shall not exceed one year, and the renewal shall not exceed three years, which fully protects the interests of the actor. No agency can charge more than 10% of an actor's commission.

The protagonist has a huge fortune, has no brothers or sisters, refuses to have children, and has no legal heir. In an environment like the United States, you don't even know how you died. If you were to have a helicopter accident, your property would be divided among them. Look at Musk. He found several women to give birth to monkeys for him, and even went through in vitro fertilization, and he managed to produce more than a dozen children.

Author Are you a big stallion? One chapter shows him having sex with Zeta Jones while talking about movies, then having sex with Bellucci while talking about movies, and then the chapter is over. Speaking of Hollywood, I won't stop you from having sex, but can you slide from this bed to that bed seamlessly? So boring

When I saw Chapter 748, I couldn't stand it anymore and ran away. The plot was too bland, and it was very jumpy and not coherent at all. I hope the author will improve in the next book. The female characters are not good at all. When they meet, they have sex, and there are only a few driving routines. They keep repeating, back and forth, and they don't write anything about the movie. I'm gone.

Nicole Kidman made her debut in Australia in 1983. She acted in three or four movies and won the Australian Best Actress. She came to the United States in 1989 and was already a veteran. In 1988, the male lead pretended to be in front of her and took her to a banquet to teach her the rights of a director and producer. It's really hilarious to force her and take her in by force and unspoken rules. Moreover, the Australian gang is not without connections. In reality, she acted with Tom Cruise in 1989, the second year after coming to Hollywood. It's really hard for you to write her as a newcomer who is stupid and sweet. Even if you don't talk about this, you, as a street agent, can slander Orion's executives just to pick up girls after just 10 chapters or so. Let's not talk about the rationality. This rapid escalation pace alone makes people speechless. After 100 chapters, is it time to slander the six CEOs? Sorry to see Chapter 13 and I have said goodbye many times.

The first part of the plot is okay, but the second part is a complete mess, and even the plot of proposing a girl is the same! The author is too perfunctory and treats the readers as fools?

I read the beginning last year and then deleted it, but I found it again today. Unlucky. The author didn't check any information at all. Screenwriters are just one of a kind in any country except Korea. There are too few who can make it. A newcomer has just finished writing a script that sold for hundreds of thousands of dollars. You can tell it is YY, but your script has not even been filed. What can you do if people just open it and copy it? What's more, there are so many scripts every year, both good and bad. If you haven't proven yourself, the scripts can only sit in other people's inventories if you submit them. Film and television companies only have so much money, and there are just a few projects every year. No one knows you as a newcomer. Why should the script reviewer offend other screenwriters because of you, a stranger?