Chinese Showbiz: The King of Screenwriters

Screenwriter is king? In the entertainment industry of Greater China, aren't screenwriters just dogs? Anyone can step on it

It's too long-winded, half of the content is just paddling. Your starting point is too high and you can earn billions casually. What kind of movie are you going to make? ? If your family has money and background, you can easily earn more than a billion dollars. What else is there for you to do? ? Just watching the protagonist bragging, what's the point of that?

Yang Mi

In China Entertainment, a simple screenwriter can never be the king. It would be nice to have a little status. Do you still want to be the king? This is not possible in your dreams. You can write and direct, you can be a screenwriter and a producer, you can be a screenwriter and an investor, but you cannot just be a screenwriter. Otherwise, do you still want to have status? Are you thinking shit?

Screenwriters are useless in the film system. They are indispensable and not very important. No matter how good the script is, a bad director can make it into a piece of shit. No matter how bad the script is, the director can make a magic change. If the screenwriter wants to be promoted, he can only write and direct as a writer and director, even if he has an assistant director who actually executes the shooting.

The emotional line does not have the youth of an 18-year-old, only the pretentiousness of an 18-year-old.

I want to see the author write another book like "When I Have Money". The first half of the book looked really comfortable, but I stopped reading the second half after he switched to licking Korean entertainment stars. The author wants to write a pure and heroic novel. It doesn't cost tens of billions. It's too broad. The down-to-earth pretense won my heart.

The setting of the protagonist is quite nonsense. The family background and financial resources can only make the male protagonist a loser. There is a big difference in the occupations of the heirs of the small rich and the rich. The setting of the son of the rich is not in line with public perception. Also, the article repeatedly emphasizes that the status of screenwriters is low. If you have enough money, you can just save the game by yourself. Everyone on the crew is a jerk, and the big names will be kicked away immediately. What does your status as a screenwriter have to do with you?

If screenwriters want to have status, they have to join the system, and there are too many scripts. Others can pick and choose, but cannot work together. It is difficult to change the status.

If you were a screenwriter in Korea, your status would indeed be higher than in China? It's just a pure cow and horse, okay?