Doomsday Game: Starting with a Level-One Shelter

Dear author, I have a doubt. In Chapter 5, you wrote that the chitin shell of the Scorpion King has strong defense and is called golden armor. Later, you also said that it is almost the strongest defense under steel, but your wooden spear penetrated easily. I know that the wooden spear is also a green equipment, but it is also made of wood. It is green equipment because of its additional characteristics. You did not say that the material is changed or that the characteristics include armor-breaking or sharpness. I am confused. I hope someone can help me answer it. Am I understanding it wrong? It's so uncomfortable to read with doubts.

This is what you are good at, game world

When I first started watching it, I didn't understand it. The male protagonist has traveled through time in the game. He knows what the first era of chaos is, but others don't know. Does this mean that this male protagonist is one of the first lords? And you go to the shelter by plane. Is the shelter located in the same world as where other people live? Can others help?

Does the author like these shelters and these cars?

How to put it this way, I don't really like this kind of book where the protagonist is purely equipment-driven and has no improvement, but if you want to say that he has not improved, it is not right to just upgrade a few levels and fight dozens of monsters in one night. However, I feel that the author did not show it clearly. Then there is the golden finger of the protagonist. I felt from the last book that the author is not very capable. Controlling this kind of cheat requires imagination to write. The protagonist's cheat is of no use except for the feeling at the beginning (I still have 90 chapters to read). If I really want to have this cheat, I want to catch whatever I want, so I can just bet on the probability. The upgrade of the cheat written by the author can unlock the synthesis table, but the protagonist I haven't seen this synthesis table at level 5 or 6, and the plot of the green tea arranged in the early stage is really inexplicable. It's a meaningless conflict, and there is no gain in killing it. I don't know what it is for, so I might as well keep fighting monsters. Finally, there is the senior blacksmith of the Phoenix Society, who knocks a sword at the beginning, and it's dozens of chapters. If you don't ask him to knock things, such a high-level blacksmith will just sit there and watch a show. Really, the author, you can write and ask him to knock out armor and holy water every few days and bet on the probability. It really feels like I can beat the protagonist better than the protagonist. I don't need Goldfinger or NPC. It feels like watching Wang Laoju play a game.

The author should not forget that the synthesis talent is for synthesis. I can develop my territory and synthesize some useful things at the same time, such as the shells and spider webs that pets retreat from.

Once it's on the shelves, a big chapter won't be issued, but only two thousand and one chapters...

The protagonist's name is David, a foreign name, and there is no sense of involvement at all.

Mobile City

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