After Becoming Invincible, Start Having Fun in the Heavens

The clown Lu Mingfei should just turn into a female, just like Kempfa, instead of transforming into a male, he would transform into a female.

Do you have basic skills? You just write randomly and take it for granted.

This is definitely a big problem for me, but the stories in these worlds are so exciting that I couldn't help it! After that, I will choose some popular worlds, such as Marvel, Fujimoto Universe and so on. Secondly, I also guessed that some readers have not read the original work, so I will also include some plots and backgrounds in the story, so that even people who have not read the original work can understand it!

Fingel will be the serf of the protagonist, the villain of the magical girl, the masked man of the evil organization, the fat rat in the sewer where he is released, and the dragon bloodline will be added to make a monster to gain experience for the magical girl. The mount system will be added later...

What kind of magical girl is Lu Mingfei alone? I want to see Chu Zihang and Caesar turn into magical girls, and three muscular brothers and noble magical girls beat up Herzog!

Author, can you give me a detailed introduction to the protagonist's abilities? I looked a little confused. Currently, my understanding of the protagonist's abilities can be roughly divided into two categories, one is observation, and the other is influence. Observation means that the protagonist can observe everything scanned by the basic force, including all information about some conceptual things, similar to the information perception in Blue and White Society. The influence is that the protagonist can rely on basic power to affect other things, such as the most basic telekinesis, or more advanced material reorganization and or editing of information. The first question, what puzzles me about the male protagonist's ability is his influence on matter. The book says that the protagonist's ability to affect matter is constantly increasing. For example, it can affect one kilogram of matter at the beginning. If the thing exceeds one kilogram, can the protagonist still interfere? Does it mean that the whole thing cannot be interfered with, or can it only interfere with the part that does not exceed one kilogram? The second question is that the protagonist's ability increases by improving accuracy, ability coverage speed and controlling the weight of matter. The chapter where the male protagonist modifies the space teleportation ability of the chat group says that the male protagonist can also affect non-material. Will this influence on non-material be affected by controlling the weight of material? As long as there is no physical entity, can the male protagonist be directly controlled no matter how high-level he is? The third question is, if there is an object with infinite weight, then the male protagonist's control can only rely on modifying the information, such as adding a feature to himself that can lift the object, or adding a feature to the object that the protagonist can definitely lift. Can't you just use basic power to lift it up like telekinesis? It is still necessary to add characteristics to the basic force, such as being able to lift it up The fourth question is the issue of accuracy. The male protagonist's ability will continue to improve accuracy, so how do you describe this accuracy? At first, when the male protagonist used his ability, it was said that he could only control it at the molecular level. When the chat group first appeared, the male protagonist relied on his basic power at the molecular level to directly modify the transmission function of the chat group to open it in advance. Does this precision refer to the male protagonist's precision in manipulating materials? As long as the affected object is a non-material conceptual item, will it not be affected by accuracy? Can the male protagonist be manipulated at will? The fifth question is that the male protagonist currently relies on analyzing other extraordinary things to obtain extraordinary templates, so that when it affects other things, he can directly attach the extraordinary template to it to give it extraordinary characteristics. So, without coming into contact with other extraordinary items, can the male protagonist rely on his basic power to directly modify information so that he or other things can directly obtain extraordinary characteristics? It is to create a transcendent characteristic yourself, similar to the information editor of Blue and White Society. Please answer🥺

Why don't you just change your gender instead of describing women's leg hair to disgust people?

My evaluation is that it doesn't matter if you have fun, but it's really disgusting if you have disgusting fun.

Do you have any recommendations for similar novels? It is similar to the story where the protagonist, Invincible Zhutian, is looking for fun everywhere.

I just finished reading it before and wanted to change Xiaolu-san. Now I am irritable and angry at work in the society. I like to read those bloody and violent novels to relieve stress. Now I don't want to change Xiaolu-san. I want to kill this guy in various ways.

When watching a story, as soon as it becomes interesting, you immediately change the map, several times in a row. Are you too confident that readers will have the patience to play with you?

The author always drives high and walks low. Magical girls are interesting, and so are Kamen Riders, but suddenly having a full bottle of monsters makes it feel instantly boring (that feeling of having items that only you have suddenly become popular). There's also Harry Potter, and the pyroxene magic is okay, but making a ring of magic game doesn't feel like much.

The author said in the group that the first order is 800 for cos

The setting of the power level is too fake and empty. Once it rises to the cosmic level, it seems very empty. There is no science department at the starting point to write the cosmic level, but the knowledge is too different. It is not as easy to write as the mythology department. Test the author's knowledge reserve. People cannot imagine things beyond their own cognition. Marvel is a good example. Universe-level bosses actually smash planets at each other when they fight, which makes people laugh uncontrollably. Author, within the level you set, where do you think you can go in writing?

Nowadays, the rules of the book review area are corrupted and traitors are everywhere. This is due to insufficient updates. If the author diligently updates 10,000 words every day, then the traitors will be afraid and retreat, and the moral gentlemen will rejoice. This is a feat worthy of praise by Yao and Shun! I have heard that calves born in sheep pens do not behave like sheep when they grow up. You are at the starting point and your computer keyboard is often used, but you have lost interest in updating it. Is this reasonable? The reason why Qidian is strong is that we have inherited the etiquette and skills of our ancestors. Stop breaking the news, there is nowhere to release the pressure, and instead you become tired. Isn't this the same as abandoning the roots of the tree and pursuing the treetops? If this continues, great disaster will surely happen! The reason why Bai Jin can have tens of thousands of royalties and not be harmed by villains is because they are willing to listen to what upright gentlemen have to say. However, Poujie cannot get royalties and is even looked down upon by his girlfriend. This is because they are close to evil villains. I hope you can think carefully about the difference. There is one thing for which the author can cry bitterly, and six things for which the author can sigh. Since ancient times, when posting, the words are often very passionate. If not passionate, it will not touch the heart of the author. Harsh words are akin to slander. Author, you should think carefully about whether such a thing is right or wrong. Those authors who updated less, delayed, or missed updates had no time to feel sad about themselves, so they were drowned in the torrent of works, leaving only later authors to feel sad about them; later authors were sad and did not learn from it, which made future authors feel sad about it!

I don't know why, but I feel that the subject matter you wrote is okay, but the content you wrote is not pleasing at all. It's okay if you write about other abilities, but if you write about a magical girl whose ability is to become a magical girl, that would be meaningless, not interesting at all.

When I saw Sun and Moon massacre the village together, I couldn't stand it. The reason is probably because I haven't read the original work. I can't sympathize with the author's disgust for the villagers through the original work. The description in the novel is also lacking, which can't make me have the same emotions as the author. As a result, my feeling is that the protagonist suddenly became violent in this chapter, and then I was screened out by this plot. If the author continues to enjoy himself like this, every time he writes a world, some readers who have not read the original work will be screened out.

Leziren=nanny? Everything has been arranged for others, Lezi did not see it, only free long-term workers and nannies.

The author is really weird. I feel like he ended the world without writing much about the good-looking world. He also wrote a lot about other worlds that I'm not interested in. I skipped through the whole article.

Actually just two. One is the pacing issue. Some worlds are covered in three or five chapters, and then there are many things that follow that are not even mentioned in one sentence. Isn't the main character wandering around the world just looking for fun? Why is it gone after dying after being loved by a super-standard being in one second? So what should I do about the fun aspect (of course this is my personal opinion). The second thing is that the world transition is too rigid. There are some worlds that I want to continue to read after this stage is over. But when I read the first sentence of the new chapter that the protagonist has found a new world, I felt full of redemption. That's not to say that it can't be turned around so quickly. Your sentence can be placed at the end of the previous chapter, and it can also let us know that the protagonist is going to a new world.

Master, what kind of work do you do? Updates are so slow.

I feel a little lackluster recently, and some of the worlds in the past actually still have room to write, and they are not one-time copies. Why don't many of them go back to them later?

I really like the protagonist setting of this book, but none of the worlds I traveled through are familiar. I don't watch anime.

Shouldn't you write us 2 million words˃̣̣̥᷄⌓˂̣̣̥᷅

Why do we need managers? It feels so redundant.

The author is back in the dragon comfort zone. Please write more about other chat group members.

Can you write more, 2 million words?

Damn it, I was removed from the group chat while diving...

Does anyone know what the author is testing every day?

The Stars Change, Legend of Two Dragons of the Tang Dynasty, Yangshen, Covering the Sky, etc.