Bone King: Welcome the Birth of the King

I finally figured it out. It turns out there is no outline at all. I just write whatever comes to my mind. I ask for leave every three days.

I really admire this author. Basically, whenever he writes about female characters, "pink lips" and "beautiful eyes" are indispensable. When he speaks, he has a pink mouth, and when he blinks, he has beautiful eyes. Can we talk normally? The same applies to female supporting characters. Several female characters in a set are used in turn. The elf shooter and imperial female noble in the front are now completely sewers, and the abandoned characters belong to them. But what has not been abandoned is the timeless set of characters, which are now attached to vampires and Jue Die Jueming. First, they have an inexplicable relationship, they call the protagonist "Sir" inexplicably, and they like the protagonist inexplicably. It's so cliché. Especially the vampires of Mie Guo, who would actually get close to a giant dragon and believe the bullshit of a giant dragon. After seeing the other party deceive and kill an undead, Mie Guo's attitude of guarding and keeping a distance is the norm. Here in Juesei Jueming, according to the character, let alone entangled with the protagonist, it is impossible for people to be interested in the protagonist, but if they get entangled with the protagonist inexplicably, the protagonist suddenly reveals his strength and beats the opponent half to death. After that, why is the protagonist's so-called pathological psychology of protecting and hiding information gone? Why don't you kill the Goblin like you did in the early stage? The euphemistically called needing companions, the good lone wolf mentioned before has changed his mind now, right? The routine and plot of Clementine cannot be said to be similar to the plot of "Death and Death". It can only be said that it is exactly the same. It is really hard for a character with such a mental problem to dare to stay around. The protagonist's natural powers should be: the brilliance of wisdom, the aura of rejecting men, and the aura of brainwashing. The plot of Amway is the most outrageous in my opinion. The protagonist just wants to obtain the "Message" skill unilaterally. First of all, he does not want to distribute a group of demi-humans or goblin troops to the opponent and activate the commander profession like in the original work, but to take him with him to fool around. After that, for the first and only time, the protagonist regains his little "humanity" and expresses that he feels guilty for using Amway in this way. He kept saying that profit comes first before, but now he suddenly cannot harden his heart¿

It's well written, and it's one of the better Bone King fanfics I've seen so far, but it doesn't have a harem.

It turns out that it was written around the original work and written by a fan, with some original scripts attached, which is what attracted people. Nowadays, the number of copies is almost gone, so you can write about the adventure life of the protagonist who opens the map with an alt account, which is also as exciting as the game world. Obviously there are elves, cities and alliance countries that can be original, let alone this mainland demi-human country. But now the focus of the plot has to go back and forth between several animated countries, and I am used to staying in the comfort zone. The most important thing is that it is so slow now. The few witty battles are all supported by detailed writing. Author, I beg you not to plan the world. There is really no sense of strategizing now. You said that 2 million words can be completed? Write some useful information and update it quickly 🤔

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Bone King: The Birth to the King's Destruction

Now the Bone King's worldview is a bit like that of the Creator First of all, the Dragon King created the universe (not sure if it was written by an outside author), and the game props have now become the author's fate. You, the dragon, have saved the entire world and a universe with magic. The settings such as the Devouring Demon of Seven Worlds, as well as the world view settings of the game, are all made by your Dragon Clan using magic, and then directly forcing him to copy it in this world. The game settings of Bone King were salvaged by the Dragon Clan. The main plot requires the author to end the game and ban all dragon magic. Then, without these props, you can finish the dragon clan with a flying squirrel jade, Ainz Ooal Gown's staff, and the protection of the little lolita. The Five Elements Coexistence of world props is to ask the game official to make requirements, then modify the entire worldview, and then make the settings of the entire worldview according to the settings of the game's worldview. Any setting that does not conform to the game's worldview is equal to non-existence (actually the author's fate). Almost all world props are of the author's choice. Thermal Stone Thermal Stone (カロリッ クストーン) One of the eleven items held by Ainz Ooal Gown, it is a consumable world-class item that can make requests or suggestions to the operator. This thing is the least valuable among Ainz's power-up items. Ainz's entire guild is full of weapons, armor, magic crystals, and they all use this thing. Disposable consumables give advice to the author, and then the author exits. Then your author said on Twitter that the game company in Bone King refers to himself, and all the world props in Bone King point to himself. As for why it can still be activated? Because it points to the creator and author of this undead king, a heaven-defying thing. {"NickName":"Pardon","UserId":229304580}

The update speed is really ridiculous. I saved 2 weeks and couldn't read ten chapters on Monday. . .

. . .

The writing is very good and the skills are rigorous. I hope the author can have more fun 🙂

In the original Bone King, it is difficult to beat the Bone King at the highest level of the natives. You only rely on this level to succeed, and there are no world-class items. Unless your level has no upper limit, or you have unlimited flow. Otherwise it would be really difficult to fight

I have long been unhappy with Bone King, a little Japanese who is committing genocide in another world. Finally I saw that the fan is from King of Bones

Introducing the background and setting of four chapters. I thought it was very rigorous, but in the end I found a trap for myself.

Because the author is always sick, I record the author's reasons for taking leave from the beginning

I picked it up from the previous one, "Black Clover", and I think the author's synopsis is quite good. But it's strange that recently, not only do I feel that my writing is getting more and more wrong, but I don't know where it is. When I was playing Hearthstone today, I suddenly realized that the content was missing. This book is updated around 4,000 times a day, which is quite average among the books I follow. But there is too little plot content in recent chapters. Combat, upgrades, new professions and skills, and character dialogue are the keys to expressing content. In terms of combat, to be honest, the combat descriptions in the original work are simply online game combat records. Upgrading professions is all done through online games. It is really better than descriptions of battles and intrigues, and not as good as the authors I follow who are not great masters. Amnesty's writing here is actually quite good, but in terms of combat, the original Japanese comics' one-on-one battles and hard wins are no longer popular. Either it's a showmanship, a Hong Kong comic-style crazy guy, or simply a group fight and sneak attack to increase firepower coverage. The protagonist Tang Zheng should have such preparations, such as the scroll making mechanism and the newly acquired Kamen Rider Soul Hunter. However, the battle scenes are still not strong enough to show the strength and cheating of the protagonist. It would be great if there was a long scene similar to the underwater temple and witch forest in the previous book. As for the language creation of the character, let's just talk about the protagonist. My concept of Tang Zheng is still incomplete. The only thing that is clear is the fear of the arrival of the Bone King, and the resulting motivation to continuously level up. But there are too few others. The impact of traveling through the previous life and the current world is actually a good point. For example, as a different world (cold) joke unique to time travellers, use this exclusive feature to evaluate a certain character. In the previous book, the protagonist was afraid of copying the ability, which led to the failure of the Magic Knights. Later, it was regarded by readers as the most humane part of Yami's self-exclamation after half-advising and half-threatening - Heaven and hell, I don't have the right to choose, only the fate I have been chosen. And my little performance. When facing Six Arms, he deliberately listened to their embarrassing but good-feeling self-introductions—— "The roll call of the five-color team is over? It really takes six people to complete the team!" Tang Zheng had a look of expectation and embarrassment on his face. That's right! It's this kind of island country's characteristic culture that when I was young, I felt that I was handsome and stylish, and when I grew up, I wanted to go back and slap myself in the face, and shouted, "What are you excited about (⊙o⊙)?!" "Asshole! What are you thinking!" Xi Qiulonte, who was the weakest but had the most sensitive self-esteem, was angry. Facing the five, no, six of the most powerful Eight Fingers, this intruder showed no fear, but looked like he had seen a good show! Well, that's about it. I prepared these sentences for twenty minutes. It's still the type I'm good at. It's embarrassing. I feel that a moderate amount of jokes can shorten the distance between the protagonist and the readers, and it can also be justified. 1 hour and 25 minutes. It took me more than an hour to complete this thousand-word review. I do feel that part of the author is in trouble. So I still admire Amnesty very much. Except for Trainer, I read all four of his books because I thought they were interesting, and then I realized, "It turns out the author is the same as the previous one." So come on💪ah😦!

😅 I feel that four years is too long for the protagonist. It is so long that the protagonist can be so leisurely that he does not rush to upgrade but instead arranges some irrelevant things for no reason. Is the protagonist too imbecile, or is he too brave to be caught singing hymns to the Horrible Man? He wanders around like a fool the whole time.

Fuck the dead bone king. Jiejiejiejie! The Bone King is a heretic. How can a group of succubi, skeletons, and lizardmen be equal to me as a player? Kill them all, kill them all, kill them all! !

In fact, it's not that the Bone King is strong, but that the original natives are too rubbish. If you change into a demon king with Shen Yong's world view, within a week, everything will be ruined by you.

No man, there are 9 full-level NPCs in Nazarick, and Lubedo, the strongest single target, is not a full-level NPC. The Bone King has a bunch of world props. How can you fight? It's hard to beat all the true dragon kings together.

Can the author give me an accurate answer as to whether this book has a female protagonist? You have been writing about the beauty of various female characters, about admiration for the male protagonist, and about the CP who did not like your original work and turned to the male protagonist, but the male protagonist has no emotional scenes with any of them. Is there a female protagonist? If there is no female protagonist, there will be no female protagonist. If there is, there will be no female protagonist. What do you think when you write as if there is no female protagonist and keep writing about a group of female characters surrounding the male protagonist?

In addition, I feel that the protagonist can delay for a little longer by relying on foresight. The reason why the country was destroyed in four years in the original work is because the Bone King searched everywhere and found no other players who could threaten their big tomb. If the protagonist can quickly reach level 100, and then casually get a vest with a mysterious identity, show his face to the outside world, and disguise himself as other players. This will make the Bone King suspicious, and maybe he will not engage in large-scale troubles to destroy the country for more than ten years, or change the plot of Shalltear being controlled. Because that part of the plot directly alerted the snake, it was too wasteful to use Qingguoqingcheng on Shaltiya. You can just wait for Xiao Di to show up and then use Qingguo Qingcheng to control him unexpectedly, because Xiao Di remembered that he was given a guild ring, which can be used in the big tomb. There is no limit to teleportation, so you can use Qingguoqingcheng to control Xiaodi, then take away the ring, strip him of all his equipment, and finally let Xiaodi escape all the way to attract the attention of the big tomb. With Xiaodi's wisdom, he can probably escape for a long time. .

Tang Shenwang➕Dragon clan violently beats the real person with bones

Imina

I feel like the author needs to think carefully about the strength of the protagonist. It feels like he has too many ways to become stronger but doesn't use them. Let's not talk about the infinite spellcasting bug, but let's talk about the problems that the protagonist can solve using normal methods: 1. Everyone keeps saying that the protagonist's attributes are low. The author thinks that the attributes are normal and do not need to be changed. I think it's okay for you to be "conservative" in your attributes. A level 1 warrior with 30 power in DND can't beat a level 5 warrior with 18 power. But do you have no idea what the profession of your protagonist is? If others are at full level, they can use melee combat, and if they can use spells, you want them all. You even have to spend level 40 to select the dragon profession. Do you have an idea of ​​how many of the other two professional skills you can use? When your professional skills are not strong enough, everyone will just blame you for your attribute value. 2. Why hasn't the protagonist used some buff magic until now? Don't say that the current buff magic is not effective, just focus on the best. No matter what kind of problem you want to find a solution to, you should first ask if it is available, and then ask if it is okay. You just need to take some bad ones first, and then replace them with good ones later. This will be revealed when playing Buddhist dungeons. It will be much safer if there is buff magic. Anyway, the skill points are unlimited. What are you saving? 3. When I saw that the protagonist had just obtained the special profession of mage, in addition to using experience points to cast spells, the first thing that came to my mind was that the protagonist's future spells would bring maximum spell effects and powerful elemental spells. The first thing I had to do was to find a third-level single element spell to use as a basic attack after the spell consumption was reduced, and then find a tenth-level single element spell to use. As the upper limit of spell damage, but so far, the protagonist has not found any, not to mention that he can't find any, and the native spells can be learned directly by tapping the skill 10 times. However, up to now, you are still using your broken heating. Among the ten-ring spells, there is only one heating that can be used casually, and there is also a summoning angel that costs experience points and cannot be used indiscriminately. What do you think you are doing? I just thought of three things, and after much thought, they can all be classified as the author subconsciously suppressing the protagonist. The author should think about it carefully and stop suppressing it. According to the intensity of the original Bone King, the protagonist is really going to become a roadside killer.

Author, I don't know what you think. This book can be regarded as a turning point in your writing of novels. This book is your current one. The subject matter is probably the most niche, but the results are considered the best. And it has been published the most times. It is currently a book that can really be seen to the end. You really may not have such an opportunity in the future, because the eunuch is really a bad character. This book is about to go through its biggest and final climax. Once you get past the Bone King, you can quickly arrange the finish. If you write a book with a broader subject later on, many people will definitely be willing to support it, but with this book Eunuch, it's hard to say.

It gets more and more confusing as you go on. Most of the plots are useless. I watched it about 3 times. These female and male supporting characters are completely useless. They are just used to water the plot. After the arrival of the Bone King, these characters are difficult to defend against even the minions. There is also hidden information. It has been stubborn since the early stage, and it has really turned into a pig. Everything done in the early stage after the arrival of the Bone King is useless. Everything the protagonist planned in the early stage and everything hidden is useless. As soon as the Bone King arrived, he guessed that there are players in the Theocracy and there are players in this world. As for the number, is it important? If you go too far, guess what? As far as the Bone King's resource supply is concerned, I don't see any hope of the protagonist's victory The author keeps suppressing the protagonist, and I feel that the author has run out of writing, and the outline is probably gone. Just put a little water on whatever comes to mind, just like squeezing out toothpaste. Most book friends come here because they want to see how the Bone King is defeated. What I want to see is that the protagonist and the Bone King pull each other to obtain information, consume each other's resources, test each other's weaknesses, and finally defeat the Bone King, unify the world, become the god of mankind in this world, and then find a way to get rid of the level limit and become a god in the true sense. What now? Who is the protagonist? The protagonist tried his best but could not defeat the Bone King and was blown into two halves with a cannon. He said, "I'm really sorry for not letting Ainz-sama enjoy himself to the fullest!" Anyway, it just feels boring. The plot is dragging, the combat power is not specific, and there are a lot of burdensome female supporting characters.

On the one hand, emphasizing the natives is of no help to him, and it wastes time on those characters, and adds unnecessary psychological action descriptions to the protagonist. It's easy to lose track of reading if you continue reading like this.

1. The protagonist is only in his twenties now. Why does it require so much experience to upgrade? Is it so difficult to upgrade in the early stage? 2. Why did you choose the profession of shaman teacher? This profession does not seem to be powerful or sacred. Is there anything special about it? If so, please explain as soon as possible, otherwise it will affect the perception. 3. The author said before that the genius profession can superimpose the same type of spellcasting level. So it is known that the spiritual magic profession of Immortal must be used. Why not use the genius profession to transform the basic spiritual profession of the illusionist? This is a point I have doubts about. I hope it won't be deleted. Several of my chapter reviews have been deleted. I have supported this book from the beginning and have subscribed to it all. Although I haven't given all of my monthly tickets to you, I have contributed a few.

From the beginning to the end, I didn't feel at all happy. I kept changing my waistcoat and hiding my clumsiness. It's a bone-arist novel, but I'm convinced that you wrote it like this. The direction of the plot has always been confusing, and it's messed up here and there. It's useless. There are few Bone King fans, so I'll give it a try.

Readers, please be careful to subscribe. The current update frequency of this author is the same as that of the previous eunuch. If the author is unable to update for one consecutive week again, the book will be considered dead.