Hogwarts: I Want to Get Ahead So Badly

As an extraordinary world, it is foolish not to understand that great power belongs to oneself and to rely on political means to achieve goals. A family that has been inherited for a long time in the extraordinary world relies on strength. Why is Dumbledore so awesome? Because he has force. If everyone has Dumbledore's force, then you can use political means to solve problems at the negotiation table, otherwise you will not be able to get to the table.

What should I say... I personally feel that the combination of this book's workplace and Harry Potter is uncomfortable. Since the element of "Yes, Minister" has been added and the protagonist is also a capable person, why not make the story more relaxed and enjoyable? At least it's more comfortable than letting the protagonist be a cow and a horse

Well written! It has the feel of a political comedy. It can bring out the protagonist's experience at Hogwarts, and it can also write about Voldemort's influence. I'm looking forward to it.

If you don't say a word, you'll automatically assume that there was an accident. It's best to survive it. If you can't survive it, it'll be incense.

The previous article was very good, but I abandoned it when I saw Harry lying and committing perjury during the trial of his adoptive parents. There is something wrong with the arrangement of this plot, so I can't read it any further.

This book is too malicious in tormenting Malfoy. Is there not enough villains? Lock up old Malfoy, confiscate all his property, and now let a second-year student be possessed by Voldemort... Rowling didn't treat the Death Eaters like this in the original novel. It feels like a crime movie deliberately made to torture the victim. To be honest, it is quite disgusting and is seriously inconsistent with the atmosphere of this movie and political comedy.

A very outrageous post was upvoted, and many book friends participated in the discussion, so I will talk about it separately. I think the transfiguration spell in Chapter 3 and the frequent silent spellcasting and wandless spellcasting that follow can already illustrate Jim's level. Coupled with the presence of ancient magic, although no serious combat chapters have been written yet, book friends who have played Hogwarts Legacy should be able to foresee how outrageous this thing is. In the HP world, Tom Riddle is the only one in modern history who has implemented "power comes to oneself". I personally think that Grindelwald is far better than the noseless monster in terms of expressiveness (powerful style) and personal charm. He is very strong and can confuse people. It doesn't mean that the protagonist must be a villain, he just feels that he lost blood after taking the public class exam before time travel, and he wants to continue to make progress in the HP world.

The recent progress of the plot is still consistent with my previous evaluation - I couldn't figure out what I was going to write, so I suddenly stopped writing another branch line, and I stopped training at the beginning. After the Muggle world dealt with matters and reported them to the International Federation of Wizards, it was suddenly interrupted for a few chapters. In the middle, there was a new entertainment method. A few chapters were suddenly interrupted. Now, there is no transition and it directly switches to the "resurrection" plot of the old demon. This result is the result of a series of very "coincidental" results such as the protagonist dragging the problem without solving it. By the way, the dialogue and the hasty introduction without details are written to make the protagonist not care about the life of Decorah, who is still a child. In a sense, the character has collapsed. The problem now is - the career line of the Ministry of Magic always starts suddenly and is always interrupted; the trial interactions in the Muggle world change cognitively after turning to YM and some comedy; the wizard's daily plot is a quick time jump with no character connections and no event transitions; the HP original plot and even the Hogwarts plot, Harry The interaction between the perspective and the main plot is almost gone now, and there is no trace of possible plot connections and developments. For example, after the fire dragon poaching, there was no Ministry of Magic investigation, no International Federation of Wizards accountability, no Hagrid's luck with the little dragon, no Voldemort's follow-up reaction, and no Dumbledore's actions - it skipped directly in time, as if nothing had happened. Now it's even more unclear why Voldemort's resurrection line was added out of thin air without any foreshadowing. Are you going to throw this line away again in the next chapter or at most the day after tomorrow? Someone has already commented on the character's collapse. This chapter of yours is even more extreme. It's so extreme that Deng can't let go of the protagonist. I can't see the main line in any aspect of the story. The narrative is fragmented and the reading experience is terrible. In terms of plot logic - if you really regard HP as a living world, then the actions of the protagonist, the Ministry of Magic, the Muggle upper class, Dumbledore, the International Federation of Wizards, Voldemort, Harry and other characters will definitely be affected by a series of subsequent effects of what the protagonist does, instead of continuing the unspecified original plot of HP after time is accelerated over and over again as if nothing has happened. I have criticized your problem before, but now it seems that there is no sign of improvement at all. Instead, the narrative problem is becoming more and more prominent. As a fully subscribed reader, I can only say - another disappointment!

I have no problem with the original work, Lao Deng. He is a good person with character flaws, but it seems that the author has a lot of problems with Lao Deng. Whenever there is a scene with Lao Deng, he focuses on writing about his flaws and deliberately leads him into unnecessary conflicts with the protagonist. It is really annoying I even feel that the author is making dumplings out of jealousy and designed such a plot to make Lao Deng stand on the opposite side, rather than to advance the plot and make Lao Deng stand on the opposite side.

One point of view is that although the British civil service group is abstract, it can at least cover the bottom line and ensure its lower limit. Thatcher cut off industry and the civil service together, causing it to look like a clown now.