Miss, Please Slay the Demons

I have to say that it has been a long time since I was so interested in a transformation novel. It was very comfortable to read. The last time a transformation novel was written by Cang Yue was similar to transformation. You can still write this kind of book in an era when transformation is dead. My friend, you are the real hero.

I just saw a gay friend come to my door, and I want to make a suggestion. In male videos, try to write female characters next to female protagonists. It's not that you can't write male friends. It's just that if the number of male friends exceeds the female, or there are too many scenes or the relationship is too close, it will make people a little scared.

I don't want to write an invincible story that overwhelms the understanding of combat power, but from the moment I fight the insects, the protagonist behaves like an NPC in the game. He is very busy, but he doesn't know what he is busy with. The protagonist's self-confidence is inexplicably high after killing a few little monsters. Regardless of whether they are gods or ghosts, they are going to be reckless first. Being reckless can only rely on the sword to save the situation. What should I do if the sword is not there? Run then relies on external force to solve this copy. It can be said that my hard power is very low, and my reputation is all based on being abusing food and riding a car, including Chongben. Without Taoist priests, I can't open a altar, but without Taoist priests, I'm just waiting to die in it. This so-called Qingshu, the difficulty of the tasks is cross-level, the rewards are reluctant to give out, and the task description is a mess. Rather than saying it's the protagonist's fault, it's better to say that the protagonist is its chosen worker. Then there is Zhang Yanben. I can't figure out what the role of this character is? Does he want to avenge his family or simply wants to drag a few more people to die together? Why do some people think that team fights push other people's buttons, and they are expected to win team battles? And the most disgusting thing about this character is that he is purely self-interested in the end. He doesn't think about why his wife died and he didn't contribute at all. He doesn't think about how to avenge his family. What is he thinking about? Ah, if you can't kill this boss, then let millions of people be buried with me. And what is the description of Zhang Yan's death? Why can such a selfish guy, who thinks nothing of his own problems and only thinks about harming others, have a "good death"? Man, I can't tell you. Anyway, I saw this at 2 o'clock in the morning and it was already red. As long as it is changed to "Zhang Yan knows that his wife is dead and wants to avenge her, but the old demon is powerful and the official does not do anything, so he can only rely on himself to gather some powerful people to eliminate the demon. Then they gather together, complain, return other people's equipment and join the team together, and then die as the main character, and finally his wife comes to hell with him." This kind of plot is old-fashioned, but useful. I don't know what the later books are like, but after reading this Zhang Yan book, I really have no interest in reading it any more Do you feel that the protagonist is not strong enough and she has been working as a nanny? Do you feel that every book is disgusting and the rewards after completing the book are poor? Do you feel that the protagonist keeps getting stronger, but then becomes deflated after abusing the food? Do you feel that the protagonist is not lacking in highlights, but you just can't feel happy? It can be seen that the author likes to write high-difficulty novels. Starting from the insect novel, they are all difficult novels, and none of them can be solved by the protagonist on his own. The difficulty is no problem, but the rewards for clearing the difficult version are poor and the method of clearing is not eye-catching. Oh, I won't talk nonsense. Maybe some people will say that I teach authors to write books, but I found this book at ten o'clock. When I first read it, I thought I had found a treasure. Then at two o'clock in the morning, I saw Zhang Yanben at the point where it was just released, which should be refreshing or meaningful, so this basically pure emotion was output.

Has the author really polished the plot? It doesn't matter that the special department in the previous tomb robbing task couldn't bring weapons on the plane, the archaeological team went to the tomb to destructively excavate, and the sense of deja vu of the seventy-two changes in the earth does not matter. Did Zhang Yan write this plot to make it difficult for readers or something wrong? It is presupposed that a very fast thief stole the protagonist's sword, and also stole various border defense maps, heirlooms and other things to lure people to save people. The thief's childhood sweetheart in the official love affair was covered up by him, which almost led to the death of his life. In the last chapter, in the blink of an eye, the wife turned black and was blackmailed by the protagonist. In the end, he got his wish and died together with his wife, and the protagonist and his gang risked their lives to wipe his butt. It's not what you wrote. What story do you want to tell? What do you want to express? Others make readers feel frustrated because they want to express their emotions first, or to express some emotions or thoughts. You are the protagonist and his companions who were slipped away for more than ten chapters and then given a reason to fight the monster. It is purely suppressive. Are you on the same level as before it was released? I was really speechless, I had a lot of hidden words in my chest and I couldn't spit it out. At first I felt that it was the same as Disha 72 Transformation, but the difference was in the characterization and plot. However, as soon as it was released, readers were confused, thinking that you were a replacement or undermatch of Disha 72 Transformation, but it turned out that you were the Iron Fan Princess transformed by Bajie, and the pig's feet were exposed as soon as it was released. Others imitate Oreos and they are Oreos, but you make a whole Oreo. I can't tell whether you did it on purpose or if your level is like this. I hope you can maintain this score. I can't stand it anymore.

Dude, what you are writing is about transformation, not the female protagonist, and certainly not a female channel. Don't give in to emotion and plot in everything. This would only make people feel retarded in a male channel.

I skipped the thief and stole things, and I just finished reading the volume Hanban. I feel that this system is more harsh and stingy than the infinitely terrifying Lord God. Every time, my life hangs by a thread, and then a consolation prize is given out. And he is still a pure Riddler with a messy mission description. Infinite Horror can at least know in advance what the next copy will be and who the opponent will be.

I have read almost all of them, except for Zhang Yan's book. I didn't want to eat it at the beginning and skipped it. Therefore, I should be considered to have a say in some issues in this book. 1. The upgrade is not systematic and scattered. I have managed to maintain my spear skills, but my other abilities are scattered here and there. It is neither a certain skill nor a certain career panel. The current text effect is that at the end of each copy, there is no integrated ability improvement, or further development following a certain ability system. The popular Paradise of Reincarnation, The Devil's Cage, and Li Risheng's book Black Lantern Xia Huo are all considered this type of novels, or in other words, the routines, you can refer to how others arrange them. The start may not be so fast and systematic, but it must give people a sense of coherence. I don't think the coherence is enough in this book. 2. Non-physical power The gap between the enemy and the protagonist only has a few non-physical props in hand, and it feels like reaching the sky in one step. I personally think Yufeng is not a strong response and cannot solve the problem. A reckless man hits a mage, but there is no guarantee that he can resist or dodge 100% and get close enough to hit him on the head.

Shennong is here. Free chapters are good grass, you can chew them to relieve boredom. As soon as it was put on the shelves, it was a mess, and all the good impressions I wrote about it were lost. Isn't it better to feel dark... The level design, hitting a monster back and letting people escape without being hurt is really messy. Is there an air wall on the opposite side?

There are bugs in the plot of the novel, and many monster removal novels have this kind of bug: there are monsters outside the city! The government can only control the cities, so how do you solve the problem of grain production? In ancient times, the grain-producing areas were all in the rural wilderness. Controlling the grain-producing areas by monsters is actually equivalent to being besieged. Sooner or later, they will starve to death. If ordinary people starve to death, the upper levels will not be able to escape (if the bottom layer of the pyramid collapses, the upper levels will not be able to escape either).

It's not clear what rewards the protagonist gets, and the power system is unclear. And everyone else wants to see the protagonist getting stronger and stronger, but in the end, you are dead and no matter how awesome you are, you still have to send two peanuts. So what's the point of this plug-in? With these two points in mind, no matter how exquisite your writing is or how good the plot is, you still won't be able to retain people. After all, the audience limit is only that.