Miss, Please Slay the Demons

I have to say, it's been a long time since a transformation novel has piqued my interest this much. It was very enjoyable to read. The last time I read a transformation novel was a similar one by Cang Yue. In an era where transformation is considered dead, you can still write a book like this. My friend, you are the true hero.

I just saw a friend's comment and wanted to offer a suggestion: in male-oriented novels, it's best to include female characters alongside the female protagonist. It's not that you can't include male friends, but if the number of male friends exceeds the number of female friends, or if they have too much screen time or are too close, it can be a bit unsettling.

I don't want to write an invincible story that suppresses the understanding of combat power, but after defeating the insects, the protagonist's behavior is like that of an NPC in a game cutscene. He's very busy, but I don't know what he's busy with. After defeating a few minor monsters, the protagonist's confidence inexplicably soars.

Did the author really polish the plot? The previous tomb raiding story was fine, the special department couldn't bring weapons on the plane, the archaeological team's destructive excavation in the tomb was fine, and the feeling of the Seventy-Two Transformations of the Earthly Fiends was fine too, but why did Zhang Yan write this part of the story to make things difficult for the readers?

Dude, you're writing about a transformation, not a female lead, and it's definitely not a female-oriented novel. Don't sacrifice everything for emotions and plot. This kind of thing just makes people think you're stupid in a male-oriented novel.

I jumped over a thief to steal something; I just finished reading the volume on drought demons. This system feels even more demanding and stingy than the main god in Infinite Terror. Every time, I'm on the verge of death, and then they just give me a consolation prize and that's it. Moreover, he's a complete riddle maker, and his task description is a mess. At least in Infinite Terror, you can know in advance what the next dungeon is and who your opponent is.

I've read almost all of them, except for Zhang Yan's book, which I only tried the beginning of before giving up and skipped. So I should have some authority to comment on certain issues with this book. 1. The upgrades are disjointed and lack a coherent system. While the spear technique has been consistently maintained, other abilities are scattered and unsystematic.

Shennong is here. Free chapters are a good thing, something to enjoy and pass the time. It made a huge mess as soon as it was released, completely ruining all the goodwill I had built up before. It feels worse than Black... The level design is so bad that every time you fight a small monster, it lets the enemy escape without taking damage. It's ridiculous. Are there invisible walls on the other side?

The novel has plot holes, a common problem in many demon-slaying novels: demons exist outside of cities! The government can only control cities, so how do you manage food production? Ancient grain-producing areas were mostly in rural, desolate regions. Having these areas controlled by demons is tantamount to being besieged; starvation is inevitable. If ordinary people starve, the upper classes won't escape either (like the collapse of the pyramid's base).

The rewards the protagonist receives are not clearly stated, and the power system is vague. Moreover, everyone wants to see the protagonist get stronger and stronger, but you just set him to be untouchable no matter how powerful he is, he can still get fed even if he eats a couple of peanuts. What's the point of this cheat? With these two points alone, no matter how exquisite your writing or how good the plot is, you still won't be able to retain readers, because there's a limit to the audience.