Mysteriously Resurrected, I Grew up Again in the Hell Cinema

I don't quite understand this. When you can't survive, don't you always put your interests first? Moreover, the plot is also inexplicable. How did you become hostile? It would be more reasonable for you to devise a plot for the other party to provoke you and then kill him.

To be honest, if the old people in the Republic of China knew about the Hell Cinema, they would definitely throw garbage (ghosts) in it because the ghosts in reality can hardly be suppressed. There will definitely be a large number of ghosts in the bag. Author, you have to think about this to be the reality.

Cinema hell! This is the first time I've met a fan of this book in so many years. Supernatural writing was so good in the past. Look at the suspense area now. It's really not on the same level.

Please ask specifically for a reward. I'm a bit confused about the protagonist's thinking. Does the protagonist want to be the protagonist of the final horror film? If you want to, it would be nice not to suppress Ye Xiang intentionally or unintentionally. Why are you still trying to cultivate him? As a person who develops first and has a role as the protagonist of a series of movies, I feel that I can fight for it myself instead of cultivating Ye Xiang. Just asking, the author wanted to stop the supernatural and cut off the second half of Hell Cinema. Or do you also want to learn "advanced experience" to transform into fantasy?

Since you want to write about Ye Xiang and Bai Yushuo as a couple, then why did you write so many scenes between the protagonist and Bai Yushuo, and you still call her Bai Yushuo sister? Then what are you going to call Ye Xiang, brother? You really made me speechless.

I am a new author. When I watched Hell Cinema, I wanted to read a fanfic, but unfortunately I never had one. Later, when I read The Mysterious Resurrection of Lord Buddha, I suddenly wanted to combine the two books. However, this is my first time writing a book, so my writing style may not be very good. Book friends can give me some suggestions, and I will try my best to correct them.

The problem is that the two power systems are actually very different. The "Only ghosts can fight ghosts" arranged by Fo Ye and "You are weak if you can't fight" are the essence of the horror setting in the later period. Including the trick played by Fire on the second male Marquis, (isn't this much bigger than the one on the protagonist?) Fire leaves the problem to Naiya, the natural scapegoat. The Lezi people can create drama for fun to make the reinforcement of various strange character versions reasonable, but before that meeting Later experience (there is still a lot of power to deal with ghosts, it can't be that you are not strong enough) (the heroine's camp was changed in the early stage, Bai suddenly changed from a senior to the heroine) (forced to transform due to the influence of the Internet, a thriller plot collapsed into a cultivator) (I wanted to end the plot and then found a Japanese sadist to give the protagonist motivation to rise) (throwing the blame on Naiya and forced explanation). As a result, the early stage was good, but the mid-stage plot changed direction and collapsed, and the later stage had too many elements and could not find the sense of horror and lost the audience. These two books are really interconnected. They both write about ghosts well and about people and emotions. Both have controversial endings. In the early stage, they were all about "defeating magic with magic" (it may not be so outrageous if theaters don't mention the clean network in the later period). They can be used as "a strange place that affects endless time and space, alien civilization, and even the past" and "the place where a movie takes place" to draw a connection between them. Explain the other party from this perspective (what's wrong? 🤔) It's not that the measurement level of the theater must be higher than that of the recovery. After all, it will be affected by being forced to cultivate immortality. Just when it's about to transform, it starts to play with concepts Buddha's various deletions of horror elements, and even the strengthening of government power, so that people can survive in civilization instead of chaos, the big problem is It's everywhere, and there are empty points at home and abroad. The sky is about to fall. All kinds of old-timers support it, and they can't handle it. They are sealed. All kinds of tall people are really exerting their strength, including Lao Yang, who has grown up from the mentality of "we need to get something for ourselves when we cooperate" to "if this place sucks. I won't be able to live a good life". He is also forced to transform into a hero movie (but this one is handled relatively better. What sucks is You know what Jingwang can understand) (After all, these two books are not for this person) It can only be said that I have great expectations for the combination of these two books, but it is not to put pressure on the author. After all, the fans are all here for Liankongbi and those fans. Just write your own style. I hope you can follow the author to appreciate the different scenery of the fans.

Dear book friends, I actually have two development routes for Mysterious Recovery. First, it is to write according to the entire ending of the mysterious recovery, which is the same as the original work, and then add some plots of my own.        ，，， The plot of Yang Jian becoming a god was set up by Buddha from the very beginning. This was what Buddha said in the Galaxy Live broadcast room before.         ，，          ，          ，，，， In this way, everyone can have a sense of participation. If it is in the hell world, I don't necessarily want the protagonist to participate. I can also give the supporting characters a separate original movie, such as Ye Xiang, Fang Leng, and Bai Yushuo, to increase their strength in disguise

Compared to Hell Cinema, it feels better to be linked to horror.

I didn't expand the parts that should be expanded, but I was quite happy copying the original text?

To be honest, whether it's the original Hell Cinema or the current one, the movie "Alien Classroom" is a mess. It's written inexplicably

It's a pity that the setting is too dramatic and not rigorous, so this subject matter is relatively new.

The rhythm feels a bit messy, but I can accept it. The idea is very good and I have already ordered it all. I just asked if it is a harem. The descriptions of several women are promising, but later on, Ye Xiang and Bai Yusu are a bit competing. My idea is to either accept it or pass it by, and don't spend too much pen and ink writing about other people's wives. (My opinion: Don't spray if you don't like it. Recommended for harem)

I haven't seen Hell Cinema, so I can't comment on it, but you probably haven't imitated the essence. The sense of fragmentation is very serious, and the plot of the script in the cinema is simply incomprehensible. I can only say two words about the mysterious resurrection. Hehe

I read that many people said that this book is a bit like a running account, and it is indeed a bit like it. Then I feel that the author has tried hard, but the direction of his efforts is wrong. This book is a fan work. What is the biggest advantage of a fan work? Plot? Yes or no, the plot of the original work must be familiar, and the more regrets and regrets in the original work, the better. The purpose of fan fiction is to change the plot. Set up? The setting is perfect for the author, and the recovery is the starting point. It is a hot spot for fans to sit in and watch one (the other is mysterious). It can be said that they are all badly written, but it is tied to the movie theater. This setting is simply amazing. You can find such an unpopular author of the track. As long as there are no big problems, you will not collapse before the original plot collapses in the movie theater. The biggest advantage of doujin is actually the characters. It's so difficult to create a stand-alone character in your original work. The protagonists and supporting characters in 90% of Qidian's works are actually paper figures. But the characters in the early stage of the movie are actually very well created (this is also the reason why Tinder collapsed and was pushed back in the mid-term). But you didn't make good use of this advantage, and instead made it superfluous. Some book friends said that the plot has been as thin as a running account recently. If you want to add content, such as a fuller plot, or even a little description of the environment, you can, but you have too much heart and attitude. What are these two points for? To create characters, do Ye Xiang, Marquis, Bai Yushuo and Wen Yufan still need to establish their characters? The original work is already very three-dimensional 😅 When reading this part, I feel that the plot is dry and the content is watery. Tang Hailan was like this at that time, but he was a little transparent in the original work. If you want to establish her character image, these words are necessary (success or failure are two different things, 90% of the starting point works are unsuccessful in character creation, but they have to do it). But there is really no need to write like this for Ye, Bai, Wen, Heine, etc.

Can anyone tell me if the protagonist has given away the ghosts from the supernatural world to people in the cinema? If so, I can give it up and reward 100 points. I'd like to ask first, so as not to be disgusted by the plot I don't like in the future.

It's pretty, but it's too dry. I need a little more water It's a bit incoherent in many places.

Now that Bai Yushuo has signed a contract with the protagonist, he is the protagonist, and he and Ye Xiang currently have no relationship basis, so is Ye Xijing going to change her surname to Lin? If the plot is still the same as the original work, it is better to go directly to the original work.

It hurts my head to watch. There are so few thoughts about the characters' psychological activities in the movie. The dialogues between the characters are written by AI. One of the highlights of Hell Cinema is the characters' feelings of terror. As a result, the script was written directly to describe the characters. It was completely uninteresting and stiff, and there was no desire to continue watching. Also, the story about becoming a ghost controller was inexplicably written, and it happened all at once. The process of obtaining it is not written at all. The most speechless thing is that after becoming a ghost controller according to the setting in Mysterious Resurrection, whether it is dead or suppressed, it will be corroded by the supernatural. As a result, the protagonist directly comes to the Hell Cinema and says that there is no impact at all, which is too outrageous. Many descriptions are also messy, and there is no feeling of horror at all. I can only say that the subject matter is good, but the writing is too confusing.

I would like to ask, is the main plot of this book set in the mysterious recovery or in the movie theater?

If anyone has time, please take a look and give me some advice. Thank you. Book Title: He Resurrected from Mystery, Guide to Unlimited Streaming Copy

Author, why do you always pretend to be dead indirectly?