I Keep Growing Stronger in the Horror Cinema After Mystery Revival

To be honest, if the old people in the Republic of China knew about the Hell Cinema, they would definitely throw garbage (ghosts) in it because the ghosts in reality can hardly be suppressed. There will definitely be a large number of ghosts in the bag. Author, you have to think about this to be the reality.

Cinema hell! This is the first time I've met a fan of this book in so many years. Supernatural writing was so good in the past. Look at the suspense area now. It's really not on the same level.

Please ask specifically for a reward. I'm a bit confused about the protagonist's thinking. Does the protagonist want to be the protagonist of the final horror film? If you want to, it would be nice not to suppress Ye Xiang intentionally or unintentionally. Why are you still trying to cultivate him? As a person who develops first and has a role as the protagonist of a series of movies, I feel that I can fight for it myself instead of cultivating Ye Xiang. Just asking, the author wanted to stop the supernatural and cut off the second half of Hell Cinema. Or do you also want to learn "advanced experience" to transform into fantasy?

Since you want to write about Ye Xiang and Bai Yushuo as a couple, then why did you write so many scenes between the protagonist and Bai Yushuo, and you still call her Bai Yushuo sister? Then what are you going to call Ye Xiang, brother? You really made me speechless.

I am a new author. When I watched Hell Cinema, I wanted to read a fanfic, but unfortunately I never had one. Later, when I read The Mysterious Resurrection of Lord Buddha, I suddenly wanted to combine the two books. However, this is my first time writing a book, so my writing style may not be very good. Book friends can give me some suggestions, and I will try my best to correct them.

The problem is that the two power systems are actually very different. The "Only ghosts can fight ghosts" arranged by Fo Ye and "You are weak if you can't fight" are the essence of the horror setting in the later period. Including the trick played by Fire on the second male Marquis, (isn't this much bigger than the one on the protagonist?) Fire leaves the problem to Naiya, the natural scapegoat. The Lezi people can create drama for fun to make the reinforcement of various strange character versions reasonable, but before that meeting Later experience (there is still a lot of power to deal with ghosts, it can't be that you are not strong enough) (the heroine's camp was changed in the early stage, Bai suddenly changed from a senior to the heroine) (forced to transform due to the influence of the Internet, a thriller plot collapsed into a cultivator) (I wanted to end the plot and then found a Japanese sadist to give the protagonist motivation to rise) (throwing the blame on Naiya and forced explanation). As a result, the early stage was good, but the mid-stage plot changed direction and collapsed, and the later stage had too many elements and could not find the sense of horror and lost the audience. These two books are really interconnected. They both write about ghosts well and about people and emotions. Both have controversial endings. In the early stage, they were all about "defeating magic with magic" (it may not be so outrageous if theaters don't mention the clean network in the later period). They can be used as "a strange place that affects endless time and space, alien civilization, and even the past" and "the place where a movie takes place" to draw a connection between them. Explain the other party from this perspective (what's wrong? 🤔) It's not that the measurement level of the theater must be higher than that of the recovery. After all, it will be affected by being forced to cultivate immortality. Just when it's about to transform, it starts to play with concepts Buddha's various deletions of horror elements, and even the strengthening of government power, so that people can survive in civilization instead of chaos, the big problem is It's everywhere, and there are empty points at home and abroad. The sky is about to fall. All kinds of old-timers support it, and they can't handle it. They are sealed. All kinds of tall people are really exerting their strength, including Lao Yang, who has grown up from the mentality of "we need to get something for ourselves when we cooperate" to "if this place sucks. I won't be able to live a good life". He is also forced to transform into a hero movie (but this one is handled relatively better. What sucks is You know what Jingwang can understand) (After all, these two books are not for this person) It can only be said that I have great expectations for the combination of these two books, but it is not to put pressure on the author. After all, the fans are all here for Liankongbi and those fans. Just write your own style. I hope you can follow the author to appreciate the different scenery of the fans.

Dear book friends, I actually have two development routes for Mysterious Recovery. First, it is to write according to the entire ending of the mysterious recovery, which is the same as the original work, and then add some plots of my own.        ，，， The plot of Yang Jian becoming a god was set up by Buddha from the very beginning. This was what Buddha said in the Galaxy Live broadcast room before.         ，，          ，          ，，，， In this way, everyone can have a sense of participation. If it is in the hell world, I don't necessarily want the protagonist to participate. I can also give the supporting characters a separate original movie, such as Ye Xiang, Fang Leng, and Bai Yushuo, to increase their strength in disguise

Compared to Hell Cinema, it feels better to be linked to horror.

I didn't expand the parts that should be expanded, but I was quite happy copying the original text?

To be honest, whether it's the original Hell Cinema or the current one, the movie "Alien Classroom" is a mess. It's written inexplicably