Who Brought This Guy into the Monk Circle?

Now I have seen the scene where Bai Junya was rescued and her father beat down Qin Tiannan The early plot of this book is okay, and the main protagonist is basically outside the head-to-head confrontation. The main thing is to look at the elixir, but when it comes to Xiao and Bai, it's very strange Goldfinger is a weird elixir. You have to write that the protagonist relies on his body to fight the enemy head-on. The protagonist took the ghost elixir and improved his physical fitness, but he can't practice anymore. The growth behind the character is basically tied to the feedback function of the bottle, but in these paragraphs, the protagonist fights here and there every day, and no elixirs appear. Originally, I wanted to see the protagonist use elixirs to trick people or help others, and the protagonist himself does not end up with it. It's the protagonist who turns into a reckless man and fights here and there. The protagonist is still a weakling, so there's nothing interesting about it. It's not impossible for the protagonist not to join the sect. You can let the protagonist get some elixirs that others need in exchange for practice secrets. Each city can describe many things, but like At Xiao's place, if you just take three pills, they will still be the same three without any changes, and a lot of the fun will be gone. Take the Hexi pill for example. You can have the protagonist sell pills to two opposing forces. If one side takes the pill, the other side must also need it, right? The other side bought it, and the other side bought it again in order to suppress it. In the end, the protagonist gathered the wool for him to clean. It would be a lot more fun to make a plot, okay? For example, the two families in Bai Qin are almost two families working together to destroy the protagonist. It is not a hot-blooded novel. The protagonist is written to be isolated and helpless, and to destroy the world with the power of one person? What are you doing? Anyway, my opinion is basically that the protagonist should not be allowed to end on his own. It's no longer exciting at all, the golden fingers are already deceiving people, why should we still use the normal plot of cultivating immortals?

I laughed when I saw Chapter 43. After beating the young master of the Qin family, the protagonist said that he would run away immediately. However, from the time when the eldest young master of the Qin family ran home to the time when the head of the Qin family sent people to chase him to the inn, the protagonist changed clothes for at least half an hour. The author was afraid that the protagonist would run away and specifically asked the female supporting role to come and support him for 15 minutes. Or did the protagonist let her speak slowly, because it was about a beautiful woman who couldn't walk? This plot with the Qin family is too stiff.

Although he has avoided the pitfall of cheating on himself, it is hard to say whether he will send a daughter to his wife in the future, but the biggest problem currently displayed is which pills to take by himself. The pills for the previous one-year-old cultivation were okay and acceptable. The side effects had a time limit, and even if you couldn't practice, there were other ways to become stronger. But the elixir in the latest chapter is nothing. The power of nine oxen sounds very powerful, but it is useless in the later stage, but the side effects are always there in the later stage. The description of the side effects is so vague. Isn't this similar to the trap in the contract? Fortunately, I jumped in with great difficulty. What is the red unit? If you can't figure it out, this book will not work. If it is the opposite side of the male protagonist's camp, unless the hand of God forcefully pushes it, the male protagonist will be dead. The ancestors of the enemy camp will immediately hate him at a glance. The male protagonist still has a way to survive. Why? With the power of nine oxen? The benefits are completely out of proportion to the side effects. In the final analysis, the male protagonist's character collapsed at the beginning. A man who was unable to stand up for half a year due to side effects (could only squat to go to the toilet), a man who was always afraid of the side effects on himself and desperately sent pills to others, would he take it by himself without understanding the side effects?

The subject matter is also quite novel, and the plot is not trivial, but a bit slow. The overall plot tends to be happy, but in the later stages, the setting of the elixir being released has no sense of existence. Personally, I feel that this setting of the elixir being released from a bottle is more suitable for writing a group portrait article (the writing of this book is also okay). The emotional scenes are so awkwardly written, dragged out, pretentious, and awkward. There are a total of two love scenes in the book. In the early stage, the male protagonist and Miss Water Divine Power (the female protagonist in this book has very little writing), and in the later stage, Yi Xian and another Tiandao chess piece? (I forgot the name), both plots are very awkward. Not only are they clichéd, they are also draggy. This may be due to the lack of emotional drama. Despite this point, this book is quite enjoyable.

Is there any evil elixir that can break reproductive isolation, racial segregation, and the separation of life and death? The breeding elixir

By the way, many interesting elixirs are not entirely a good thing if they are one-time use. . . My suggestion is that the protagonist can make these strange elixirs himself later.

It feels weird The initiative is not in the hands of the protagonist but in the hands of the bottle. It feels very strange.

The characters in it have an IQ close to being mentally retarded, making it impossible to watch.

Extremely poisonous, only those with high poison resistance can watch it. The slave of the bottle, the protagonist who is thinking below, is indecisive and extremely aggrieved. If you don't like aggrieved, don't read it.

Changing the protagonist to an animal would not affect the storyline. I thought that making elixirs by yourself would have side effects, but in the article, a plug-in directly gives the elixirs. It's very confusing. The protagonist knows nothing. Change the protagonist to an animal and let the natives discover it. The natives will be the protagonist. It doesn't affect the storyline at all because there is no storyline.

I still relied on those outrageous pills to read, but I got addicted when I saw the plot of the Bai family. After taking the cultivation pill and fighting a few times, I realized that I was very good. I also had the magical power of water and fire and the path of hungry ghosts, but I still pretended to be a 🐢man. Maybe it's because the author himself is a 🐢, and I don't know how to write a normal male protagonist.

If you have any imaginative elixirs, you can create them. You are not afraid of being outrageous, but you are afraid that they are not outrageous enough. If the plot is suitable, we will write it in. There are many elixirs needed, so we are not afraid of not being able to use them.

I saw 40, and I was really impressed. You could write less and you could see the breasts, legs, and the Piggy figure that makes you swallow your saliva. Is it so exaggerated? It's really annoying to watch too much

Bai Jia and Linglan is a very big failure. You have to think clearly that what you are writing is an invigorating article. Don't write several pages with the same burden, and the readers will be shaken away.

Although it's a limited exemption, to be honest it's too addictive and I couldn't stand it until chapter 25. The idea is great, but the main and supporting characters are neither likable nor intelligent, and the weapon spirit is simply disgusting.

If the heroine doesn't ask the protagonist to come with her when she comes home, she has to wait until she is caught, or her best friend sends a letter to the protagonist to rescue her. The author is also rubbish. What age is it and the villain is just one step away from catching the heroine in the house to do something? Forcibly adding a setting that the elixir has no effect is actually illogical at all. In the process of the heroine being caught in the house, the male villain has touched the heroine all over, and her whole body is impure.

It's really disgusting. It was originally written well and interesting, but when the weapon spirit came out, it was a bit disgusting, but I could still watch it, and then the Bai family came... It was so fucking disgusting! ! Slipped away...

When I see a girl, I can't walk anymore and I want to fight to the death🐢. I am completely immersed in my art.

Classic marriage forced by the elders of the clan It's not just about getting along on the surface now, everyone has their own thing It seems that the spiritual root must be actually conceived to have offspring The elders of this clan are so forced, the one she married is far inferior to her own family In normal development without such a golden finger As time goes by, the person who married in the past may not hate her husband, but she must have resented the people who forced her to give birth to an heir Blow the pillow wind In turn, it is very easy to retaliate against these clan elders What is the right thing to do but to coax this aunt into a good relationship? It is really not possible to resort to tricks such as using bitter meat. Even if it is sold, we cannot use such strong coercion methods. I am really not afraid of being resented.

It's a waste of creativity. It's not fun, it's a waste of time, and it's led by a bottle. I doubt that this book even has an outline. It's purely based on a bottle to play the unit drama.

It's really disgusting. It's really disgusting to write this nonsense. After all, the core of the book was set at the beginning and this was published halfway.

How should I put it? The protagonist is too useless, his life is controlled by the bottle, and his behavior is defined by the bottle. He is a puppet protagonist. It is better to write that the protagonist is a bottle spirit

To be honest, your book is useless. I didn't spend a penny and read it twice for free.

It's not funny, it's not invincible, it's just cowardly. What a waste of time with such a good setting and a broken plot.

Today's webmaster was received. This week's second round of recommendations will be followed by next week's third round of recommendations. Thanks to the book friends who have always supported me. You saved the second round. The third round was supported by you. Thank you everyone!

Just watch the animation on Douyin, the novel is still too poisonous 😒😒😒😒

Maybe as the number of people who like to read this book increases, there will be book friends who will have doubts about elixirs. After all, along the way, the pills were random, especially the bottle and the weapon spirit were also contradictory. The bottle was obsessed with spitting out every day, and the weapon spirit was obsessed with high-end monks. In fact, what I have always wanted to reveal is not the elixir itself, but what the bottle is intended to do. I have never named the bottle, I just call it simply by its material. It shouldn't be considered a spoiler! The bottle cannot be named, cannot be defined.

As far as introduction goes, what's wrong with this pig's foot? There is no problem at all. I am rushing to get the elixir.

Watch the animation on Douyin and it's okay, but the novel is really poisonous

You are all very powerful, but my poison resistance is not high, so I stopped at Chapter 47 🤔